Take Me Home
- El episodio se transmitió el 24 jun 2025
- TV-14
- 41min
CALIFICACIÓN DE IMDb
5.3/10
7 k
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Una brillante estudiante del MIT crea un traje de alta tecnología siguiendo los pasos de Tony Stark. Mientras enfrenta obstáculos como mujer afroamericana en el mundo tech, surge una amenaza... Leer todoUna brillante estudiante del MIT crea un traje de alta tecnología siguiendo los pasos de Tony Stark. Mientras enfrenta obstáculos como mujer afroamericana en el mundo tech, surge una amenaza que pondrá a prueba su destino como heroína.Una brillante estudiante del MIT crea un traje de alta tecnología siguiendo los pasos de Tony Stark. Mientras enfrenta obstáculos como mujer afroamericana en el mundo tech, surge una amenaza que pondrá a prueba su destino como heroína.
- Dirección
- Guionistas
- Elenco
Jaren Merrell
- Slug
- (as Shea Couleé)
Opiniones destacadas
Definately that wasn't a good way to introduce the characters. The protagonist's motivations are poor and goofy, unfortunately. The dialogues are poor as well. This doesn't like a super hero story to me. It seems like the showrunner of this show forgot all the events from Wakanda Forever here. They could give a better motivation for the protagonist and give her a better heroic profile. The place, or city, is nice and the photography seems to be good. The legacy of Tony Stark is not honored here in my point of view. I thought the protagonist was going to build her story on Tony's legacy, but that didn't happen.
Many viewers have grown disenchanted with the Disney+ MCU series, with a significant portion of the audience having long since disengaged. Nevertheless, I find it worthwhile and somewhat relevant to stay informed about the ongoing developments within the MCU, as it often provides easy, accessible entertainment. That said, I didn't have particularly high expectations for this show-not due to any disinterest in the character, but because its prolonged development suggested that Marvel might have been attempting to conceal it. However, the first episode of "Ironheart" has been released, and it proves to be fairly solid.
The opening of the episode is densely packed, and it becomes evident that the show has undergone multiple revisions. What seems like it should have been a more impactful introduction-perhaps spread across several episodes-is condensed into a few minutes, which rather abruptly thrusts us into the action. We are quickly introduced to the protagonist and the opposing heist group, but the pacing feels uneven as a result. However, the episode gains its footing once it delves into the emotional core of Riri's backstory, exploring her relationships with her mother, friends, and family in Chicago. This is where the audience truly connects with her, gaining insight into her struggles. It is in these moments that Dominique Thorne has the opportunity to truly shine. As Riri expresses her desires, vulnerabilities, and passions, Thorne exemplifies why she was the perfect choice for the role. There is a palpable fire within this character, making her endlessly relatable and engaging. Overall, the actors compensate for the heavy exposition, which at times hinders the pacing. Additionally, it is refreshing to return to the fundamental aspect of genius-passion. While Tony Stark's genius was powered by vast resources, Riri's brilliance is driven by necessity, forcing her into morally ambiguous actions. This dynamic brings her into conflict with the antagonists, including a quietly formidable Anthony Ramos as the Hood.
"Take Me Home" serves as a solid introduction to both the character and the series, though it feels as though it was intended to be more expansive. While the episode appears to have undergone some retooling, it nonetheless succeeds in establishing Riri as a compelling lead and in laying the groundwork for an intriguing narrative moving forward.
The opening of the episode is densely packed, and it becomes evident that the show has undergone multiple revisions. What seems like it should have been a more impactful introduction-perhaps spread across several episodes-is condensed into a few minutes, which rather abruptly thrusts us into the action. We are quickly introduced to the protagonist and the opposing heist group, but the pacing feels uneven as a result. However, the episode gains its footing once it delves into the emotional core of Riri's backstory, exploring her relationships with her mother, friends, and family in Chicago. This is where the audience truly connects with her, gaining insight into her struggles. It is in these moments that Dominique Thorne has the opportunity to truly shine. As Riri expresses her desires, vulnerabilities, and passions, Thorne exemplifies why she was the perfect choice for the role. There is a palpable fire within this character, making her endlessly relatable and engaging. Overall, the actors compensate for the heavy exposition, which at times hinders the pacing. Additionally, it is refreshing to return to the fundamental aspect of genius-passion. While Tony Stark's genius was powered by vast resources, Riri's brilliance is driven by necessity, forcing her into morally ambiguous actions. This dynamic brings her into conflict with the antagonists, including a quietly formidable Anthony Ramos as the Hood.
"Take Me Home" serves as a solid introduction to both the character and the series, though it feels as though it was intended to be more expansive. While the episode appears to have undergone some retooling, it nonetheless succeeds in establishing Riri as a compelling lead and in laying the groundwork for an intriguing narrative moving forward.
Though we met Riri Williams in the underrated Black Panther: Wakanda Forever, we didn't dive deep into who she was as a character.
Here, we get to find out what makes Riri special. She's her own thing, she isn't Tony Stark or Shuri, she is from a poor background and didn't have the resources both Stark and Shuri inherited.
Looking forward to see the rest of the show. It feels like this show has something to say and I think we will have fun time getting there.
Jim Rash was a fun deep cut for a returning character, but mostly excited for the excellent Anthony Ramos to flex his charm as The Hood.
Here, we get to find out what makes Riri special. She's her own thing, she isn't Tony Stark or Shuri, she is from a poor background and didn't have the resources both Stark and Shuri inherited.
Looking forward to see the rest of the show. It feels like this show has something to say and I think we will have fun time getting there.
Jim Rash was a fun deep cut for a returning character, but mostly excited for the excellent Anthony Ramos to flex his charm as The Hood.
I really wanted to like Ironheart. As a huge fan of the Marvel universe, the concept of a new superhero emerging usually excites me. I appreciate that superhero stories blend science fiction with a touch of the fantastical; the appeal lies in that delicate balance between the unbelievable and the grounded.
However, Ironheart pushes the boundaries too far. The show introduces Riri Williams as a genius who, seemingly overnight, creates a sophisticated, AI-guided flying suit while still in school. This feels far too accelerated and undermines the very premise of a "superhero business" like Stark Industries. It's one thing for a hero to be exceptionally gifted, but when they can replicate, in a dorm room, what takes immense resources and years of development for multi-billion dollar corporations, it breaks the suspension of disbelief essential to the genre.
However, Ironheart pushes the boundaries too far. The show introduces Riri Williams as a genius who, seemingly overnight, creates a sophisticated, AI-guided flying suit while still in school. This feels far too accelerated and undermines the very premise of a "superhero business" like Stark Industries. It's one thing for a hero to be exceptionally gifted, but when they can replicate, in a dorm room, what takes immense resources and years of development for multi-billion dollar corporations, it breaks the suspension of disbelief essential to the genre.
I honestly don't know what I'd change to improve the episode - the cast are pretty good so far, and the setting/music/camera etc are all good, and it IS only the first episode, but it's just not lighting me up like the Netflix shows did. In fact, it's probably the least exciting opening episode to a Marvel show so far for me. I'm not gonna stop watching it or anything, but yeah it's a slow start compared to what came before it.
Come to think of it, my lack of excitement COULD be because I have no prior knowledge of any of the characters aside from a very fleeting meeting of The Hood somewhere in the comics? Either way, I'm interested, if not excited, to see what the rest of the series has in store...
Come to think of it, my lack of excitement COULD be because I have no prior knowledge of any of the characters aside from a very fleeting meeting of The Hood somewhere in the comics? Either way, I'm interested, if not excited, to see what the rest of the series has in store...
¿Sabías que…?
- TriviaAt MIT, Riri receives payment for helping out other students. At one point, cash is hidden between the pages of the book "Look Out for the Little Guy!" by Scott Lang, first seen in Ant-Man and the Wasp: Quantumania (2023).
- ErroresThe A.I. projection purportedly comes from the suit's chestplate, yet it isn't altered by the suit being yanked around the apartment at various angles, and no part of it disappears when sightlines to the chestplate are blocked. The only distortions apparent are signal distortions.
- Citas
Riri Williams: You want me to be small. But I refuse.
- Créditos curiososThe series title appears as a crater formed from Ironheart crashing her suit.
- ConexionesEdited from Pantera Negra: Wakanda por siempre (2022)
- Bandas sonorasAltar
Written by Kianna Fleming, Alec Douglas Ness, and Dylan Wiggins
Performed by Dizzy Fae
Courtesy of Dizzy Fae
By arrangement with The Greater Goods Co.
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Detalles
- Tiempo de ejecución
- 41min
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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