Becoming Karl Lagerfeld

All in all, I really liked the series, with only one flaw: the fashion theme doesn't get enough attention.

But from the beginning. At first I was hesitant to watch the series at all. When I read that Damiel Brühl, a German, had been cast in the lead role, I thought I was in for the worst. But I was proved wrong! The half-Spanish Brühl has probably taken the lead here and managed to mirror Lagerfeld's character in a very interesting way. Together with his dandyishly agile colleague Théodore Pellerin, it works brilliantly. And so the series is actually more about the relationship between the two and their relationship with Yves Saint Laurent than about Lagerfeld's fashion creations. That's a shame. A great shame, in fact. That said, the series is lavishly produced and does an excellent job of capturing the mood of the times. All in all, a definite recommendation, although I would like to see a second season in which Lagerfeld's fashion creations receive a little more attention.

It is immersive, & beautiful. It is a 6x52 of cinema.

Becoming Karl Lagerfeld is a captivating mini-series that immerses viewers in the world of Karl Lagerfeld, revealing the genius and enigmatic personality behind his iconic creations. The beautifully crafted series features outstanding performances by Daniel Brühl (Karl Lagerfeld), Théodore Pellerin (Jacques de Bascher), and Arnaud Valois (Yves Saint Laurent), among others. The soundtrack, composed by Evgueni and Sacha Galperine, enhances the experience with original scores and iconic songs like "(I Can't Get No) Satisfaction" by The Rolling Stones and "Heart of Glass" by Blondie. Celebrating creativity, innovation, and an endless quest for perfection, "Becoming Karl Lagerfeld" captures the essence of what made Lagerfeld unique and inspiring.

I was really looking forward to this series .......... But - to me - it was a bait and switch. It was the story of Jacques de Bascher, not Lagerfeld. And, frankly, I didn't care for Jacques.

This is a very sad story of two men who were brilliant designers, Karl Lagerfeld and Yves Saint Laurent and the man who reeked havoc in both their lives (rather who they let into their lives) - Jacques de Bascher.

Had this been advertised in a different way, it would have been excellent - the actors were all brilliant. But I did not learn a whole lot about Lagerfeld becoming a designer and that was why I watched it. As it was, I came away depressed for what both Lagerfeld and Saint Laurent endured (willingly!) at the hands of a young man who knew his power and abused it with glee.

As in all things, to each his own.

As many people already said here - it's just a scratch on the surface, that's not about Karl it's about Jacques,...

I agree, it's just a scratch on the surface, but it's not a mistake, it's just a different perspective on Karl's life. Maybe it was different, maybe not, but who knows?

As his Daniel said - He never lost touch with the pulse. A time of revolution, of sexual liberation and then there's that anachronistic lement to it because Karl Lagerfeld very often lived in his ntellectual realm and in his fantasy and with the money that he had earned was capable of creating these cerebral worlds, these fairytale paradises, especially for the love of his life. He bought a castle and everything within the castle had to be perfect down to the candles. To play someone who does that with so much dedication and obsession and precision was fascinating.

I really like the way of acting, Daniel is experienced actor and great choice for Karl. Théodore is same age as me, he exactly knew, what to do and I do not agree with others, his acting may be different, but not childish or boring. Visuals are great, so don't judge a book by it's cover and give it a try.

From the point of view of production values, Becoming Karl Lagerfeld cannot be faulted. Beautifully designed, costumed and filmed, it is worth your time for those alone. But ultimately it is a depressing tale of mismatched lovers - Lagerfeld, an ageing, sexually frigid German workaholic whose only pleasure is food, and a spoiled, promiscuous French party boy twenty years younger. Karl's attachment to Jacques seemed to be partly parental, and an idealisation of his youth and putative beauty. Jacques clearly had daddy issues and couldn't survive without the ongoing financial support. Yet each in his own way loved the other and was addicted to their dysfunctional relationship. And knowing of Jacques eventual death at 38 of AIDS made it all the sadder..