J.S.K - Janaki V v/s State of Kerala
- 2025
- 2h 34min
Agrega una trama en tu idiomaFilm tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court a... Leer todoFilm tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court and the judiciary system of India.Film tells the story of Janaki who becomes the victim of an inhuman activity, her unexpected encounter with Adv. David Abel Donovan and how she fights for her justice challenging the court and the judiciary system of India.
Baiju Santhosh
- S I Kanakaraj
- (as Baiju)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Why did they even made such a stupid logic less movie. This is worst movie I watched ever in my life, no story, no sense dragging around 3hrs. In the beginning she wants to retain baby and suddenly she wants it to abort it, I don't see the logic here.they dragged this movie without any solid twist. Total timewaste.
The movie talks about the atrocity that happened towards Janaki & how with the help of the judiciary she fights for her justice is all about shown in the film.
Performance wise SG & Anupama had given justice to their roles. In the 1st half we could see the fire brand performance of SG which raised the expectations to watch for 2nd half. Another lead role was of Shruti Ramachandran which came late in the 2nd half but she also gave a notable performance in her screen presence.
Director Pravin Narayanan who also penned the story had done a good research in legalities aspect which made the courtroom sequence interesting but speaking of the content, it's been too old to discuss.
The path at which the 1st half which made it interesting & raised the urge to watch for the 2nd half, but when comes to the 2nd half it was a nose div. It was a mixture of investigation and drama & at one point it became bored as it feels repetitive.
Performance space of SG was not much in 2nd half which further lowered the interest. Climax fight sequence was well choreographed but the excess of drama had overshadowed.
Ghibran's score had given some escalating moments. Cinematography was not captivating.
Another major drawback was of casting of Madhav Suresh. The worst performance in this movie. If given an electric shock, still there would be no expression coming from his face.
Well as a whole JSK is not a movie where we would be forced to leave in mid way but it also doesn't quench the thirst we were looking for a SG Film.
Performance wise SG & Anupama had given justice to their roles. In the 1st half we could see the fire brand performance of SG which raised the expectations to watch for 2nd half. Another lead role was of Shruti Ramachandran which came late in the 2nd half but she also gave a notable performance in her screen presence.
Director Pravin Narayanan who also penned the story had done a good research in legalities aspect which made the courtroom sequence interesting but speaking of the content, it's been too old to discuss.
The path at which the 1st half which made it interesting & raised the urge to watch for the 2nd half, but when comes to the 2nd half it was a nose div. It was a mixture of investigation and drama & at one point it became bored as it feels repetitive.
Performance space of SG was not much in 2nd half which further lowered the interest. Climax fight sequence was well choreographed but the excess of drama had overshadowed.
Ghibran's score had given some escalating moments. Cinematography was not captivating.
Another major drawback was of casting of Madhav Suresh. The worst performance in this movie. If given an electric shock, still there would be no expression coming from his face.
Well as a whole JSK is not a movie where we would be forced to leave in mid way but it also doesn't quench the thirst we were looking for a SG Film.
Bad screenplay followed by the overacting of SG. Bgm also lacked to feel the audience about the intensity of the scenes. As compared to other courtroom drama it's a below average one. Madhav suresh acting in the serious situation looked like he is acting in a old age drama. I don't understand why some people compare it to lalettans neru!!!!!
Janaki V vs State of Kerala - A decent courtroom procedural drama misses out on hooking the audience
Rating - 3/5
A courtroom drama portraying the investigation procedurals but missed on hooking the audience on right notes.
The crux of the story is about Janaki and her fight for justice against the State over the untoward event in her life and will Judiciary and the system stands by the plaintiff unfolds through the story.
Pravin Narayanan has penned a sensitive story portraying the life of physical abuse victims and the emotional and mental agony they face from the society through their empathetic eyes. The screenplay slips in few places where the audience misses the spark in the story giving a conclusion of a cliche survivor story. The story inspired from multiple incidents has been synchronized and portrayed on screen but fails to make a lasting impact altogether rushing through investigation and onset proceedings.
Good performance by Suresh Gopi through his power punch dialogue modulation and delivery. Anupama has given a stunning performance in the movie conveying the right emotions demanded by the character. Askar Ali, Yedhukrishnan,Vaishnavi & Divya Pillai made impressive performances. Madhav was giving a stone looked face struggling to say the dialogues felt preachy in few sequences.
Good music by Girish blending with the storyline added with Ghibran's background scores.
A watchable drama with decent performances ruling out the minor flaws.
A courtroom drama portraying the investigation procedurals but missed on hooking the audience on right notes.
The crux of the story is about Janaki and her fight for justice against the State over the untoward event in her life and will Judiciary and the system stands by the plaintiff unfolds through the story.
Pravin Narayanan has penned a sensitive story portraying the life of physical abuse victims and the emotional and mental agony they face from the society through their empathetic eyes. The screenplay slips in few places where the audience misses the spark in the story giving a conclusion of a cliche survivor story. The story inspired from multiple incidents has been synchronized and portrayed on screen but fails to make a lasting impact altogether rushing through investigation and onset proceedings.
Good performance by Suresh Gopi through his power punch dialogue modulation and delivery. Anupama has given a stunning performance in the movie conveying the right emotions demanded by the character. Askar Ali, Yedhukrishnan,Vaishnavi & Divya Pillai made impressive performances. Madhav was giving a stone looked face struggling to say the dialogues felt preachy in few sequences.
Good music by Girish blending with the storyline added with Ghibran's background scores.
A watchable drama with decent performances ruling out the minor flaws.
After a long break, BJP MP and Union Minister Suresh Gopi has acted as a lawyer in the film JSK. The movie was originally titled Janaki vs State of Kerala. Later, due to the interests of certain members in the censor board, it was changed to Janaki. V vs State of Kerala. I couldn't understand what difference that change made. But after watching the film, it becomes clear why a ruling party's censor board member worked against it.
There are several dialogues in the film that damage the government's image-references like "Manja Kutty", "Irattachankan", and the news scrolls mentioning "Robin Bus" etc. All these highlight, in the eyes of the public, nothing but the government's failures.
The story revolves around Janaki, a girl who suffers sexual assault, goes to court seeking justice, and eventually wins by relying on the Constitution and its articles. I felt that some of the characters did not fully do justice to their roles. Anupama, who played Janaki, delivered an average performance. But Shruti Ramachandran, who appeared in the final part as the pregnant lawyer Nivedita, was quite disappointing. Her courtroom arguments and counterarguments looked as if she was simply reading them from somewhere. Similarly, Divya Pillai's acting also felt mechanical. Both of them need significant improvement.
Interestingly, no one in the film has a full-fledged role. The one with the maximum screen presence is Askar Ali. Many newcomers were part of JSK-some in their first, second, or third films-and it is undeniable that they all remained loyal to the movie.
Suresh Gopi did not heavy scenes in this film, and most of his screen time is in the first half. Yet, whatever part he had, he executed it gracefully.
Direction maintained a quality that was above average. Editing, cinematography, music, and background score were all fairly good. However, there are several areas that need improvement-especially the background score, which should have been better. The final action scenes were poorly executed, though the art direction of those sequences was excellent. The climax was completely unexpected. I never thought there would be another case and another accused (Ranjith Menon, Venkitt) before even knowing who the villain was.
The director managed to connect many small scenes very well. He also demonstrated a good understanding of laws, constitutional articles, and courtroom procedures, which was evident throughout the film.
There are several dialogues in the film that damage the government's image-references like "Manja Kutty", "Irattachankan", and the news scrolls mentioning "Robin Bus" etc. All these highlight, in the eyes of the public, nothing but the government's failures.
The story revolves around Janaki, a girl who suffers sexual assault, goes to court seeking justice, and eventually wins by relying on the Constitution and its articles. I felt that some of the characters did not fully do justice to their roles. Anupama, who played Janaki, delivered an average performance. But Shruti Ramachandran, who appeared in the final part as the pregnant lawyer Nivedita, was quite disappointing. Her courtroom arguments and counterarguments looked as if she was simply reading them from somewhere. Similarly, Divya Pillai's acting also felt mechanical. Both of them need significant improvement.
Interestingly, no one in the film has a full-fledged role. The one with the maximum screen presence is Askar Ali. Many newcomers were part of JSK-some in their first, second, or third films-and it is undeniable that they all remained loyal to the movie.
Suresh Gopi did not heavy scenes in this film, and most of his screen time is in the first half. Yet, whatever part he had, he executed it gracefully.
Direction maintained a quality that was above average. Editing, cinematography, music, and background score were all fairly good. However, there are several areas that need improvement-especially the background score, which should have been better. The final action scenes were poorly executed, though the art direction of those sequences was excellent. The climax was completely unexpected. I never thought there would be another case and another accused (Ranjith Menon, Venkitt) before even knowing who the villain was.
The director managed to connect many small scenes very well. He also demonstrated a good understanding of laws, constitutional articles, and courtroom procedures, which was evident throughout the film.
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Detalles
Taquilla
- Total a nivel mundial
- USD 179,205
- Tiempo de ejecución
- 2h 34min(154 min)
- Color
- Relación de aspecto
- 1:2.39
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