La hermanastra fea

A twisted take on Cinderella, The Ugly Stepsister is a Norwegian body horror flick that will creep you out through it's take on beauty standards and the level of extremity one can go to fit well.

The director, Emilie Blichfeldt did the same with 'The Ugly Stepsister' this year, with what was done in 2024 by Coralie Fargeat with 'The Substance', by showcasing the lengths one go to stay relevant. While it is far from perfect and the characters don't stand out much, apart from the lead; The Ugly Stepsister has abundant gore, amazing BGM and splendid performance by Lea Myren as Elvira that elevates the movie.

The director doesn't even hold back on frontal nudity of the characters in couple of scenes, and the third act of this body horror is equally disgusting to watch as well as emotionally draining; but for the advanced horror fans, this might be a treat.

My Rating : 3.5/5.

While stories of this nature often carry a myriad of meanings and impacts dictated by audience interpretations, I like to perceive it primarily as a critique of the beauty and fashion industry.

That very industry driven by self-interest, promotes unrealistic beauty standards among impressionable young women, particularly teenagers, and encourages gullible women to purchase costly products to be "attractive" so to speak or, more alarmingly, drive them to resort to unhealthy and dangerous methods for altering their faces and bodily structure.

The narrative also serves as a commentary on those parents who exploit their children's fame and financial success, steering them toward a path of self-destruction in pursuit of their own unattained and selfish interests.

I have consistently held a profound admiration for ideas and concepts that appear straightforward at first, yet upon deeper investigation, uncover a fascinating and profound complexity. Similar to the themes and notions presented in this film, which impressed me with its visual artistry, although some scenes are daring, these are typical in Scandinavian films, so this detail shouldn't catch you off guard. Reimagining a timeless fairy tale like "Cinderella" from the point of the spiteful, unattractive stepsister is sheer brilliance and a remarkable masterpiece. This concept might appear straightforward to certain individuals, yet in truth, it is truly brilliant. In this case, "Agnes," or more accurately "Cinderella," is no longer the naive angel we recognize. She treats her stepsister (Elvira) quite harshly and delights in premarital relations with the stable boy, while presenting herself as a virgin to the prince soon after. In addition to the classic tales and long-standing stereotypes from traditional Disney stories, the stepsister is now depicted not as a haughty, wicked girl, but instead as a shy, uncertain girl, even about her own self.

This creative advancement, along with numerous others, certainly enhanced the film's artistic richness and set it apart from other popular films with similar narratives. Certainly, the originator of this nightmarish concept is the imaginative Norwegian author and filmmaker, Emilie Blichfeldt, who has presented us with a bleak portrayal of both beauty and ugliness. This image goes beyond being merely an amusing film, uplifting us as spectators, without resorting to a shallow narrative, a clichéd drama, or an ineffective comedy. The creative director delivered a stark, socially pertinent message, a grim and intense enhancement to the "body horror" genre, while also incorporating some subtle elements of dark humor effectively. I genuinely enjoyed the film, and when I selected it for my evening viewing, I didn't anticipate it would elevate my experience as much as it did in tandem with him during the viewing. I am familiar with Scandinavian cinema, recognizing its sophistication, and I'm also acutely aware of its remarkable boldness in explicit scenes. An outstanding movie in every aspect, including directing, performances, visuals, costumes, writing, and soundtrack. The music at the start of the movie amazed me, indicating that I was impressed early on, to such an extent that I watched the film again after it finished to hear it once more. - It's by the incredible Australian artist Molly Lewis, renowned for her whistling skills. She now lives in Los Angeles.

Hold on. Here's a point, At the film's outset, during the opening credits and theme music, the camera smoothly glides over the dinner table, paired with the captivating music. It moves over the deceased father's head on the table, as though he's lying there with his head on it, but his eyes are open, gazing at us.

This is "an artwork of supreme beauty and magnificence." Oh my goodness, what imagination! Alternatively, the movie is packed with various other delights. A fantastic movie with a superb mark.

An extremely enjoyable combination.

The movie looks beautiful! Actresses are all amazing, especially both sisters and step-mother. I think Agnes (Cinderella) was presented as a bit bland on purpose, because the whole movie was from the perspective of one of the "ugly" sisters. The movie is very close to dark comedy, with body horror elements and twist on an original, also dark, Cinderella story.

I love that nothing is presented as we would expect. "Ugly" sisters are not ugly or evil, especially younger sister who is very sweet and actually quite beautiful but presented as really too young for the Prince.

Prince is also not presented as nice royal and good-mannered person like in story, as you can see in the movie, it's a rather surprising and possibly more realistic view on young, very rich and very spoiled king's son.

Cinderella is barely on screen. Viewers still root for her because she did nothing wrong, but I love the additional little twist on her character too. Those who saw the movie will know. She is not naive little girl either.

Stepmom is not inherently evil, as presented in cartoon, she is just not-so-smart, greedy woman, who likes money and who saw her chance to get it in her older daughter. Another rather realistic presentation instead of "pure evil stepmother" stereotype in fairytales.

Now, actress who plays Elvira is amazing! She is joy to watch, she absolutely the center of the movie and we see pretty much everything from her perspective.

Alma, younger sister, is presented as sweet and smart child with a lot of compassion and love for Elvira which I love!

On the darker side, there is a lot of gore in getting Elvira to the beauty standard she craved so much. I admit a lot of scenes I had difficulties to watch. So, be prepared for Cinderella, body horror + dark comedy, from perspective of one of the "ugly" (none of them are ugly, hence quotes) sisters.

Every single time I see that a celebrity has had her (sometimes his) face change in order to look younger and thinner, I sigh and despair and think WHY? You were beautiful before, there's no need to change.

This film takes that message to its goriest and most disgusting levels I've seen in a long time.

This is a horror retelling of the classic Cinderella story. Only Cinderella is not the main character, but it is told from the perspective of one of her "ugly" stepsisters, Elvira.

Agnes, AKA Cinderella, is a naturally gorgeous and rebellious girl who is destined to catch the eye of the prince. Her stepmother, Rebecca, wants Elvira to catch the prince's attention, since she dislikes Agnes and Elvira's sister Alma, is too young to wed.

In order to make her pretty, her mother Rebekka pays for her to have her braces removed, her eyelashes enlarged and a nose job.

Only... this is unfortunately not set in modern day. And the beauty procedures are shockingly and violently brutal. And Elvira goes one over to add another painful procedure in order to lose weight. And it is FOUL.

I really liked the differences between the three sisters. Alma is young, innocent and frightened at the prospect of womanhood. Agnes is a free spirited young woman who is punished by the rest of her family. While Elvira does everything in her power to appear pretty to please her nasty mother.

While The Substance by Coralie Fargeat deals with the fear of getting old, imperfections within the body and an entertainment industry obsessed with beauty standards, this film leans more into trying to please toxic parents who don't care about the well-being of their children, and only care about their own money and reputation. There are a lot of parallels with mothers nowadays who groom their children into being the people that they wished they could be. Whether through dance, entertainment or singers.

Probably not as wild as The Substance, but definitely more gross and squeamish.