Attila
- El episodio se transmitió el 21 feb 2025
- TV-MA
- 48min
CALIFICACIÓN DE IMDb
8.3/10
11 k
TU CALIFICACIÓN
Reproducir clip3:36
Ver How Adam Scott Makes the "Severance" Elevator Switch Believable
Los vínculos de los empleados cercenados se ponen a prueba. En el exterior, Irving acude a una cena tensa mientras Mark toma un gran riesgo.Los vínculos de los empleados cercenados se ponen a prueba. En el exterior, Irving acude a una cena tensa mientras Mark toma un gran riesgo.Los vínculos de los empleados cercenados se ponen a prueba. En el exterior, Irving acude a una cena tensa mientras Mark toma un gran riesgo.
Michael Chernus
- Ricken Hale
- (solo créditos)
Patricia Arquette
- Harmony Cobel
- (solo créditos)
Ólafur Darri Ólafsson
- Mr. Drummond
- (as Darri Ólafsson)
Marc Geller
- Kier Eagan
- (solo créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Thematically the strongest episode in the season yet. Mark's procedure comes full circle, and it leaves me wanting more and more. The dinner scene was some of the strongest dialogue in the show yet. Exploring the themes of what it's like to be an innie and the consequences of what happens on the outside world while the other severed part remains the best explored part of the show so far. I really loved the score, and many of the scenes succeeded in a great nail biting fashion. I'm eager for more, and this is shaping up to be one of the better seasons of television. It's brilliant and I'm here for it.
The film-o'graphy was clever at times, aggravating at others. Some of the scenes were quite good; just about every viewer will enjoy the awkward office retreat (winky face) or the homosexual love triangle discussing their unprotected lust-acts (goats NOT involved) over a delicious meal. Impeccable cinema for an otherwise dry spell of a season. Speaking of which, it's also impossible to overlook how this is The Episode where the writers finally decide to lift their foot off of the brake pedal, allowing the plot to inch forward a bit after half a season of the universe calmly waiting at a near-perfect standstill, with only minor character development to make up for the fact.
These characters, however and regardless of personal development, have had their behaviors growing increasingly silly to fit into whatever holes the plot provides, as if it was written the wrong way around. Everyone in the universe-innie and outie-has been growing increasingly clueless and irrational since the beginning of the season. Very distracting!
These characters, however and regardless of personal development, have had their behaviors growing increasingly silly to fit into whatever holes the plot provides, as if it was written the wrong way around. Everyone in the universe-innie and outie-has been growing increasingly clueless and irrational since the beginning of the season. Very distracting!
The Dylan plotline, the Irving plotline, the Mark plotline (innie and outie)... everything about this episode is top tier. There's so much to talk about here, lots of incredibly thought provoking scenes.
For one, it's so interesting that Dylan's wife prefers him on the inside than on the outside. It's tragic that Dylan will never be able to live with his wife, that line was a gut punch. I wonder what will happen when Dylan inevitably loses this privilege, and it sucks that he's slowly losing his friendships due to wanting to keep seeing his wife.
Irving's dinner with Burt was just as fascinating. This whole episode has a theme of innies being separate people from their outies, and we can see that clearly through Burt who is a completely different person. I love how this episode subverts your expectations because you originally think there's going to be tension between Fields and Irving, but then the conflict comes from Burt. Fields is definitely used to being hurt by his husband and has accepted it at this point, it's crazy that Burt cheated on him before he was severed. Also adored the discussion of whether innies can go to heaven separately, and how both of them have somehow accepted that outie Burt is going to hell.
The reintegration scenes are also a highlight of the episode. They're so surreal and do a great job of capturing the feeling of uncertainty that both Marks must be feeling. There's an incredible sense of weight to Mark's decisions, you get the feeling that reintegration is just as dangerous as they say, since you're literally experiencing it from Mark's perspective. It was a great writing decision for him to change his mind after meeting Helly and seeing how little she cares about his wife. I also thought the way they handled innie Mark confessing the truth to Helly was perfect. It was devastating to see Helly slowly realize what Mark is telling her. It's realistic that she would want space at first, but I like that she came to the conclusion that her outie is the problem, not Mark. You can't really blame him tbh, she was so convincing as Helly.
Overall, this is another incredible episode that completely flew by. This is slow burn done right. You can tell the show is peak when the slower scenes are equally as compelling as the more important ones. What a show!
For one, it's so interesting that Dylan's wife prefers him on the inside than on the outside. It's tragic that Dylan will never be able to live with his wife, that line was a gut punch. I wonder what will happen when Dylan inevitably loses this privilege, and it sucks that he's slowly losing his friendships due to wanting to keep seeing his wife.
Irving's dinner with Burt was just as fascinating. This whole episode has a theme of innies being separate people from their outies, and we can see that clearly through Burt who is a completely different person. I love how this episode subverts your expectations because you originally think there's going to be tension between Fields and Irving, but then the conflict comes from Burt. Fields is definitely used to being hurt by his husband and has accepted it at this point, it's crazy that Burt cheated on him before he was severed. Also adored the discussion of whether innies can go to heaven separately, and how both of them have somehow accepted that outie Burt is going to hell.
The reintegration scenes are also a highlight of the episode. They're so surreal and do a great job of capturing the feeling of uncertainty that both Marks must be feeling. There's an incredible sense of weight to Mark's decisions, you get the feeling that reintegration is just as dangerous as they say, since you're literally experiencing it from Mark's perspective. It was a great writing decision for him to change his mind after meeting Helly and seeing how little she cares about his wife. I also thought the way they handled innie Mark confessing the truth to Helly was perfect. It was devastating to see Helly slowly realize what Mark is telling her. It's realistic that she would want space at first, but I like that she came to the conclusion that her outie is the problem, not Mark. You can't really blame him tbh, she was so convincing as Helly.
Overall, this is another incredible episode that completely flew by. This is slow burn done right. You can tell the show is peak when the slower scenes are equally as compelling as the more important ones. What a show!
A strong follow up to episode 4. This makes me very excited for this season finale!
This all I want to say. So the following is chatgpt generated.
Mind-blowing chapter that perfectly balances tension, mystery, and emotional depth. The storytelling is razor-sharp, with every scene packed with intrigue and shocking revelations. The performances are phenomenal, especially from Adam Scott, who continues to elevate the psychological weight of the series.
The cinematography and score create an unsettling yet mesmerizing atmosphere, keeping viewers on edge. Just when you think you have answers, the show pulls the rug out again. A masterclass in sci-fi and psychological thriller storytelling-this episode proves why Severance is one of the best shows of our time.
Remember to enjoy all episodes equally!
This all I want to say. So the following is chatgpt generated.
Mind-blowing chapter that perfectly balances tension, mystery, and emotional depth. The storytelling is razor-sharp, with every scene packed with intrigue and shocking revelations. The performances are phenomenal, especially from Adam Scott, who continues to elevate the psychological weight of the series.
The cinematography and score create an unsettling yet mesmerizing atmosphere, keeping viewers on edge. Just when you think you have answers, the show pulls the rug out again. A masterclass in sci-fi and psychological thriller storytelling-this episode proves why Severance is one of the best shows of our time.
Remember to enjoy all episodes equally!
This is rare for apple shows. Most shows I seen on Apple mostly take 2nd season slow. However, even people still make bad comments online, Severance gave us 2nd season finale quality episode on 6th episode. Mind-blowing experience without compromising cinematic quality nor story. There are still empty spots on mind and questions that are raised on the story, but the information bomb in just 50 minutes... too much.
In my advice, it is an episode to watch at home, or at somewhere you can loudly say "What's happening". Live the experience as a whole, and enjoy each moment equally. Because this episodes first-watch will be a special cinematic experience for you.
In my advice, it is an episode to watch at home, or at somewhere you can loudly say "What's happening". Live the experience as a whole, and enjoy each moment equally. Because this episodes first-watch will be a special cinematic experience for you.
¿Sabías que…?
- TriviaWhile discussing Burt's start at Lumon, he states that there is only one Jesus. John Turturro played "The Jesus" in El gran Lebowski: Identidad peligrosa (1998).
- Citas
Helly Riggs: Did everyone sever their balls in the elevator this morning?
- ConexionesFeatured in The 77th Primetime Emmy Awards (2025)
- Bandas sonorasSunshine of Your Love (Live)
Written by Pete Brown, Jack Bruce, Eric Clapton
Performed by Ella Fitzgerald
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Detalles
- Tiempo de ejecución
- 48min
- Color
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