La apacible vida suburbana de un exasesino se desmorona tras un asalto en su hogar que desvela oscuros secretos del pasado de su esposa, obligándole a regresar a su violento pasado.La apacible vida suburbana de un exasesino se desmorona tras un asalto en su hogar que desvela oscuros secretos del pasado de su esposa, obligándole a regresar a su violento pasado.La apacible vida suburbana de un exasesino se desmorona tras un asalto en su hogar que desvela oscuros secretos del pasado de su esposa, obligándole a regresar a su violento pasado.
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Opiniones destacadas
I just got back from seeing it at the theaters
The movie, overall, matches the original, which is a big accomplishment for a sequel: the original will always have the distinction of being the first, and with this particular premise, a huge hindrance is that he can't really be a Nobody twice. Part 1 could build up the moment where the audience and supporting characters find out who he is, but the franchise can't replicate that plot device in sequels. By Part 2, he's a Somebody.
Still, though, the movie surpasses the original in 2 areas. Firstly, I think that the comedy in Part 2 surpasses the comedy in Part 1. There were numerous instances in Part 2 that legitimately had me laughing, and I'm not easy to please on comedy (e.g. I found the 2025 Naked Gun movie to be unfunny). To say what parts had me laughing might ruin those parts, so I won't say. Secondly, I think that Sharon Stone makes a better, more memorable antagonist than the Russian guy in Part 1.
The movie's other positives are basically the same positives that apply to Part 1. Bob Odenkirk is a likable and charming protagonist. Though his role as Saul Goodman is iconic, you don't actually see Saul Goodman when you watch him in this movie; he occupies this role entirely. The movie blends the slick, intense action scenes with hilarious comedy in a way that neither clashes with the other or creates awkwardness. The compact 90-minute runtime is perfect. And I like Christopher Lloyd. We don't know how many more big-screen movies he'll appear in, so we should cherish them
In terms of flaws - the movie has a predictable plot; nothing here is really original or creative. And I don't imagine that many people, after watching, will remember this movie in the long-run. The movie builds up Sharon Stone's character, yet the protagonists take her out relatively easily. There are some cliches. There are some elements recycled from the first film
I gave the original a 6.5/10. I'll give this one the same score
6.5/10.
The movie, overall, matches the original, which is a big accomplishment for a sequel: the original will always have the distinction of being the first, and with this particular premise, a huge hindrance is that he can't really be a Nobody twice. Part 1 could build up the moment where the audience and supporting characters find out who he is, but the franchise can't replicate that plot device in sequels. By Part 2, he's a Somebody.
Still, though, the movie surpasses the original in 2 areas. Firstly, I think that the comedy in Part 2 surpasses the comedy in Part 1. There were numerous instances in Part 2 that legitimately had me laughing, and I'm not easy to please on comedy (e.g. I found the 2025 Naked Gun movie to be unfunny). To say what parts had me laughing might ruin those parts, so I won't say. Secondly, I think that Sharon Stone makes a better, more memorable antagonist than the Russian guy in Part 1.
The movie's other positives are basically the same positives that apply to Part 1. Bob Odenkirk is a likable and charming protagonist. Though his role as Saul Goodman is iconic, you don't actually see Saul Goodman when you watch him in this movie; he occupies this role entirely. The movie blends the slick, intense action scenes with hilarious comedy in a way that neither clashes with the other or creates awkwardness. The compact 90-minute runtime is perfect. And I like Christopher Lloyd. We don't know how many more big-screen movies he'll appear in, so we should cherish them
In terms of flaws - the movie has a predictable plot; nothing here is really original or creative. And I don't imagine that many people, after watching, will remember this movie in the long-run. The movie builds up Sharon Stone's character, yet the protagonists take her out relatively easily. There are some cliches. There are some elements recycled from the first film
I gave the original a 6.5/10. I'll give this one the same score
6.5/10.
Feels a lot more like a routine sequel - bigger, louder, and packed with more brutal villains, action, and explosions, but with only an okay plot. The stakes never feel as gripping as they could be, and the comedy lands just fine but nothing more. Strong family vibes throughout, but the story is fairly predictable. Still a fun ride, just not as fresh as the first.
Why did we love the first movie?
It had a cool and mysterious hero. It was realistic, a little dark, and a little funny. There weren't many movies like the first one; it was almost unique.
This sequel, however, is a rather ordinary movie reminiscent of the 90s comedy-action films we've seen countless times before. Thanks to its 90-minute runtime, you won't get bored while watching it and you might even find some moments amusing. But that's all there is to it... This second movie offers nothing but empty and simplistic action scenes.
It had a cool and mysterious hero. It was realistic, a little dark, and a little funny. There weren't many movies like the first one; it was almost unique.
This sequel, however, is a rather ordinary movie reminiscent of the 90s comedy-action films we've seen countless times before. Thanks to its 90-minute runtime, you won't get bored while watching it and you might even find some moments amusing. But that's all there is to it... This second movie offers nothing but empty and simplistic action scenes.
I rated Nobody 2 6/10 stars, while I rated Nobody 10/10 stars. The sequel is based on a false premise: That he has to go back to being a Spec Ops agent to repay $30M debt to Russian mafia that he burned in Nobody. At the end of the first film, he and his family were free and clear, buying a new house with a new identity. Being able to establish a new identity is one of Hitch's "special set of skills." Hutch (Odenkirk) is no longer a reluctant hero. He walks back into fights that he could have walked away from. That breaks his promise to his wife and family that he's not longer a fierce operator, rather just a father and family man again.
The violence is now more cartoonish than realistic. Hutch is no longer a vulnerable Everyman. Now he's an indestructible superhero who seeks out payback. That completely changes the viewer's perception of him as a sympathetic character. Now he's a vengeful man seeking to repay even the slightest offense. The booby traps he sets in the grand finale at a theme park, seem more from the Home Alone playbook, than from an experienced operator's tactics. Overall, the sequel doesn't live up to the original and we're voting for no Nobody 3. 🙁
The violence is now more cartoonish than realistic. Hutch is no longer a vulnerable Everyman. Now he's an indestructible superhero who seeks out payback. That completely changes the viewer's perception of him as a sympathetic character. Now he's a vengeful man seeking to repay even the slightest offense. The booby traps he sets in the grand finale at a theme park, seem more from the Home Alone playbook, than from an experienced operator's tactics. Overall, the sequel doesn't live up to the original and we're voting for no Nobody 3. 🙁
Timo Tjahjanto's Nobody 2 is a relentless, bone-crunching sequel that doubles down on the first film's blend of suburban angst and bloody mayhem. This time, Bob Odenkirk's Hutch Mansell is on vacation, which of course becomes a backdrop for an insane series of creatively staged, over-the-top fight sequences. Tjahjanto, known for his work on action films like The Night Comes for Us, brings a distinct, stylized flair to the violence, turning the tranquil setting of a small town and an amusement park into a series of deadly playgrounds. The plot is thin and largely exists to string together these incredible set pieces, but that's not a criticism-the movie knows exactly what it is. It's a joyful, unpretentious action romp. The action is more outlandish and even more graphic than the original, with a dark, cartoonish sense of humor that differentiates it from the more grounded, noirish tone of the first film.
Some critics have noted that the sequel loses some of the original's gritty charm in favor of a more comedic, outlandish style, but praise the film for being an entertaining and satisfying follow-up.
Is it worth watching? If you're a fan of the first film and are looking for a fun, fast-paced action movie that doesn't take itself too seriously, then absolutely.
Some critics have noted that the sequel loses some of the original's gritty charm in favor of a more comedic, outlandish style, but praise the film for being an entertaining and satisfying follow-up.
Is it worth watching? If you're a fan of the first film and are looking for a fun, fast-paced action movie that doesn't take itself too seriously, then absolutely.
¿Sabías que…?
- TriviaThis is Timo Tjahjanto's American directorial debut. Tjahjanto is best known for his ultra-violent Indonesian action films like Headshot (2016), The Night Comes for Us (2018) and Fuera de las sombras (2024).
- ErroresAt the blackjack table, the high-roller has 10 and 8 and decides to split his hand. Blackjack only allows you to split if you have a pair.
- Citas
Becca Mansell: Don't fuck with a mama bear.
- ConexionesFeatured in Minty Comedic Arts: Nobody 2 REVIEW (2025)
- Bandas sonorasThe Good Life
Written by Jean Broussolle, Sacha Distel, Jack Reardon
Performed by Jose James (as José James)
Produced by Dominic Lewis
José James appears courtesy of Rainbow Blonde Records
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Detalles
Taquilla
- Presupuesto
- USD 25,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,000,850
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,251,190
- 17 ago 2025
- Total a nivel mundial
- USD 36,784,722
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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