CALIFICACIÓN DE IMDb
6.4/10
53 k
TU CALIFICACIÓN
Diez años después de un colapso económico mundial, un hombre persigue a los que le robaron su única posesión, su automóvil.Diez años después de un colapso económico mundial, un hombre persigue a los que le robaron su única posesión, su automóvil.Diez años después de un colapso económico mundial, un hombre persigue a los que le robaron su única posesión, su automóvil.
- Premios
- 3 premios ganados y 19 nominaciones en total
Frank C. Sun
- Acrobat 1
- (as Chen 'Frank' Sun)
Argumento
¿Sabías que…?
- TriviaRobert Pattinson stated, that after the Twilight series ended he knew he had to play these kind of roles to avoid getting typecast, and that he wanted the role so much, that in the days leading up to the audition, he even dreamt of his character Rey. When he was at David Michôd house for the audition, he couldn't start to actually play the character for 45 minutes because he had so much anxiety.
- ErroresTodas las entradas contienen spoilers
- ConexionesFeatured in Something Elemental: Making the Rover (2014)
- Bandas sonorasMeak Mer Nov Odor Meanchhey
Written by Mala Pei/ Sam Sakhan
Performed by Savy Heng and James Cecil
Licensed courtesy of Cambodian Dept. of Copyright & Related Rights
Opinión destacada
Screened out of competition at the 67th Cannes Film Festival David Michôd's second feature The Rover is not as fascinating as his Oscar nominated Animal Kingdom. Nevertheless it is an interesting picture and a respectable effort from the promising director.
The film opens to the Australian outback and says at the very beginning that it's been ten years after the collapse. People have suffered an immense economic crisis which left them in the vacuum of authority, lawlessness and banditry. Every single being on screen is desperate. A robbery gone bloody wrong, three men run away from the scene of the crime leaving a wounded brother behind. As their car breaks down along the way they steal another. It belongs to Eric and he is madly determined to get it back. What makes it more interesting is Eric and Rey, the man the gang left behind, come across each other and build up bonds.
At one point of their wearing journey Rey says "Not everything has to be about something" This stuck with me throughout, I took it as a way of saying the contrary -everything has to be about something-. Michôd's film works both as a post- apocalyptic nightmare and an absorbing contemporary western with something to say. Yes, the social commentary were a bit blatant at times (especially that talk between Eric and a soldier) but I like the whole aim of the film as to me it tried to look and find remnants of something human in its lost wanderers. Still though I find the finale to be infuriating, maybe that was the intention, but at least we get to learn why Eric is so inexorable about taking his car back. The reveal was heartbreaking and showed that one would still cling to love in the direst of circumstances.
As for Eric and Rey, I find their relationship intriguing. Eric is like the needed older brother, the father figure to Rey. Right after his singing "Don't hate me cause I'm beautiful" in the car, Rey goes and sits next to Eric. And at that moment I felt Rey wanted to come closer but Eric prevented it saying "go to sleep". I don't know, there was something there and I liked it.
The film is beautiful to look at, it's technically impressive and well directed. One should also mention the commendable work from its actors Pearce and Pattinson. Especially the latter who has never been better. While his face was distractingly over expressive on some occasions, Pattinson still gives a consistent performance as the half-witted Rey.
The film opens to the Australian outback and says at the very beginning that it's been ten years after the collapse. People have suffered an immense economic crisis which left them in the vacuum of authority, lawlessness and banditry. Every single being on screen is desperate. A robbery gone bloody wrong, three men run away from the scene of the crime leaving a wounded brother behind. As their car breaks down along the way they steal another. It belongs to Eric and he is madly determined to get it back. What makes it more interesting is Eric and Rey, the man the gang left behind, come across each other and build up bonds.
At one point of their wearing journey Rey says "Not everything has to be about something" This stuck with me throughout, I took it as a way of saying the contrary -everything has to be about something-. Michôd's film works both as a post- apocalyptic nightmare and an absorbing contemporary western with something to say. Yes, the social commentary were a bit blatant at times (especially that talk between Eric and a soldier) but I like the whole aim of the film as to me it tried to look and find remnants of something human in its lost wanderers. Still though I find the finale to be infuriating, maybe that was the intention, but at least we get to learn why Eric is so inexorable about taking his car back. The reveal was heartbreaking and showed that one would still cling to love in the direst of circumstances.
As for Eric and Rey, I find their relationship intriguing. Eric is like the needed older brother, the father figure to Rey. Right after his singing "Don't hate me cause I'm beautiful" in the car, Rey goes and sits next to Eric. And at that moment I felt Rey wanted to come closer but Eric prevented it saying "go to sleep". I don't know, there was something there and I liked it.
The film is beautiful to look at, it's technically impressive and well directed. One should also mention the commendable work from its actors Pearce and Pattinson. Especially the latter who has never been better. While his face was distractingly over expressive on some occasions, Pattinson still gives a consistent performance as the half-witted Rey.
- Academy-Award-Winner
- 26 ene 2016
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 1,114,423
- Fin de semana de estreno en EE. UU. y Canadá
- USD 69,302
- 15 jun 2014
- Total a nivel mundial
- USD 2,510,007
- Tiempo de ejecución1 hora 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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