Optics
- El episodio se transmitió el 4 mar 2025
- TV-MA
- 49min
CALIFICACIÓN DE IMDb
8.3/10
14 k
TU CALIFICACIÓN
Matt Murdock consigue un nuevo cliente que es más de lo que dice ser. Fisk aprende el poder de la óptica.Matt Murdock consigue un nuevo cliente que es más de lo que dice ser. Fisk aprende el poder de la óptica.Matt Murdock consigue un nuevo cliente que es más de lo que dice ser. Fisk aprende el poder de la óptica.
- Dirección
- Guionistas
- Elenco
Hadrian Castro
- Musician #1
- (solo créditos)
Andres Castro
- Musician #2
- (as Andres Felipe Castro)
- (solo créditos)
David Bonfim
- New Yorker
- (solo créditos)
Charlie Hudson III
- Leroy Mancini
- (solo créditos)
Opiniones destacadas
Not gonna lie, I wasn't a fan of the first episode and in my review of it, I left it so. However this episode is a major improvement over the first, dialogues are more nuanced, things the characters do are far deeper reaching making connections to the greater narrative, fight scenes and fight choreography are amazing, almost reminiscent of the original netflix show in their executions.
Twists and turns everywhere in the story, show returning to its grittier and darker roots when to comes to storytelling and action.
A bit of wishful thinking, if only the entire season released at once, sucks waiting for new episodes after a banger like this.
Twists and turns everywhere in the story, show returning to its grittier and darker roots when to comes to storytelling and action.
A bit of wishful thinking, if only the entire season released at once, sucks waiting for new episodes after a banger like this.
The second episode feels more like part of what they couldn't re-record. If you were aware of the situation before, it was originally going to focus more on lawyers than vigilantes, and this episode kind of reflects that.
I'm not a fan of Daredevil being so obvious about his identity, unlike how he was in the Netflix show. He feels more like the She-Hulk version of Daredevil than the one from Netflix. I get that it's something new, but I'm still waiting for the show to truly kick off.
As for Matt's new girlfriend, without taking anything away from the actress, she has no personality. She seems to come out of nowhere, and she's kind of like the new Karen-in big quotation marks.
The fact that the characters still feel somewhat scattered makes sense, given that the series is just getting started. And sure, the excuse that it's a new show works-especially if you're expecting it to be a fourth season of the Netflix show, which it's clearly not.
The final scene was solid-good action-but once again, this Daredevil feels a lot like Tom Holland's Peter Parker. He doesn't do a great job keeping his identity secret, and that's strange to see, especially considering how in the previous series, he was so committed to keeping it hidden. He would even take beatings from Fisk and other secondary characters just to maintain the illusion that he was blind in public.
Yes, I know there's a scene in prison in Netflix Daredevil Season 3 where he fights a bunch of inmates, but they didn't know he was blind. In this case, it just didn't work as well.
Overall, the series still feels very fast-paced.
MASS-
I'm not a fan of Daredevil being so obvious about his identity, unlike how he was in the Netflix show. He feels more like the She-Hulk version of Daredevil than the one from Netflix. I get that it's something new, but I'm still waiting for the show to truly kick off.
As for Matt's new girlfriend, without taking anything away from the actress, she has no personality. She seems to come out of nowhere, and she's kind of like the new Karen-in big quotation marks.
The fact that the characters still feel somewhat scattered makes sense, given that the series is just getting started. And sure, the excuse that it's a new show works-especially if you're expecting it to be a fourth season of the Netflix show, which it's clearly not.
The final scene was solid-good action-but once again, this Daredevil feels a lot like Tom Holland's Peter Parker. He doesn't do a great job keeping his identity secret, and that's strange to see, especially considering how in the previous series, he was so committed to keeping it hidden. He would even take beatings from Fisk and other secondary characters just to maintain the illusion that he was blind in public.
Yes, I know there's a scene in prison in Netflix Daredevil Season 3 where he fights a bunch of inmates, but they didn't know he was blind. In this case, it just didn't work as well.
Overall, the series still feels very fast-paced.
MASS-
So it seems like the biggest problem I had with the first episode that I talked about a lot in my last review was improved here, and the second episode is thankfully way better paced and they don't throw 10 different plot points and important events at your face at the same time.
Although the problem of (for me personally) constant music over each and every scene still remains, (and it looks like they went to Christopher Nolan's school of soundmixing), at least the choice of music was better this time round. But I still feel that many scenes here would've worked much better if they didn't have music or the music wasn't so loud. The Wire made an entire 5 seasons of a show work without using any music during its scenes. So I'm pretty sure you don't actually need a full orchestra accompanying every scene of your episode.
Anyway, this episode sets up the season much better than the first one, with the new court case Matt takes upon himself. And I'm interested to see where they're gonna take this storyline from here, which they hinted at with the wrist tattoo.
All in all, this episode was better paced compared to the first episode and the scenes lingered more, and there was some breathing room between scenes, and most importantly, the action wasn't as CGI-heavy or fake-looking as that awful-looking smoke scene in the first episode. Although the CGI blood is still very noticeable and annoying, but the action here felt more like Daredevil compared to the first episode.
Although the problem of (for me personally) constant music over each and every scene still remains, (and it looks like they went to Christopher Nolan's school of soundmixing), at least the choice of music was better this time round. But I still feel that many scenes here would've worked much better if they didn't have music or the music wasn't so loud. The Wire made an entire 5 seasons of a show work without using any music during its scenes. So I'm pretty sure you don't actually need a full orchestra accompanying every scene of your episode.
Anyway, this episode sets up the season much better than the first one, with the new court case Matt takes upon himself. And I'm interested to see where they're gonna take this storyline from here, which they hinted at with the wrist tattoo.
All in all, this episode was better paced compared to the first episode and the scenes lingered more, and there was some breathing room between scenes, and most importantly, the action wasn't as CGI-heavy or fake-looking as that awful-looking smoke scene in the first episode. Although the CGI blood is still very noticeable and annoying, but the action here felt more like Daredevil compared to the first episode.
Very good,New York elects a man that was arrested in a prison for some time and rebuild his narrative as a Mayor with many fanatic followers,much like José Inácio Lula da Silva actual Brazil president and Jair Messias Bolsonaro this is what happens when politic became a cult with many poor and little QI people,better action scene than the first episode and you can even Wonder if Fisk really has remorse for his past actions but you know that very like Lula he will just shows his true colors while tries to control information and narrative,also even a dictatorship,that is a villain that still strong as ever after his cartoonish version,the crime and corruption rises in ways never seem before while poor education people still blind and acts like a zombie horde!
In this episode, we see Matt take on a case while the show establishes its direction, with the two leads navigating the lanes they have chosen-one through political power and the other through the courts.
A new comic book hero is introduced, hinting at the possible trajectory of the story. Additionally, there's a callback to another Marvel hero from the Netflix era, subtly addressing real-world controversies surrounding the character's image in certain toxic spheres. This moment suggests that we might see this character return soon, providing insight into his possible motivations.
The fight scenes are brutally intense-bone-crunching hits and broken limbs feel visceral, making audiences flinch with every blow. The sound editing is exceptional in these sequences, amplifying the realism. While the first half of the episode plays out like a standard TV drama, the second half picks up significantly, delivering action and intrigue.
It also seems like the show will explore themes of political toxicity and the structural flaws within law and order. Many scenes feel ripped from real-world events, capturing the influence of politicians and the dangerous allure of cult-like personalities. With gripping action and layered storytelling, this episode sets the stage for a compelling season ahead.
A new comic book hero is introduced, hinting at the possible trajectory of the story. Additionally, there's a callback to another Marvel hero from the Netflix era, subtly addressing real-world controversies surrounding the character's image in certain toxic spheres. This moment suggests that we might see this character return soon, providing insight into his possible motivations.
The fight scenes are brutally intense-bone-crunching hits and broken limbs feel visceral, making audiences flinch with every blow. The sound editing is exceptional in these sequences, amplifying the realism. While the first half of the episode plays out like a standard TV drama, the second half picks up significantly, delivering action and intrigue.
It also seems like the show will explore themes of political toxicity and the structural flaws within law and order. Many scenes feel ripped from real-world events, capturing the influence of politicians and the dangerous allure of cult-like personalities. With gripping action and layered storytelling, this episode sets the stage for a compelling season ahead.
¿Sabías que…?
- TriviaHeather Glenn's book is titled "Live Without Fear." The subtitle of the Daredevil comic book is "The Man Without Fear."
- ErroresBB gives her phone to Daniel Blake before interviewing Fisk but never gets it back when she leaves.
- Citas
Matt Murdock: Kirsten, what did I tell you to get you to come over from the DA's office?
Kirsten Mcduffie: You said that I was brilliant, which is true.
- ConexionesReferences Hulk, el hombre increible (2008)
- Bandas sonorasCashmere
Written by Brian L. Hall (as Brian Leroy Hall), Amy Lydia Hall, and Christopher David Hall
Performed by TENTS
Courtesy of Marmoset Music
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Tiempo de ejecución
- 49min
- Color
- Mezcla de sonido
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta