Boom
- El episodio se transmitió el 17 may 2024
- 45min
Atrapado en medio de una guerra devastadora en Kastarion 3, el Doctor queda atrapado al pisar una mina terrestre. Podrá salvarse a sí mismo y a Ruby, además de a todo el planeta, sin moverse... Leer todoAtrapado en medio de una guerra devastadora en Kastarion 3, el Doctor queda atrapado al pisar una mina terrestre. Podrá salvarse a sí mismo y a Ruby, además de a todo el planeta, sin moverse.Atrapado en medio de una guerra devastadora en Kastarion 3, el Doctor queda atrapado al pisar una mina terrestre. Podrá salvarse a sí mismo y a Ruby, además de a todo el planeta, sin moverse.
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've been mixed on most of dr who since 2018. S11 was pretty mid, s12 and 13 where nightmares and the 60th was a mess.
And I've liked s14 so far to he honest, it has some major flaws but it pleasantly surprised me.
But this THIS is doctor who. A thematically rich scifi story with a low scale setting but high key themes in which a charismatic lead tries desperately to make the people around them and keep hope in the heart of the universe.
This episode is nearenough perfect. I can't fault it. I'd give it a 10/10 if it wasn't for my mixed feelings about the arc which finds its way uncomfortably slotted into this episode.
But everything else is pretty much perfect, from the characters to the dialige to the rich themes. An epic with something to say, and one of my new favourite doctor who episodes.
It's a great episode. A nine and a half. I'm giving it a ten because so many people are trying to drag its ratings down because it has a non-white gay actor in the lead. And let's not pretend it's any other reason, because there is no world in which this isn't a stormer of an episode
Set on an alien planet in the middle of a war, the doctor finds himself standing on a land mine as all hell breaks loose around him. How will he save himself, how will he save the people around him, how will he keep his companion safe. That's what we're here to find out over the course of fifty minutes.
It feels like a bottle episode. There aren't many sets. It's all on a soundstage. There aren't many characters. And I'll be honest some of the effects are a bit shonky. But like so many other bottle episodes in Doctor Who, it's extraordinary. Questions of loss, faith, justification for war, exploitation by profiteers, the limits of AI, the ethics of expediency, lost love, found love, the importance of family. It's all here and it's so gripping.
It might not be for the youngest kids. I'd keep this one for maybe 12+c particularly if they're sensitive. It's a proper scary, intimidating, epic one. But for everyone else it's amazing. So far in this season we've had the full range of Who aeathetics - from silly, to operatic, from comedy to darkest wars. This show never stops blowing the bloody doors off what a sci fi show should be and going way way out there in every damn direction. Loved it. Amazing.
Moffat does what us fans of the Tennant and Smith classics have been waiting for: a story that keeps you on the edge of your seats. Forget the negative reviews and judge for yourself. I haven't had a good moment like this with a Doctor Who episode for quite a long time: the right amount of human emotion and just the right amount of tension and suspense
This is what I've been waiting for, and this is the payment. Thank you Doctor Who
My first review ever. Thanks for reading. :-)
As you'd expect from Moffat, this is a darker tale than the previous instalments in this season. It's a masterclass in tension. Gatwa is phenomenal here, matching the gripping script with a standout performance.
It may not hit the heights of Blink but Boom delivers a big bang in terms of an impression, not a whimper.
¿Sabías que…?
- TriviaThis episode features the military wing of The Church Of England. Steven Moffat used this before in The Time of Angels (2010) and Flesh and Stone (2010).
- Errores(Around 6m 27s) When Ruby leaves the TARDIS she pulls the door closed. She then inserts her key and turns it as if locking the door. However, as it is a Yale-type lock, inserting and turning the key is only necessary when opening the door.
- Citas
The Doctor: We're all dead eventually. There's hardly any time that we're not dead. Which is a good thing too. We've got to keep the pace up, otherwise nothing would get done. Dying defines us. Snow isn't snow until it falls.
Ruby Sunday: Snow...?
The Doctor: Yeah, snow. We all melt away in the end. But something stays. Maybe the best part. A sad old man once told me what survives of us is love.
- ConexionesFeatured in Doctor Who: Unleashed: Boom (2024)
- Bandas sonorasThe Skye Boat Song
(uncredited)
Traditional Scottish air with lyrics by Harold Boulton
Performed by Ncuti Gatwa
Selecciones populares
Detalles
- Tiempo de ejecución
- 45min
- Color