CALIFICACIÓN DE IMDb
7.2/10
42 k
TU CALIFICACIÓN
Una recopilación de entrevistas, ensayos y metraje entre bastidores de Michael Jackson mientras se preparaba para su serie de espectáculos con entradas agotadas en Londres.Una recopilación de entrevistas, ensayos y metraje entre bastidores de Michael Jackson mientras se preparaba para su serie de espectáculos con entradas agotadas en Londres.Una recopilación de entrevistas, ensayos y metraje entre bastidores de Michael Jackson mientras se preparaba para su serie de espectáculos con entradas agotadas en Londres.
- Premios
- 6 premios ganados y 10 nominaciones en total
Argumento
¿Sabías que…?
- TriviaGuitarist Orianthi Panagaris states in an interview that she received an invite to audition for a spot on the tour via MySpace. When she showed up to audition, Jackson and other producers asked her to play the solo from the song "Beat It." After playing the piece, Jackson approached Panagaris, took her arm, and asked if she could play the solo walking across the stage at a specific speed. When she responded she could handle the assignment, Jackson hired her on the spot.
- Citas
Michael Jackson: [to guitarist Orianthi Panagaris, encouraging her to play louder] This is your moment to shine.
- Créditos curiososThere are two scenes after the closing credits. The first was a clip of Michael rehearsing "Human Nature" a couple of weeks before his death. The other was a video of the little girl who appeared in "Earth Song" holding the earth with the words "Heal The World" above her, followed by Michael's signature, and his final message to his fans: "I love you."
- ConexionesEdited from The Whole Town's Talking (1935)
- Bandas sonorasThey Don't Care About Us
Written and Performed by Michael Jackson
Opinión destacada
No one has any apology to make about this wonderful documentary, least of all Kenny Ortega. When I heard he intended to take "rehearsal" footage of the "This Is It" tour and market it as a film, I assumed it was an attempt to recoup the investment made in the project. Who could have guessed that this film would stand on its own and also enter the echelons of the "best" documentaries about rock music ever made? No less, Michael Jackson reveals more about himself in this footage than we've ever seen before. It's his premiere moment on film, and I would guess he would not have wanted it shown only because we see—for the first time—Jackson without a mask. I won't attempt to characterize this complicated, insanely talented, person, but basically he's painfully shy. And he excelled at one of the most public vocations there is: performing.
What's interesting about the footage is that it exists at all. But since concerts today use video projection for the large venues where they play, it was natural to include the cameras during the rehearsal period. And it's riveting! Nothing is ever less than compelling in large part due to the level of talent in all quarters. The dancers, the musicians, the back-up singers, sets, costumes it's a parade of the best of the best. While Jackson is the center of all of this, if you don't care for him, there's plenty of other things to look at and enjoy.
Any sadness is brought by the viewer. There's not one nod to Jackson's demise or when it occurs. He looks thin, but even in a rehearsal mode, he's electrifying, and I think that's why the film works. We're not at some huge arena (for which the concert was conceived) with 10,000 screaming fans. And rather than missing that electricity, we get intimate performances of familiar Jackson material. But it's re-imagined and you never know what's coming next.
An alert: there is footage throughout the final credit sequence and after the credits end. And if you can, see it in a DP theater...for the sound alone. An amazing experience!
What's interesting about the footage is that it exists at all. But since concerts today use video projection for the large venues where they play, it was natural to include the cameras during the rehearsal period. And it's riveting! Nothing is ever less than compelling in large part due to the level of talent in all quarters. The dancers, the musicians, the back-up singers, sets, costumes it's a parade of the best of the best. While Jackson is the center of all of this, if you don't care for him, there's plenty of other things to look at and enjoy.
Any sadness is brought by the viewer. There's not one nod to Jackson's demise or when it occurs. He looks thin, but even in a rehearsal mode, he's electrifying, and I think that's why the film works. We're not at some huge arena (for which the concert was conceived) with 10,000 screaming fans. And rather than missing that electricity, we get intimate performances of familiar Jackson material. But it's re-imagined and you never know what's coming next.
An alert: there is footage throughout the final credit sequence and after the credits end. And if you can, see it in a DP theater...for the sound alone. An amazing experience!
- Michael Fargo
- 27 oct 2009
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Michael Jackson's This Is It
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 60,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 72,091,016
- Fin de semana de estreno en EE. UU. y Canadá
- USD 23,234,394
- 1 nov 2009
- Total a nivel mundial
- USD 267,983,588
- Tiempo de ejecución1 hora 51 minutos
- Color
- Mezcla de sonido
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Principales brechas de datos
What is the Spanish language plot outline for Esto es todo (2009)?
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