Ad Astra Per Aspera
- El episodio se transmitió el 21 jun 2023
- TV-PG
- 57min
CALIFICACIÓN DE IMDb
8.5/10
6.6 k
TU CALIFICACIÓN
La comandante Una Chin-Riley se enfrenta a un consejo de guerra, encarcelamiento y baja deshonrosa de la Flota Estelar.La comandante Una Chin-Riley se enfrenta a un consejo de guerra, encarcelamiento y baja deshonrosa de la Flota Estelar.La comandante Una Chin-Riley se enfrenta a un consejo de guerra, encarcelamiento y baja deshonrosa de la Flota Estelar.
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Opiniones destacadas
Have watched Star Trek since the TOS in the 60's. Loved it , also TNG and DS9 in particular.
Loved the "Measure of the Man" with Data story in TNG. The court case in the Menagerie was also a brilliant episode (2) .
This is a really good episode , personally I always like a good courtroom drama. Good storyline and acting. All the ensemble contributes well and overall I would rate it a very strong episode.
I've read some negative reviews , which being honest puzzle me. I hate all the negativity , not really sure what people expect.
I really prefer New Worlds to Star Trek Discovery and am looking forward to the next few episodes.
Loved the "Measure of the Man" with Data story in TNG. The court case in the Menagerie was also a brilliant episode (2) .
This is a really good episode , personally I always like a good courtroom drama. Good storyline and acting. All the ensemble contributes well and overall I would rate it a very strong episode.
I've read some negative reviews , which being honest puzzle me. I hate all the negativity , not really sure what people expect.
I really prefer New Worlds to Star Trek Discovery and am looking forward to the next few episodes.
Strange New Worlds, the latest manifestation in the Star Trek franchise adds Una Chin-Riley to the menagerie of USS Enterprise Commanders to face court-martial.
The bar is high when it comes to these right of passage episodes, indeed, they may be the measure of success of any Trek series, so this one had to reach for the stars and boy does it get there. The only disappointment is I can't score it more than 10.
Not a phaser fired, a warp drive engaged, or a new alien encountered - yet this will surely be rated as one of THE greatest Trek episodes of all time.
Outstanding writing, clever plot, and a brilliant understanding of Trek law. Starfleet may not be perfect, but this episode probably is.
The bar is high when it comes to these right of passage episodes, indeed, they may be the measure of success of any Trek series, so this one had to reach for the stars and boy does it get there. The only disappointment is I can't score it more than 10.
Not a phaser fired, a warp drive engaged, or a new alien encountered - yet this will surely be rated as one of THE greatest Trek episodes of all time.
Outstanding writing, clever plot, and a brilliant understanding of Trek law. Starfleet may not be perfect, but this episode probably is.
Up to this episode I was not a great fan of that franchise, though I like Pike very much, he is just the person I would have appreciated much more as the Captain of the Enterprise in TOS than Kirk, 40 years ago, when I was young.
However, this is for me the first grown-up episode, and it isn't an accident that "The Orville" had a similar intriguing episode about gender identity in its 3rd season (completing a story arc that begun in season one with a failed trial).
Here, everything is laid out in a very easy setting and, since court cases are a big part of everyday's life in the U. S., it is made with the uttermost diligence in pacing and dialogue. Not a minute was wasted as a filler or surplus backstory.
Very impressive, I must say, and the only point that I have against it, is what someone here wrote in a review. Technically, the right approach for defence would be that the violated law itself is not only against Federation's principles and "bad", but indeed unconstitutional, and therefore void.
8 Stars for a very good and mature episode.
As an afterword to all fellow reviewers who are complaining about wokeness - please change your mind or stop watching Star Trek before you can manage to progress into a sentiment that agrees with what Star Trek stands for. If anything, diversity is one of the core agreements in this universe, and Roddenberry himself introduced it with the famous Uhura kiss half a century before.
However, this is for me the first grown-up episode, and it isn't an accident that "The Orville" had a similar intriguing episode about gender identity in its 3rd season (completing a story arc that begun in season one with a failed trial).
Here, everything is laid out in a very easy setting and, since court cases are a big part of everyday's life in the U. S., it is made with the uttermost diligence in pacing and dialogue. Not a minute was wasted as a filler or surplus backstory.
Very impressive, I must say, and the only point that I have against it, is what someone here wrote in a review. Technically, the right approach for defence would be that the violated law itself is not only against Federation's principles and "bad", but indeed unconstitutional, and therefore void.
8 Stars for a very good and mature episode.
As an afterword to all fellow reviewers who are complaining about wokeness - please change your mind or stop watching Star Trek before you can manage to progress into a sentiment that agrees with what Star Trek stands for. If anything, diversity is one of the core agreements in this universe, and Roddenberry himself introduced it with the famous Uhura kiss half a century before.
Ad Astra Per Aspera" provides a welcome breather from the fast pace of the season opener, focusing on a trial and drawing parallels to real-world issues. Number One's experience cleverly resonates with various struggles, without being too preachy and in your face, such as people hiding their identities or individuals unable to live openly. While the episode offers a just resolution for Number One, it acknowledges that the larger issue is not fully resolved and that Starfleet still has work to do.
It may not be Gene Roddenberry's space wagon action episode but probably explores Roddenberry's original vision of a modern society of the future more than most.
Overall, writers and director Valerie Weiss offer a wonderfully crafted and shot court room-type episode while the cast particularly Mount, Peck, Romijn and Chong are outstanding offering emotional depth.
It may not be Gene Roddenberry's space wagon action episode but probably explores Roddenberry's original vision of a modern society of the future more than most.
Overall, writers and director Valerie Weiss offer a wonderfully crafted and shot court room-type episode while the cast particularly Mount, Peck, Romijn and Chong are outstanding offering emotional depth.
After a less than stellar season opener this was the episode that season 2 should have started off with. We don't need random super soldier formula, dragged out fights, or even Klingons. All we need is our captain and his crew, and stories of things that remind us of the world around us but told through that Trek lenses that we love so much. Season 2 has started.
I've always enjoyed when Star Trek tackles deeper real life issues. When things aren't always black and white but have that grey in them. This episode really focused on those issues. Star Trek is at its best when it focuses on things that make you think.
I've always enjoyed when Star Trek tackles deeper real life issues. When things aren't always black and white but have that grey in them. This episode really focused on those issues. Star Trek is at its best when it focuses on things that make you think.
¿Sabías que…?
- TriviaUna mentions that "Ad Astra Per Aspera" was the motto of Starfleet before the founding of the Federation. The insignia for Starfleet Command, on both arm patches and flags, on Enterprise (2001) consisted of a yellow arrowhead on a blue round star background, which was framed by a thick gray inner border and a thin red outer border. Inside the gray border, there were more white stars and the Latin words "Ad Astra Per Aspera".
- ErroresAdmiral Javas, the Judge Advocate General of Starfleet, is a Fleet Admiral according to the rank insignia on her epaulets, and according to Memory Alpha. Fleet Admiral is a five-star flag officer and the highest rank in Starfleet, and not a rank held by the JAG; so likely a prop/costume error, as happened with the last JAG seen onscreen. Previous films and series (plus the novels) have established that only two officers hold this rank: Commander, Starfleet who is in charge of Starfleet Command, oversees fleet operations and is the second-highest ranking officer in Starfleet; and the Commander-in-Chief (C-in-C) of Starfleet, the highest ranking officer in Starfleet who oversees all divisions of Starfleet (Command, Intelligence, Medical, Security etc.) and is the military advisor to the Federation President. Plus the last JAG shown in Doctor Bashir, I Presume (1997) was a two-star Rear Admiral (though the wrong rank insignia prop was used for him), just like how the JAG of the US Navy is a Rear Admiral, which much of Starfleet's hierarchy is modeled after.
- Citas
Captain Batel: Did you ever get the sense that Commander Chin-Riley was hiding something?
Spock: Yes, I did get the sense that she was hiding something?
Captain Batel: What was she hiding?
Spock: An affinity for Gilbert and Sullivan musicals.
- ConexionesFeatured in The Ready Room: Ad Astra Per Aspera (aftershow) (2023)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Locaciones de filmación
- Globe and Mail Centre - 351 King Street East, Toronto, Ontario, Canadá(Ketoul's office building - interior & exterior)
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 57min
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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