Movie Review : Tahoe Joe
Now here's an interesting little number.
Made on a literal shoestring budget of $800.00, Tahoe Joe is an entry in the mockumentary/bigfoot horror genre that may not be the best killer Sasquatch flick out there but is probably the best written.
The film stars director Dillon Brown and actor Michael Rock (both worked together on Brown's previous independent film The Flock) as themselves.
Rock - a former Green Beret - is contacted by a teenager whose father served alongside him and tells him his father went missing in Nevada while searching for Bigfoot (Tahoe Joe of the title). The kid includes terrifying footage of what appears to be an unknown beast attacking his father. Rock informs Brown and, as it happens, Brown himself has footage of Tahoe Joe to share with Rock. After comparing notes, the duo decide to take the teenager and head to the area where his dad vanished and, with the help of a local guide, try to find the missing man, all the while filming the expedition as a documentary. Both men are initially skeptical about the thing captured on the tape being an actual Bigfoot, but they do feel committed to helping the boy get closure regarding his father.
When they arrive in the area, the teenager finds himself too traumatized to proceed as originally planned, so the filmmakers and their guide Shane - a local they know little to nothing about - head out anyway to try and uncover the mystery of the disappearance...and, perhaps, capture evidence of the existence of Bigfoot.
What I found most fascinating about Tahoe Joe is how expertly the film captures the feel of a legitimate documentary. It really boils down to both the performances and the writing. Whether it's random talking head interviews of people who claimed to have seen the creature or the scene where Brown explains some of the footage they saw of the boy's father has him increasingly skeptical because it seems potentially staged, everything these characters say or do has a ring of accuracy. I found myself thinking repeatedly throughout the movie both that certain character types were immediately recognizable ( I defy viewers to watch Shane the guide and think to themselves at some point "Oh, yeah, I've dealt with guys like this a**hole before") and what people were saying or doing is likely how someone would actually respond in a given situation.
This is the result of a screenplay that has a sharp ear for the rhythm of actual conversations, combined with a cast who all seem perfectly natural in front of the camera. No one here surrenders to needless melodrama or overacting. It always feels as if we're watching actual people and not characters in a movie. That adds a level of plausibility underscoring the proceedings as the film incrementally adopts an increasingly darker tone.
The pacing is solid and if the movie is a bit talky in the early passages, it's more than balanced by the escalating sense of something being very wrong that becomes ever more prevalent as the film unfolds. One really interesting direction the film adopts is to cultivate an unsettled atmosphere by having the two men quickly realize there's something off with their guide. This movie begins building tension long before they reach the site where Tahoe Joe purportedly has been most active.
As to Tahoe Joe himself, the creature effects are handled well enough. For the budget, the costume works fine. It helps that we never get a particularly clear look at the creature, but what we do glimpse is enough to suggest a being it would be absolutely terrifying to encounter in the deep forest. There's a sense of primal other about this particular Sasquatch. Never is he presented as something any person would (or should) deliberately attempt to approach up close. Moreover, the final half hour or so of the film is essentially one long, sustained sequence set at night that startled me with how effectively suspenseful it was. There are some genuinely creepy moments in this film.
The film looks amazing as well. It boats the veneer of something made for substantially more than $800 bucks, which is a credit to the skill of the filmmakers.
Every so often an independent movie pops up unexpectedly on my radar proving to be a hidden treasure, something that does what it sets out to do in a way and on a level that's better than I have any right to expect. Movies like that are testament to the vision and hard work of independent filmmakers who prove heart, intelligence and talent can take even the most limited resources and turn them into something wonderful.
Tahoe Joe is one such film. Dillon Brown and Michael Rock are on my radar, and I'll be looking to see what they do next with great interest.
**** out of ***** times I was really hoping a belligerent drunk would get his ass kicked by a Green Beret. Highly recommended.
