Un agente del FBI y un detective de Interpol le siguen la pista a un equipo de ilusionistas que realizan robos a bancos durante sus actuaciones y recompensan a sus audiencias con el dinero.Un agente del FBI y un detective de Interpol le siguen la pista a un equipo de ilusionistas que realizan robos a bancos durante sus actuaciones y recompensan a sus audiencias con el dinero.Un agente del FBI y un detective de Interpol le siguen la pista a un equipo de ilusionistas que realizan robos a bancos durante sus actuaciones y recompensan a sus audiencias con el dinero.
- Premios
- 1 premio ganado y 3 nominaciones
Michael Kelly
- Agent Fuller
- (as Michael J. Kelly)
Jessica Lindsey
- Hermia
- (as Jessica C. Lindsey)
Caitríona Balfe
- Jasmine Tressler
- (as Caitriona Balfe)
Douglas M. Griffin
- Hypnotized Man
- (as Doug M. Griffin)
Argumento
¿Sabías que…?
- TriviaThe card trick in the opening sequence is authentic. There is no editing. It is what is known as a "card force", wherein the magician makes the unsuspecting audience member pick a predetermined card. The audience member believes they have picked a random card, which is reinforced by the magician re-shuffling the deck several times, though this is just misdirection.
- ErroresINTERPOL is not a police agency, but an international organization formed to provide cooperation on international police cooperation.
It has no field agents.
- Citas
J. Daniel Atlas: The closer you think you are, the less you'll actually see.
- Créditos curiososIncludes the credit: "Magic Inspired By... David Copperfield"
- Versiones alternativasThe Blu-ray release includes an "Extended Edition" that adds almost nine-and-a-half minutes of material.
- ConexionesFeatured in The Tonight Show with Jay Leno: Episode #21.153 (2013)
Opinión destacada
"First rule of magic: always be the smartest person in the room." J. Daniel Atlas (Jesse Eisenberg)
In the case of the magical little entertainment called Now You See Me, you don't have to be the smartest person in the audience to be charmed by the illogical "magic" of the tricks or the script. In a takeoff of traditional heist films and homage to recent films like The Incredible Burt Wonderstone and The Prestige, with a smattering of smart, sometimes humorous chatter, this film moves at rapid pace (French director Louis Leterrier knows how from his Transporter films) with a lack of seriousness about the tricks, which are mostly explained as the film moves on.
Those revelations will bother purists who don't want to know the secrets or critics who demand a reasonable arc for the story. Like the magic itself, the film eventually captures the imagination enough to suspend disbelief and just go with the fun.
The "four horsemen" (Atlas, played by Eisenberg; Merritt by Woody Harrelson; Henley by Isla Fisher; and Jack by Dave Franco) create three successive magic shows, one in Las Vegas, a second in New Orleans, and the third in New York. The stakes rise incrementally as they appear to be playing Robin Hood to their large, American-Idol type audiences by showering them with money from their magical heists. The FBI with Agent Dylan (Mark Ruffalo) is in hot but bungling pursuit.
As in most thrillers, there are minor twists, and the final one that stretches credulity, or that some will see coming, along with a hopper full of smaller ones even naïve I could see from far off. Besides, like the Oceans films' heists, it's not about the heist or the magic. It's about the slick magicians, their easy banter, and comeuppance for the real baddies.
Outrageous set pieces like the car race will disconcert those looking for a tightly-told narrative. The magic is as always questionable because film deals in magic with practically every frame. However, the cast is delightfully comic, the direction speedy and tricky, and the entire film wants you in on the magic. For a summer film, that's a magic formula.
In the case of the magical little entertainment called Now You See Me, you don't have to be the smartest person in the audience to be charmed by the illogical "magic" of the tricks or the script. In a takeoff of traditional heist films and homage to recent films like The Incredible Burt Wonderstone and The Prestige, with a smattering of smart, sometimes humorous chatter, this film moves at rapid pace (French director Louis Leterrier knows how from his Transporter films) with a lack of seriousness about the tricks, which are mostly explained as the film moves on.
Those revelations will bother purists who don't want to know the secrets or critics who demand a reasonable arc for the story. Like the magic itself, the film eventually captures the imagination enough to suspend disbelief and just go with the fun.
The "four horsemen" (Atlas, played by Eisenberg; Merritt by Woody Harrelson; Henley by Isla Fisher; and Jack by Dave Franco) create three successive magic shows, one in Las Vegas, a second in New Orleans, and the third in New York. The stakes rise incrementally as they appear to be playing Robin Hood to their large, American-Idol type audiences by showering them with money from their magical heists. The FBI with Agent Dylan (Mark Ruffalo) is in hot but bungling pursuit.
As in most thrillers, there are minor twists, and the final one that stretches credulity, or that some will see coming, along with a hopper full of smaller ones even naïve I could see from far off. Besides, like the Oceans films' heists, it's not about the heist or the magic. It's about the slick magicians, their easy banter, and comeuppance for the real baddies.
Outrageous set pieces like the car race will disconcert those looking for a tightly-told narrative. The magic is as always questionable because film deals in magic with practically every frame. However, the cast is delightfully comic, the direction speedy and tricky, and the entire film wants you in on the magic. For a summer film, that's a magic formula.
- JohnDeSando
- 30 may 2013
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Now You See Me
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 75,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 117,723,989
- Fin de semana de estreno en EE. UU. y Canadá
- USD 29,350,389
- 2 jun 2013
- Total a nivel mundial
- USD 351,723,989
- Tiempo de ejecución1 hora 55 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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