Un Paseo Con Madeleine

Thank you Barbra Streisand for mentioning this beautiful French 🇫🇷 movie Driving Madeleine (French: Une belle course) as you accepted your well deserved SAG Lifetime Achievement Award today.

My Review- Driving Madeleine My Rating 9/10 Streaming on SBS on Demand

This is a 2022 French-Belgian drama film directed by Christian Carion.

It stars Line Renaud who was born on the 2nd of July 1928 now 95 years old she is a French singer, actress and AIDS activist.

Her heartwarming portrayal of a 92 year old woman about to enter a care home and calls a cab to take her there in a very roundabout way is sublime.

Her early reminiscing is played in flashback and beautifully cast with Alice Isaaz .

Dany Boon is perfect as the stressed taxi driver Charles who drives Madeline around Paris as they both relate their life stories .

It's a wonderful movie and well worth the taxi fare as well as being a touching story as Madeleine tells Charles about her long life and Charles gradually lets Madeleine draw him out to relate his life to her we get a free trip through beautiful Paris streets and suburbs as this delightful couple relate to each other.

It's free to watch on SBS on Demand

Highly recommended by Barbra and me .

You'll need a tissue at the conclusion.

This was a film I didn't at first think would be very interesting, but that was just based on a fleeting glimpse of the basic plot. Boy was I wrong. It turned out to be a sublime, at times gut wrenching and tear-jerking film about an elderly, spirited woman who recalls her life to a world weary (and at first, indifferent) taxi driver, superbly played by Danny Boon. French film-makers in particular seem to have a knack of turning a simple story into a compelling, inspiring drama so full of heart and warmth. Christian Carion has created 90 minutes of magical storytelling whilst taking us on a journey through modern Paris. I didn't want this taxi ride to ever end!

92 year-old Madeleine is leaving her suburban home to enter an aged-care facility on the other side of Paris. Charles, a taxi driver, knows it will be a good fare and comes to pick her up. She is in no hurry to reach her new home and asks him to go via various places which have been significant in her life. As the journey goes on, she shares some of the events of her incredible life with him, as well as wisdom that is useful for his rather jaded existence. There are some flashbacks which show the changing times, including some interesting courtroom scenes. Charles, the cabdriver, in turn becomes increasingly interested, kind and generous.

On this, Madeleine's last lap of Paris, naturally the city stars with its landmarks, restaurants and general life, including separated bikelanes... if they can do it there... And all of this is set to some great songs of the 1940s.

The famous actors are superb, of course, as Madeleine, Liné Renaud (who is 94 and whose film credits go back to the 1940s) and as the cabbie, French star, Dany Boon. The story is well-paced, nicely filmed and quite a touching little gem, somewhat reminiscent of the fine Australian taxi-ride drama, 'Damage' (2022).

One of the movies that remain in my mind that I enjoyed watching. The beautiful content, the beautiful narrative, the feeling was completely transferred to the viewer, and after the end of the movie, the viewer will definitely connect with his heart and think.

In some parts of the movie, you can imagine yourself in a taxi and be a part of the movie The pains that suffered in life, what time of abuse, who saw his wife and when he was released and lost his son. The taxi driver that was wonderful.

The movie music was great, excellent imaging. An interesting harmony was visible throughout the film.

Yes, the story has a predictable ending. It doesn't take very long into the movie to have some idea of how it's going to end, but that's the point.

Why watch a movie that's pretty transparent about the ending? Because the characters are so well written, it's beautifully acted and before long you feel for the characters emotionally.

There were moments where I felt tense, my jaw clenched in anger because of how close to these characters I felt.

It was like I was drawn in to be a relative or a friend. I rode the knocks, felt the laughter and their sorry. They were perfectly relatable.

In a place where movies strive to grab your attention with explosions, or by trying to tick every box in a politically correct smorgasbord, this movie was stripped back to a couple of characters, their rapport and a story.

Truly moving. I'd happily see it again.