Una reformada conductora de fugas se ve arrastrada de nuevo a su desagradable pasado cuando un antiguo empleador le ofrece la oportunidad de salvar la vida de su ex novio, que no es de fiar.Una reformada conductora de fugas se ve arrastrada de nuevo a su desagradable pasado cuando un antiguo empleador le ofrece la oportunidad de salvar la vida de su ex novio, que no es de fiar.Una reformada conductora de fugas se ve arrastrada de nuevo a su desagradable pasado cuando un antiguo empleador le ofrece la oportunidad de salvar la vida de su ex novio, que no es de fiar.
- Dirección
- Guionista
- Elenco
Jon Elliott
- Stilts
- (as Jon Elliott Solomon)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's shallow, with the plot and vibe bringing little to the table, yet I enjoyed every minute of it. I wasn't preached at, signaled at what the correct world view I was supposed to have, or even tried to impress me with masterful writing or directing. If I was rating this movie in an earlier year, I would probably rate it lower. But with absolute unwatchable garage getting 7-8 ratings, this easily scores as a 7 in my book.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
This is like a low-effort version of 'Crank' - less action, more 'vibe'. If you aren't in the mood for that vibe, it might rub you the wrong way. Decent enough car scenes to be entertaining, decent enough acting to sell the casual 'what did I do?' vibe, and chaotic enough to entertain.
Eenie Meanie is a Hulu heist comedy-thriller that aims high but lands somewhere in the middle of the road.
Directed and written by Shawn Simmons, it stars Samara Weaving as Edie, a former teenage getaway driver forced back into crime to rescue her deadbeat ex-boyfriend John (Karl Glusman) from a dangerous predicament.
The plot kicks off with promise - sharp car chases, F-bomb-laden banter, and a talented ensemble including Andy Garcia, Steve Zahn, and Randall Park - but it quickly devolves into a convoluted mess of genre shifts from silly action to forced relationship drama.
Weaving shines as always, injecting grit and charisma into her role, making Edie the film's saving grace. The supporting cast delivers solid laughs in spots, but the script feels derivative, borrowing heavily from films like Baby Driver without the style or soul.
Pacing drags in the middle, with unnatural dialogue and unlikable side characters undermining the thrills. It's packed with violence that sometimes mistakes brutality for humor, and the ending, while twisty, feels underwhelming.
Overall, at 5.5/10, it's a decent 2 screen watch - perfect for half-attentive viewing while multitasking. Not a must-see, but harmless background fodder for a lazy evening.
Directed and written by Shawn Simmons, it stars Samara Weaving as Edie, a former teenage getaway driver forced back into crime to rescue her deadbeat ex-boyfriend John (Karl Glusman) from a dangerous predicament.
The plot kicks off with promise - sharp car chases, F-bomb-laden banter, and a talented ensemble including Andy Garcia, Steve Zahn, and Randall Park - but it quickly devolves into a convoluted mess of genre shifts from silly action to forced relationship drama.
Weaving shines as always, injecting grit and charisma into her role, making Edie the film's saving grace. The supporting cast delivers solid laughs in spots, but the script feels derivative, borrowing heavily from films like Baby Driver without the style or soul.
Pacing drags in the middle, with unnatural dialogue and unlikable side characters undermining the thrills. It's packed with violence that sometimes mistakes brutality for humor, and the ending, while twisty, feels underwhelming.
Overall, at 5.5/10, it's a decent 2 screen watch - perfect for half-attentive viewing while multitasking. Not a must-see, but harmless background fodder for a lazy evening.
This movie hits home in so many ways. Samara did a great job as a person that struggles to have control of her life, but can't break free, because loyalty can be a curse.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
The car chase scenes were used to not as a main point, but to give a break from some heavy drama, which I appreciated.
Kudos to Marshawn, his acting is improving, keep up the good work, there's lots of room for improvement.
I would have given the movie a 7, but it's pace was good enough that I didn't check my phone/tablet the entire movie, which is very rare for me. So the extra star was for Shawn Simmons' directing and Chris Patterson's editing.
Samara is on fire 🔥 A great watch with some unexpected moments that made me choke on my snacks. It has everything - fast packed action, unfolding drama and a love story all rolled into one. Great acting from the leads and believable driving skills. I always hate movies that feature unrealistic moves to pull off but this came across as entirely doable. Comedic in all the right places - 10/
This move is "Meh". It suffered from poor writing and not knowing what it was trying to be. Samara Weaving saved this movie from being tossed in the trash. They had Andy Garcia, & Steve Zahn, & failed to use them. The John (Her Blindspot) character was horrible.
Maybe I'm missing something, or fell asleep and didn't realize it, or just don't get the joke they were telling. So, I'm going to scour the review sights, and put up an episode of "Lunchbreak Reviews" on this! Let me know if you agree, disagree, or want to talk about it on the podcast!
Maybe I'm missing something, or fell asleep and didn't realize it, or just don't get the joke they were telling. So, I'm going to scour the review sights, and put up an episode of "Lunchbreak Reviews" on this! Let me know if you agree, disagree, or want to talk about it on the podcast!
¿Sabías que…?
- TriviaSamara learned to drive for the role
- ErroresIn the opening scene with her parents, Edie is 14 years old. The movie flashes forward to 14 years later, making Edie 28. Later in the movie, there is a reference to when Edie was 15 and a comment that it was 15 years ago, making Edie 30. Later in the movie where she's sitting the car talking to her dad again, she says, "18 years is a long time not to go get your daughter."
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Detalles
- Tiempo de ejecución
- 1h 46min(106 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
- 2.39:1
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