Sugar

It seems like some people here should expose themselves to classic noir films and books this series finds its inspiration in. Folks criticizing the internal dialogue, that's a time-honored device of the genre as is, a slow burn pace and flashbacks. Maybe people these days are too accustomed to explosions and car chases to appreciate a little mystery. Read some Raymond Chandler, Dashiell Hammett or watch a Robert Mitchum or Humphrey Bogart movie in the genre. Farrell is definitely well cast and the cinematography is sumptuous. I'm excited to see where this series takes us. We were glued to the screen and can't wait for me.

Apple TV keeps putting out great television shows and Sugar is no different. It kept me entertained the entire way through and Colin Farrell is as terrific as always as the lead. He plays John Sugar, a kind of loner who gets hired by rich people to find missing people. He's hired to find the missing granddaughter of a big time movie producer (James Cromwell) which leads him into a lot of danger and mysteries. There are plenty of good twists and mysteries to see if you can solve along the way. I'll be shocked if Farrell isn't nominated for a bunch of awards for his role in this. I don't think this is a limited series so I hope they plan on doing several seasons of this because I'm in.

I admit I have a soft spot for private detective drama's whatever the time frame and this looks to be a good one. The genre relies on a strong male lead with some kind of vulnerability and Colin Farrell as Sugar completely embodies the requirement. All the cool you expect from the genre is on display, the car, the suits, the neon, every box ticked. The plot conforms to all the requirements, wealthy man hires private eye to find granddaughter, money is no object, all is not as it seems, dark secrets, etc. The directorial style and cinematography really lift this piece and the referencing to classic noir enhances the look. We're only two episodes in so it could go badly off the rails but as I say, if the reviewer at The Guardian hates it then it is going to be good.

Another one of those shows getting really high or really low scores. I get it it's not for everyone and some people will be upset about the twists and turns it takes but in my opinion Apple has again produced something that is both stylish and very watchable, indeed a good binge is probably the best option.

Whilst it pays homage to the noir genre it also has its own distinct aesthetic with some very creative cinematography. Colin Farrell devours every scene he's in and the twist is not as out of the blue if you pay attention.

Of course the Corvette also has a staring role and makes all the Tesla's etc on show look really dull.

I both did and didn't want it to end. Hope the budgets at Apple stretch to a second season, would happily see more of this.

This show caught me totally by surprise. I am not typically overly impressed by pseudo-noir style shows, but I'm hooked. Only reason it's not a 9 or 10 is due to the cliffhanger-esque ending of episode 6 without 7 being immediately available. :p

The acting is superb, casting is perfect, and I'm eager to see exactly wth is going on. I'm usually very good at seeing things coming in shows/movies (to the point where during certain films *coughNun2cough* I am legit saying what's going to happen before it does), and several times already I've had to "wait, what?" and back up a few scenes.

Really interested to see where this show goes. Don't eff it up, Apple.