Friend or Woe

I love Buscemi in almost everything he is in but somehow he is he goofy enough or sinister enough. The show grinds to a halt when ever he is on camera. He needed to be more Jim Carey or Patrick harris. Other wise the episode work well.

The camp of course is a call back to Addam' Family Values

This just a throw away episode.

...are all over this. While people are criticizing this show as Tim Burton not working to potential, Burton's not the only one with input into this series.

The slow tease of Wednesday's story is reminiscent of another Gough/Millar-created show: "Smallville" in which they spent years with this nod nod, wink wink look at the coming of age of Superman.

And for those who don't like Luis Guzman as Gomez (not seen here), there can be only one John Astin. Even Raul Julia in the 90s films was a poor substitute. Let's not be too harsh.

While we've only ever known Wednesday as a child until now and this is terra nova, it seems as if they're trying to create a backstory for Gomez and Morticia as well.

The show finally stops picking at the thread and begins to present us with what it promised in premise and setup. Everyone is giving it their all with what they're given and the this ultimately provides for an entertaining episode setting up multiple threads at once. That said, the dialogue is humiliating and seems to be written by a 40-year-old teen. Normies is used in-universe with a straight face, one hundo, and mansplaining. Soundtrack is becoming grating at this point as the music smothers dialogue and one can only take so many string covers. The show, like the characters, wears its intentions on its sleeve but is ultimately saved by technical execution.

I think the series is reaching a point where it does a good job but stays in that line. That is, to be entertaining but not particularly impressive. Basically, it has turn into a series with episodes that don't disappoint but at the same time doesn't provide any excitement.

It is-basically-falling for the typical who's-the-killer plot, and that's fine, however it can also be boring after a while, so I wonder what are they going to do to keep it entertaining.

Aside from that, I have been enjoying-a little bit more-Jenna Ortega as Wednesday. Also, the choices on music, like Vivaldi and Metallica. Those a great for the theme. Besides, I love the songs that they used.

Even though "Wednesday" appears to have gotten off to a sluggish start, the show is really starting to come into its own, embracing the quirky absurdity of its premise and having fun with it while also managing to strike a good balance between genuine intrigue and mystery and brilliantly constructed moments of comedy.

In addition, Tim Burton's instantly recognisable visual aesthetic is becoming further engrained in each episode, giving the series a singular identity that helps it stand out from the rest of the competition.

Wednesday Addams is represented more realistically as well, with all of her sadness and cynicism being brought out without going too far into pity lest we lose sight of what it is about her that makes her so endearingly different from other people. It gives me pleasure to see that they have refocused on her and provided her with a route that is more plausible. In this episode, she is completely preoccupied with pursuing her own objectives and dealing with the uncertainty of the issue without getting diverted by other things, which is exactly what we would want her to be doing.