En la Venecia posterior a la II G.M., Poirot, retirado y viviendo en su propio exilio, de mala gana asiste a una sesión de espiritismo. Pero cuando uno de los invitados es asesinado, depende... Leer todoEn la Venecia posterior a la II G.M., Poirot, retirado y viviendo en su propio exilio, de mala gana asiste a una sesión de espiritismo. Pero cuando uno de los invitados es asesinado, depende del ex detective atrapar una vez más al asesino.En la Venecia posterior a la II G.M., Poirot, retirado y viviendo en su propio exilio, de mala gana asiste a una sesión de espiritismo. Pero cuando uno de los invitados es asesinado, depende del ex detective atrapar una vez más al asesino.
- Dirección
- Guionistas
- Elenco
- Premios
- 7 premios ganados y 5 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This was surprisingly spookier than I thought it would be but it was happily welcomed during this Halloween Season. It was spooky without being cheesy or goofy which is what a lot of traditional horror movies tend to lean towards. I saw it in theaters but can definitely see myself cuddling up on the couch with a hot chocolate and a blanket to watch this film in the autumn.
You can tell Tina Fey isn't used to playing more serious roles but she pulled it off enough. It was definitely a surprise to see her in this film, especially as such a large character.
I would love to see more Poirot in the future as Kenneth Branagh does a great job portraying him.
This film was a good length too. Not too long and not too short.
I'd recommend this to those who enjoy a little spook and mystery but not for anyone looking for light hearted Halloween fun.
You can tell Tina Fey isn't used to playing more serious roles but she pulled it off enough. It was definitely a surprise to see her in this film, especially as such a large character.
I would love to see more Poirot in the future as Kenneth Branagh does a great job portraying him.
This film was a good length too. Not too long and not too short.
I'd recommend this to those who enjoy a little spook and mystery but not for anyone looking for light hearted Halloween fun.
The change of setting to Venice is inspired, it gives it an otherworldly and insular, claustrophobic tone, which is emphasised by the camera work, and lighting, this one is tricky to review without spoilers so I must be brief, and leave some ideas out, the script is close to superb, but it just hits a couple of bum notes, the third act is over too soon, the denouement rushed, but in part it's because the mystery for all the effort and effects isn't that mysterious, but fundamentally the problem is Branagh, he obviously wants to be Poirot, but he isn't, he just isn't idiosyncratic enough, or dare I say talented enough, and he pales in comparison to the giant magnificent performances that have been before, the genius of Peter Ustinov only surpassed by the subtlety and diligence and sheer depth of David Suchet, one of the greatest acting performances ever, unfortunately for Branagh it's a tough school, and he just doesn't make the grade, gave it a 7, felt like an 8, but also a 6 coz of KBs love letter to himself.
My Review- A Haunting in Venice
My Rating 6/10
I was underwhelmed by Kenneth Branagh's latest interpretation of an Agatha Christie novel this one is based on her 1969 novel Halloween Party .
It was written late in the authors life to luke warm reviews one critic Robert Weaver wrote - Halloween Party is a disappointment,but with all her accomplishments is Christie can be forgiven some disappointments Poirot seems weary and so does the book.
It was filmed previously in 2010 for television starring my favourite Hercule Poirot David Suchet which I watched only after seeing A Haunting in Venice.
I must admit Kenneth Branagh who I like in some roles and not others is my least favourite characterisation of Hercule Poirot.
His first effort in 2017 Murder on the Orient Express also underwhelmed me but did exceedingly well at the box office however his last effort in 2022 Death on the Nile flopped and for me also had nothing of the grandeur or appeal of the original film adaptations.
All that needs to said about the plot line in this whodunnit is that Belgian sleuth Hercule Poirot investigates a murder while attending a Halloween seance at a haunted palazzo in Venice, Italy.
I was expecting more from this new original adaptation of the Agatha Christie novel Halloween Party that's set in the mysterious and spectacular city of Venice because it's a story I didn't know and I had no preconceived expectations.
Spectacular Venice is featured in the start and conclusion of this film but it's mostly set indoors in a gloomy gothic villa that could have been built on any movie set.
A Haunting in Venice for me fails in a few aspects primarily because of its dark gothic reworking from Kenneth Branagh. It's probably his best Hercule Poirot performance but for me his interpretation of the novel lacks The Agatha Christie touch of humour, eccentric characters and is trying to be something it's not a gothic horror movie it's not really scary at all just dark and brooding.
After I saw this movie I watched the 2010 television movie Hallowe'en Party starring David Suchet my favourite Hercule Poirot that bares no resemblance to A Haunting in Venice . It's not her greatest story but the television version has humour and lightness as well as suspense and the performances are much more impressive in my opinion.
There are some interesting actors in the cast of A Haunting in Venice including Michelle Yeoh who dropped out of The action adventure 2024 film The Electric State to star in this movie. Why she chose to do this I'm not sure because her role as the clairvoyant Mrs Reynolds is more a short cameo role as is Jamie Dornan's who plays Dr Ferrier .
The main supporting role is Tina Fey as Ariadne Oliver a crime writer but she didn't shine for me either. Tina Fey plays a similar role in Only Murders in the Building as Cinda Canning but that role is edgy and funny which she does best .
With a much more modest production budget of $60 million than his last Agatha Christie move Death in Venice Kenneth Branagh who also directs this movie in my view features himself as Poirot more at the expense of the ensemble characters which is a mistake in an Agatha Christie movie.
I was underwhelmed by Kenneth Branagh's latest interpretation of an Agatha Christie novel this one is based on her 1969 novel Halloween Party .
It was written late in the authors life to luke warm reviews one critic Robert Weaver wrote - Halloween Party is a disappointment,but with all her accomplishments is Christie can be forgiven some disappointments Poirot seems weary and so does the book.
It was filmed previously in 2010 for television starring my favourite Hercule Poirot David Suchet which I watched only after seeing A Haunting in Venice.
I must admit Kenneth Branagh who I like in some roles and not others is my least favourite characterisation of Hercule Poirot.
His first effort in 2017 Murder on the Orient Express also underwhelmed me but did exceedingly well at the box office however his last effort in 2022 Death on the Nile flopped and for me also had nothing of the grandeur or appeal of the original film adaptations.
All that needs to said about the plot line in this whodunnit is that Belgian sleuth Hercule Poirot investigates a murder while attending a Halloween seance at a haunted palazzo in Venice, Italy.
I was expecting more from this new original adaptation of the Agatha Christie novel Halloween Party that's set in the mysterious and spectacular city of Venice because it's a story I didn't know and I had no preconceived expectations.
Spectacular Venice is featured in the start and conclusion of this film but it's mostly set indoors in a gloomy gothic villa that could have been built on any movie set.
A Haunting in Venice for me fails in a few aspects primarily because of its dark gothic reworking from Kenneth Branagh. It's probably his best Hercule Poirot performance but for me his interpretation of the novel lacks The Agatha Christie touch of humour, eccentric characters and is trying to be something it's not a gothic horror movie it's not really scary at all just dark and brooding.
After I saw this movie I watched the 2010 television movie Hallowe'en Party starring David Suchet my favourite Hercule Poirot that bares no resemblance to A Haunting in Venice . It's not her greatest story but the television version has humour and lightness as well as suspense and the performances are much more impressive in my opinion.
There are some interesting actors in the cast of A Haunting in Venice including Michelle Yeoh who dropped out of The action adventure 2024 film The Electric State to star in this movie. Why she chose to do this I'm not sure because her role as the clairvoyant Mrs Reynolds is more a short cameo role as is Jamie Dornan's who plays Dr Ferrier .
The main supporting role is Tina Fey as Ariadne Oliver a crime writer but she didn't shine for me either. Tina Fey plays a similar role in Only Murders in the Building as Cinda Canning but that role is edgy and funny which she does best .
With a much more modest production budget of $60 million than his last Agatha Christie move Death in Venice Kenneth Branagh who also directs this movie in my view features himself as Poirot more at the expense of the ensemble characters which is a mistake in an Agatha Christie movie.
Whereas the last two Branagh Agatha Christie adaptations were movies I sort of liked at first and started to realise were "meh" over time, this latest entry is one that I recognised as mediocre upon first viewing.
Granted, it was really refreshing to see that this time, the filmmakers clearly put effort into the locations and production design. The film looks authentic and gorgeous, as opposed to its predecessors that were over reliant on unnecessary CGI backgrounds.
The story does have some interesting ideas and compelling character interactions, but they unfortunately take a back seat half the time. For the other half, we get a lot of weak attempts at horror and red herring plot points that really do amount to nothing.
I don't know what happened with the performances, but half of them are pretty great and the others are...well, awful. The actors clearly didn't agree on what kind of movie they were in, with some thinking it ought to be straight drama and others thinking they should play it corny.
Like the previous films, this is a middling whodunnit, with all the rote machinations you expect from the genre, nothing shocking, nothing gripping, but nothing so bad as to tank the experience.
It's the definition of mediocre.
Granted, it was really refreshing to see that this time, the filmmakers clearly put effort into the locations and production design. The film looks authentic and gorgeous, as opposed to its predecessors that were over reliant on unnecessary CGI backgrounds.
The story does have some interesting ideas and compelling character interactions, but they unfortunately take a back seat half the time. For the other half, we get a lot of weak attempts at horror and red herring plot points that really do amount to nothing.
I don't know what happened with the performances, but half of them are pretty great and the others are...well, awful. The actors clearly didn't agree on what kind of movie they were in, with some thinking it ought to be straight drama and others thinking they should play it corny.
Like the previous films, this is a middling whodunnit, with all the rote machinations you expect from the genre, nothing shocking, nothing gripping, but nothing so bad as to tank the experience.
It's the definition of mediocre.
Poirot, now retired, and living in exile, is convinced by his friend Ariadne Oliver, to look into the honesty and integrity of a medium, who's set to visit bereaved mother Rowena Drake.
If you're going into this one hoping for authenticity, you may be a little disappointed, I recently read the book, and aside from a few names and events, it is only very loosely based on the book.
Authenticity to one side, I really did enjoy this movie, talk about an interesting choice, you can understand why Death on The Nile and Orient Express were chosen, but Halloween Party doesn't exactly lend itself well to an adaptation, but overall it works very well, plenty of plus points.
The main winner, the visuals, with Venice they were never going to fail I guess, it looks sensational, but the camera angles and focuses are really nice, very atmospheric and suitably sinister, a shame a few scenes couldn't have been just a tad brighter. The masks, robes and costumes looked so good, they really did give it a Halloween vibe.
I'd say this is Brannagh's most accomplished turn as Poirot so far, the toned down moustache has definitely made a difference, he feels more like Poirot.
Well acted all round, Kelly Reilly is no stranger to Agatha Christie, she's excellent as Rowena, and as for the young man that played Leopold, he was great.
My one gripe, Ariadne, I'm not knocking Tina Fey, she did a good job, but when you read the books, I just don't see her as an American glamour puss, I wonder if we'll see her again.
I'm awarding an extra point for the fact that Branagh chose Halloween Party, and didn't opt for Evil under The Sun or Appointment with Death, but I wouldn't be surprised if one of those was number four.
It worked well, 8/10.
If you're going into this one hoping for authenticity, you may be a little disappointed, I recently read the book, and aside from a few names and events, it is only very loosely based on the book.
Authenticity to one side, I really did enjoy this movie, talk about an interesting choice, you can understand why Death on The Nile and Orient Express were chosen, but Halloween Party doesn't exactly lend itself well to an adaptation, but overall it works very well, plenty of plus points.
The main winner, the visuals, with Venice they were never going to fail I guess, it looks sensational, but the camera angles and focuses are really nice, very atmospheric and suitably sinister, a shame a few scenes couldn't have been just a tad brighter. The masks, robes and costumes looked so good, they really did give it a Halloween vibe.
I'd say this is Brannagh's most accomplished turn as Poirot so far, the toned down moustache has definitely made a difference, he feels more like Poirot.
Well acted all round, Kelly Reilly is no stranger to Agatha Christie, she's excellent as Rowena, and as for the young man that played Leopold, he was great.
My one gripe, Ariadne, I'm not knocking Tina Fey, she did a good job, but when you read the books, I just don't see her as an American glamour puss, I wonder if we'll see her again.
I'm awarding an extra point for the fact that Branagh chose Halloween Party, and didn't opt for Evil under The Sun or Appointment with Death, but I wouldn't be surprised if one of those was number four.
It worked well, 8/10.
All About 'A Haunting in Venice'
¿Sabías que…?
- TriviaThe screenplay is inspired by Dame Agatha Christie's 1969 novel "Hallowe'en Party," with the setting changed from the UK to Venice, Italy. This is not the first time that Hallowe'en Party was adapted to film. In July of 2011, ITV Studios and WGBH released an 89-minute feature length film adaptation, Hallowe'en Party (2010), starring David Suchet as Poirot.
- ErroresThe statue's hand upon which Ms. Reynolds is impaled should be covered with blood and gore, yet it is clean.
- Citas
Ariadne Oliver: Scary stories make real life a little less scary
- ConexionesFeatured in The 7PM Project: Episode dated 22 September 2023 (2023)
- Bandas sonorasWhen the Lights Go on Again
Written by Bennie Benjamin, Sol Marcus and Eddie Seiler
Performed by Vera Lynn
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
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- How long is A Haunting in Venice?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- A Haunting in Venice
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 60,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 42,471,412
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,279,529
- 17 sep 2023
- Total a nivel mundial
- USD 122,290,456
- Tiempo de ejecución
- 1h 43min(103 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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