Test

Anwar Says: What a waste of a top star cast by the director S. Shashikath , who played with the expectations of audiences. Netflix viewers were eagerly waiting for this movie and expecting an engaging one, but the slow pace and timid writing made it a quite mediocre.

The plot has so much to deliver and the best of Kollywood were cast and they tried to give their best but Shashikath Saheb was adamant to present it in a snail's pace and in spite of Maddy's large than screen presence in a grey character and reasonably appreciable performance by Nayanthara , it failed to click. Sidharth also kept on yelling or taking on phone throughout. Meera has nothing much to do except in one scene when she overpowered Sidharth.

On the whole, an excellent plot with terrific cast has been killed by director-editor duo.

#netflix #anwarsays #matchfixing #cricketlife #hydrofuel #overambitious #rmadhavan #nayanthara #sshashikath #weakdirection.

Behold the cinematic travesty that is Test, a film so replete with squandered potential it could serve as a case study in narrative incompetence. The story, ostensibly brimming with "interesting elements," flounders under the weight of its own ineptitude, as these tantalising threads are left to languish, undeveloped, in a mire of creative apathy. The screenplay, a plodding dirge of ennui, drags its weary feet through a wasteland of mediocrity-occasionally punctuated by scenes that rise to the lofty heights of "okay" or, in rare bursts of adequacy, "good," only to collapse back into a torpor of unrelenting dullness. And then there are the moments of sheer absurdity, where scenes and dialogue descend into a puerile silliness that insults even the most forgiving intellect.

Madhavan, bless his thespian soul, delivers a performance of such brilliance it's almost tragic, shackled as he is to a character granted but a miserly handful of decent scenes-glimpses of excellence drowned in a sea of squandered opportunity. Siddarth acquits himself admirably, a beacon of competence in this dim constellation. Meera Jasmine, meanwhile, appears as an awkward anomaly, her visage oddly discordant with the frame, though her acting salvages some dignity from the wreckage. Nayanthara, poor soul, is a victim of time's cruel march, her appearance weathered beyond redemption by makeup so garishly inept it screams desperation-an attempt to defy age that only amplifies its victory. Her performance, alas, is a monotonous slog, as rote as a factory assembly line. Kaali Venkat, Vinay Varma, and the rest of the ensemble muster a collective shrug of adequacy, neither offending nor inspiring.

The production values-oh, how they gleam!-a polished veneer of locations, sets, and cinematography that dazzles the eye while the soul withers. The music, that auditory wallpaper, settles for a middling hum, neither elevating nor offending. The direction, helmed with all the flair of a bureaucratic functionary, is "okay"-a damning indictment if ever there was one.

In sum, Test is an exercise in cinematic futility, a film so unworthy of your time that to watch it is to willingly subject oneself to a masterclass in disappointment. Spare yourself the ordeal.

Wow. Just wow. It's truly a marvel how a film can assemble such a powerhouse cast-Nayantara, Siddharth, Madhavan-and still manage to produce something that feels like it was written during a power outage, possibly under the influence of... creative herbs. One has to genuinely applaud the person who pitched this script to these seasoned actors. That level of salesmanship? Unmatched. We're talking next-level persuasion-someone get this individual into international diplomacy immediately.

The script itself is a masterclass in monotony. It's almost impressive how consistently dull and uninspired it is. The Netflix India team must have a new approval strategy: spin a wheel, close your eyes, and greenlight whatever it lands on. Risky? Yes. Effective? Absolutely not.

As for the director and writer-daily soaps might be too ambitious. But hey, there's always the back pages of a local flyer or TikTok skits. Start small, dream big.

Gave it 3 stars though. Not for the movie-heavens, no-but as a small token of sympathy for the cast and crew who clearly signed up for something else entirely.

Sasikanth's first innings failed as producer and in second innings he failed as director.. worst film I ever watched.. as usual police comes in end and had no role in the film no police officer handle this slow. Notably the rowdy role played very immature. The director doesn't know the innovation and fund raising, a MIT student knew about startup funding is shocking, why he goes to rowdy to fund? No common sense about anything.: waste of time..

"Test" (2025) showcases the undeniable talent of R. Madhavan, who delivers a stunning performance. However, the film is ultimately let down by a flat and unengaging storyline that fails to captivate the audience.

R. Madhavan commands the screen with his charisma and acting prowess. His portrayal of the character is nuanced and compelling, demonstrating his ability to elevate even a weak script.

Unfortunately, the film's narrative struggles to maintain interest. The story lacks originality and fails to offer any compelling plot developments or emotional depth. The pacing feels slow and uneven, making it difficult to stay invested in the characters' journeys.

The supporting cast, while capable, is given little to work with. The characters are underdeveloped and their relationships lack complexity, further contributing to the film's overall lack of engagement.

The film's technical aspects are adequate, with decent cinematography and a fitting soundtrack. However, these elements are not enough to compensate for the film's narrative shortcomings.

Despite Madhavan's stellar performance, "Test" is a disappointing cinematic experience. Its lack of engaging story and emotional depth makes it a film that is easily forgotten.