Alappuzha Gymkhana

Peak is an absolute masterpiece. Khalid Rahman's direction was phenomenal-he truly brought the story to life in a way that kept me completely engaged from the very beginning. I was so immersed in the film that I didn't even realize when the first half ended. The pacing was flawless, with no unnecessary lags or dull moments. Every scene had a purpose, and it all flowed so smoothly.

The acting was top-notch across the board. Each and every character felt so authentic and convincing, making it incredibly easy to get emotionally invested in the story. The performances were powerful and natural, and it's clear that the cast gave their absolute best.

What really stood out to me was the perfect blend of genres. The film delivered suspense, comedy, action, and emotion-all executed brilliantly. The action sequences were intense and well-choreographed, while the humor felt fresh and perfectly timed, offering moments of relief without taking away from the tension or seriousness of the story.

There was never a dull moment. Every element, from the cinematography to the background score, worked together seamlessly to elevate the overall experience. This film truly stands apart from others in its genre. It offers something fresh and unique that I haven't seen in a long time.

I genuinely can't wait to watch the second part. The cliffhanger and buildup were done so well that it left me craving more. I would highly recommend this film to anyone who loves cinema-it's an experience you don't want to miss. One of the best films I've watched in recent times.

Khalid Rahman is now officially the Anwar Rasheed of the mid-to-late 2000s, creating bonafide entertainers that'll strike a chord with every audience segment, one way or another. However, as opposed to Anwar Rasheed, who has moved on to production and directs only occasionally, Khalid Rahman is busy cracking bro-code with younger talents, this time around, dealing with an almost fully Gen Z cast. Yes, as many remarked, the plot is basic, and even the overall progression is somewhat minimal. Naslen, though getting the most screentime, is not a solo protagonist here. Each member of the ensemble has specific shoes to fill, both in terms of action, humour, and morale-building.

Not every moment of humour lands smoothly, but they keep getting better, with the second half turning into a truly Khalid Rahman flick. The boxing matches are incredibly shot, and stay unique, given the layering attributed to each character. There's a lot of Ryan Coogler-esque shot composition, especially during the boxing match scenes, where Jimshi Khalid's brilliant frames work in close quarters with the sparring opponents. Kramer Morgenthau's DP work in the last two Creed films also comes across as a significant inspiration; at least, some of the punches are executed like REAL PUNCHES.

I thought Vishnu Vijay went into GOD MODE with his background score, completely stripped away from what I heard in Pani, Pravinkoodu Shaappu, and of course, Thallumaala. They not only elevate all the boxing set pieces, but also manage to send a zappy fire straight into your veins with what unfurls during that final street fight that goes BONKERS! Again, this is the kind of film that benefits from the vibrant reel-ish edit style that Nishadh Yusuf (RIP) was known in the last few years for (..not Kanguva). Vishnu Govind does a fantastic job with the sound design.

Finally, the CAST. I like how all the boys (Naslen, Baby Jean, Sandeep, Ganapathi, Lukman, and the rest) had interesting arcs of their own, which reflected in their fight styles as well as the normal teenager personas (..um, all these dudes are well into their 20s, so kudos to their physical transformations!). Plus, it's not always that a side character's recovery during a boxing match results in a clapworthy "mass" moment. The girls (Noila Francy, Nanda Nishanth, and Anagha Ravi) are all solid too, but since they get comparatively less screentime, we get to know their characters only at a superficial level. I'd love to see more of each of them in Malayalam cinema going forward.

On the whole, I don't have many complaints about what the film offered as a theatrical experience. It's a festival winner by all means, because its Head Chef and team have cooked it with mostly the right ingredients in the right doses.

Alappuzha Gymkhana arrives like a surprise uppercut, smooth in its build-up and explosive in delivery. Director Khalid Rahman crafts a film that blends athletic grit with youthful charm, and the result is a surprisingly entertaining and stylish sports drama that packs in both punches and personality.

Let's start with the casting, absolutely on point. Every character feels like they belong to the world of Gymkhana. There's an authenticity in their performances, and it's crystal clear that the team put in serious off-screen effort, especially in the physically demanding sequences. And boy, does it pay off.

Lukman's entry is nothing short of electric. The pacing of the film suddenly shifts gears the moment he steps in, and from there, the boxing segments become the heartbeat of the movie. His scenes are pure class, intense, calculated, and incredibly engaging. Paired with the BGM that roars through every punch, dodge, and takedown, the boxing sequences achieve a cinematic high. It's no exaggeration to say that the background music is the soul of this movie, not just elevating scenes, but becoming a character in itself. Complete credits go to Vishnu for such an engaging score.

Ganapathi's character truly feels like the hero of the film. With his commanding presence and quiet strength, he anchors the story in a way that draws you in. Speaking of which, while the movie may lack typical "heroic highs" in the early half, Khalid masterfully saves that big punch for the climax, delivering exactly what the audience is waiting for. Though, fair warning, not all jokes land perfectly. A few flat moments break the rhythm, but they're fleeting and forgivable.

Another pleasant surprise is Anagha. She doesn't just appear - she steals the show. Her screen presence and flair light up the film. I just loved watching her moves on ring.

Interestingly, even though Naslen is a fan favorite, he isn't the main focus of the story. Instead, Khalid smartly uses him as the narrator, which brings a fresh touch to the film and allows more attention to be given to the whole group and the world of Gymkhana.

All in all, Alappuzha Gymkhana is a feel-good, festive treat with enough style, sound, and soul to make it one of the finest watches this vishu season. Whether you're here for the action, the style, or just a good cinematic experience, this one's definitely worth a watch.

Basically after watching the teaser of the film I felt that this movie could deliver me a visual treat of the death threatening sport Boxing,But after watching this movie the visuals for just some scenes were outstanding. The climax portion could be written in a different perspective which could have the made the viewing experience more fun. From the usual Naslen Film I didn't get that comedy punch which made me a little disappointing. Next towards the cast ,The debut actor Baby Jean had done a wonderful job as if he had done many throughout his career. Naslen,Ganapathy,Lukman had done a mesmerising role in the film especially in shaping their physique for their roles. Lastly one more point about the director Khalid,His previous film Thallumala was exactly a visual treat for the audience .Expected that but was disappointed. Overall the film was a above average but not the best compared to Naslen's other movies.

A fantastic cinematic experience that masterfully balances laugh-out-loud humour with genuine adrenaline-pumping moments. While the narrative arc might not be the central focus, the sheer realism of the unfolding events is incredibly compelling, feeling less like a typical genre film and more like witnessing something that could actually happen in such a setting. I particularly loved how the absence of tired movie clichés contributed to this authentic feel. The cinematography, especially during the close-quarters action, was truly outstanding, making you feel the impact of every hit and placing you right beside the characters in the thick of it. This immersive visual storytelling is a major highlight. Ultimately, this is a thoroughly feel-good movie that deserves to be seen on the big screen at least once for its sheer visceral and entertaining qualities.