El tiempo que tenemos

It was just as if someone had thrown the scenes up in the air and put the film together in the order that they fell down in. Superb acting but spoilt but disconnected story. Both Florence Pugh and Andrew Garfield gave memorable performances. I have seen other films with a non linear plot and can't understand why the filmmakers seem to want to confuse the film goer. I guess I'm not a fan of movies when they have multiple times which jump backwards and forwards. The cinematography was good and polished. The film did not live up to its full potential as the story line was so disconnected. Such a shame!

Never has the gap between my expectations and the actual impact of the film been so vast. The possibilities were so high with casting two of the greatest actors of our time- and even they could not make the movie have a soul. The writing and soundtrack were totally forgettable, despite Pugh and Garfield putting in great performances of what was available to them. The back and forth timeline made for an incomplete emotional journey, as there was no build up or stakes to be invested in. Both characters fell very flat, and I felt very little emotional investment in them. I had such high hopes and was counting down the days for this film, and was sorely disappointed upon leaving the screening. Hope someone casts the two together in a future film and gives them a better opportunity to create a masterpiece.

Tobias (Andrew Garfield) is hit by a car driven by Almut (Florence Pugh). She stays in the hospital until he wakes up and because - despite having a broken arm and being in a neck brace - he has already been discharged (there are not enough beds available - political comment there!) takes him to dinner. He is newly-divorced, she has just come out of a lesbian relationship. Despite this unpromising beginning, there is mutual attraction and the pair begin a years-long relationship.

The two leads make an engaging couple. Pugh, especially, is easy to accept as the fiery Almut. Garfield plays nice guy Tobias a bit too geeky to be completely believable, but he manages to stay on the right side of annoying (and, if the shapely bare buttocks in the bathroom scene belong to him and not to a body double, he has a very nice bottom - just saying...) No other actors get enough screen time to make an impact, although I was struck at seeing Douglas Hodge playing Tobias' father - twenty or thirty years ago, he would probably have been playing the male lead himself.

This is a good example of a chick flick: romantic, cheesy and leaving not a single dry eye in the house. I am not sure I would watch it again, but I am glad I saw it at least once.

We Live In Time delivers a compelling and emotionally charged story that explores love, loss, and the passage of time. The film boasts strong performances, particularly from its leads, whose chemistry draws the audience into their journey. Its poignant themes and richly drawn characters make for a narrative that has the potential to resonate deeply.

However, the film's non-linear editing detracts significantly from its impact. While the fragmented structure may aim to create intrigue or mimic the unpredictability of memory, it instead muddles the storytelling. Key emotional beats lose their potency as the timeline jumps abruptly, leaving viewers disoriented rather than engaged. The disjointed sequencing diminishes the weight of the story's climax, which should have been its most powerful moment.

Ultimately, We Live In Time is a film of great promise undermined by its structural choices, leaving audiences longing for a more coherent narrative flow.

I saw it for Andrew Garfield , one of magnificient actors of present , for John Crowley , in memory of their fantastic film Boy A.

And, indeed, We Live in Time is a pure beautiful film. Its first virtue is the kick to viewer to discover his past moments and future perspectives. The second virtue is represented by acting. I do not ignore romance or problems of life together or the knife of near death.

But it is a profound subjective masterpiece for the fine portrait of ages. For message, to. For the honest definition of unique moments of life. And for the fantastic performance of Florence Pugh and Andrew Garfield .

So, see it !