Alouette
- El episodio se transmitió el 17 sep 2023
- TV-MA
- 1h
Daryl, Isabelle, Laurent y Sylvie se enfrentan a problemas en la carretera. Isabelle recuerda el día en que aparecieron los hambrientos. Laurent lucha por encajar.Daryl, Isabelle, Laurent y Sylvie se enfrentan a problemas en la carretera. Isabelle recuerda el día en que aparecieron los hambrientos. Laurent lucha por encajar.Daryl, Isabelle, Laurent y Sylvie se enfrentan a problemas en la carretera. Isabelle recuerda el día en que aparecieron los hambrientos. Laurent lucha por encajar.
- Dirección
- Guionistas
- Elenco
- Marion Genet
- (solo créditos)
Opiniones destacadas
Norman Reedus does a very good job of adding another layer to a character he's embodied for over a decade. Because his muse (Carol) is not present, he has to carry more of the dialogue freight. It's good to see that he's more than ready for his starring role.
The backstory fill in on why/how he ended up in that boat carried lots of interesting potential storylines and the possible BIG BAD.
The secondary characters still need more depth, but the episode guest stars provided welcome texture and interest. The nun and the troublesome charge they're shepherding are still two dimensional. I'm hoping the girl's difficult nature isn't used as a means of putting the whole group in danger. We saw enough of that trope in the original TWD.
The new scenery, culture and social backdrop is a breath of fresh air.
So far, I'm looking forward to next week.
2. It's true that Mork and Mindy WAS popular in France back in the day, but it's been over 40 years, for Pete's sake.
3. "I'm an American!" Does this need any explanation?
I mean, I'm not disliking the show, but the redneck hero in France just seems in the wrong place. What made Daryl Dixon so important that he was kidnapped and sent all the way to France anyway? There better be a darn good reason or explanation for this.
Maybe they should've created this new series with new characters. I'm thinking like an ex-pat in France that got stuck there. They could've created an entirely new backstory. Just saying...
Paris during the outbreak is being shown, Isabelle's and Laurent's characters become even more sympathetic and developed, side characters are getting more screen time, new characters are getting introduced, and the main flow of the story keeps on going. The pace is decent, and an hour passed by without me noticing it. The show somehow manages to tell us new stories about Daryl, too.
TL,DR: This show still manages to balance story-setting and action aspects, keeping up with everyone's expectations. A well-directed, well-paced episode of a show that keeps on delivering.
Daryl, Isabelle, Laurent, and Sylvie face trouble on the road. Isabelle remembers the day the hungry ones appeared. Laurent struggles to fit in.
Great establishing shots, the production and art design were fantastic. The mise-en-scene was also quite great, they set up each shot so perfectly and I think the steadicam and the lens choice is perfect for the show. The cinematography is truly amazing. Everything around the filmmaking was great in my opinion, I really like the writing much better in this episode as everything has been introduced. David's writing is very cinematic, focusing on telling a story like a film in a way. The flashback scenes contribute to the show, the pacing is good and I would say it's nicely edited (like the rest of the episode). The set design, costume and makeup department, lightning, composition, and so on. Everything is brilliant. I found the direction to be quite great actually, mostly the visual storytelling. What's interesting about this episode is how Daryl Dixon and company come across this group on the road which reveals to be living in a pre-school which just made so much sense. Would children leave a preschool if their parents wouldn't come, no, because they feel safe there. It's a nice little subplot which develops the characters, leaving them time to get to know each other better and grow as individuals. The episode is full of these little moments which are just so perfect. They save the action sequence to last, which is not only there for entertainment, but character development too. It's a great sequence, I won't spoil it here but it gave me hope for this show because of how different it was to The Walking Dead. It felt more personal, the writing and direction made the action feel meaningful and impactful for the characters. We know Daryl Dixon is great at killing zombies, being a bad ass, but here we see something else other than that. I think it's how the action scene was written and directed.
I think this is a better written episode, overall a much better episode than the premiere as what I didn't like there is not found here. Maybe too much focus on the flashbacks, could have possibly trimmed it down a bit. Laurent is still a character I dislike but the writing is getting better though, with the preschool and the children/teenagers he met there, made him understand that he's not like everyone else, as to be honest I think he have never met another child in his life. With this stop on the road, I think Laurent could become more likeable in the upcoming episodes, I just hope the actor improves. This was a great episode!
'Alouette" is an episode of "The Walking Dead" spin-off "Daryl Dixon", with the origin of Laurent explained through flashbacks. The past life of Isabelle is also shown in the show, where she was a thief. The action of the show is good, with Daryl resolving the situation, but the conclusion is unreasonable since the kids remain in the former school. Why not move to the protected castle that was abandoned with provisions and medicine after the death of his owner? My vote is eight.
Title (Brazil): "Alouette"
¿Sabías que…?
- TriviaThe mule's name is Asterix which is the name of a famous French comic book character.
- ErroresWhen Isabelle is smoking her cigarette, she is on the Bir-Hakeim bridge. She then walks 5.2 km (3.2 miles) to reach Saint Georges station, a 1h15 walk in Paris. Why such a long walk when she could have use any station located near the bridge to escape and eventually go back home.
- Citas
Daryl Dixon: [Daryl saying grace as Father Daryl] Lord, I'm sure you have your reasons for turning the whole world upside down. Maybe we deserve it for being so mean to each other. We probably do deserve it, but not tonight. No. Tonight is good. And if this isn't good enough for you, I don't know what is. Amen
- ConexionesFeatures Mork & Mindy: The Mork Report (1982)
- Bandas sonorasBlue Monday
Written by Gillian Gilbert - Peter Hook - Stephen Morris - Bernard Sumner
Performed by New Order
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Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color