Un camarero del Lower East Side se ve envuelto en un misterio de asesinato que involucra a una mujer desesperada.Un camarero del Lower East Side se ve envuelto en un misterio de asesinato que involucra a una mujer desesperada.Un camarero del Lower East Side se ve envuelto en un misterio de asesinato que involucra a una mujer desesperada.
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaInspired by the New York film noirs of the late 1940s and 1950s such as Jules Dassin's La ciudad desnuda (1948) and Samuel Fuller's El rata (1953).
- Bandas sonorasCrimewave (Crystal Castles vs. Health)
Performed by Crystal Castles
Written by Ethan Kahn
Courtesy of Lies Records under exclusive license to Last Gang Records Inc.
Used by permission of Universal-Polygram Int. Publ., Inc.
on behalf of Universal Music Publ. Ltd.
Opinión destacada
An obscure indie film noir ? A film like this needs IMDb commentator support if only because the only films being reviewed will be ones appearing in the local multiplex or ones getting their debut release on The Horror Channel . It so far has four comments and mixed opinions from my peers so went in to this film with a very open mind
The story itself has a premise of man meets mysterious woman with a problem and finds himself caught up in events outside his control . More than a shade of Chandler or Spillane in there somewhere and watching the film unfold I see Nigerian born director Julius Onah is very much in the style of Martin Scorsese with his use of voice over , flash back and other directorial quirks such as freeze frame . However Onah emulates this style very badly . Perhaps the most annoying aspect is the voice over . The story is told through the eyes of August who is an unemployed bartender and DJ . August never misses the opportunity to tell us what's on his mind and while he's telling us all this the imagery does the worst thing possible - it shows us what the narrator is talking about . From what I've learned from film school good use of voice over is ironic narration where as bad voice over is obvious or expositional narration . The whole technique of it here is totally over done while being badly used . There's also an other aspect about the voice over and that it totally distracts from much of the core story involving a woman who has recorded a murder on her phone and often found myself wondering where the story was going or if the director had totally forgotten about it . To give Onah his due he might be making an existentialist type of film noir and Scorsese is indeed a grand master auteur of existentialist philosophy but unfortunately there's only one Martin Scorsese . Better luck next time Julius and next time make your own movie
The story itself has a premise of man meets mysterious woman with a problem and finds himself caught up in events outside his control . More than a shade of Chandler or Spillane in there somewhere and watching the film unfold I see Nigerian born director Julius Onah is very much in the style of Martin Scorsese with his use of voice over , flash back and other directorial quirks such as freeze frame . However Onah emulates this style very badly . Perhaps the most annoying aspect is the voice over . The story is told through the eyes of August who is an unemployed bartender and DJ . August never misses the opportunity to tell us what's on his mind and while he's telling us all this the imagery does the worst thing possible - it shows us what the narrator is talking about . From what I've learned from film school good use of voice over is ironic narration where as bad voice over is obvious or expositional narration . The whole technique of it here is totally over done while being badly used . There's also an other aspect about the voice over and that it totally distracts from much of the core story involving a woman who has recorded a murder on her phone and often found myself wondering where the story was going or if the director had totally forgotten about it . To give Onah his due he might be making an existentialist type of film noir and Scorsese is indeed a grand master auteur of existentialist philosophy but unfortunately there's only one Martin Scorsese . Better luck next time Julius and next time make your own movie
- Theo Robertson
- 9 abr 2015
- Enlace permanente
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Detalles
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was The Girl Is in Trouble (2015) officially released in India in English?
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