Ghostlight

A majestic movie, it makes you cry, definitely one of the most underrated of the whole year 2024x amazing performance and history, i watched this thank to the good Youtuber and ex honest trailer producer Dan, he is a very good critics and he very liked this movie so i watched and its pretty good to ve honest and that's always good ok, overall this is just a fantastic movie to watch with your family to cry and confess things that need to be say, this movie will change your life and make you a better person ok, overall it's fantastic and oscar worthy ok, this is a masterpiece An 8/10 masterpiece for me.

I know several Shakespeare aficionados that claim, while Romeo and Juliet is the most taught of the tragedies, it ranks low on the quality scale. Even if we didn't pay attention in freshman English, we know the rough outlines of the plot.

Here, the 16th century R&J play exists as the metaphorical and literal binder for a real 2024 family, and suggests the unwritten aftermath the Verona families may have endured in the weeks and months and years that followed. Their rage ... anger ... despair ... sadness ... accusations ... avoidance.

What the audience is asked to infer from what's NOT on the screen makes what IS on screen all the more poignant and foreshadowing and graceful. The writing, casting, directing, and editing is just amazing.

Grief takes on many inescapable forms and can permeate everything. Grief is a funny thing, with a 1,000 triggers and 1,000 unexpected responses. Here, we're left with the possibility of the beginning of the healing.

Ghostlight masterfully captures a family's journey through life with authentic performances and a compelling story, making it a must-see drama. The film can be a bit of a slow burn at times, but it is still an immensely moving character study on an ordinary dad who struggles to open up about his emotions. Each character in the film is uniquely complex and likeable. Yet, every single character still feels like someone you would know in real life. There are no Hollywood stars, extravagant sets, or lavish locations. Instead, the film is an accurate representation of real life, and so, it becomes extraordinarily relatable.

It's brilliant. It has good acting and camera, rhythm, directing and it's humane. Maybe this is not going to my movie library, but what I do is that I cut such movies into pieces and when it is the right time I show these to my students.

As for the plot and this piece is about a loneliness of parents that are tired of life and are almost exhausted. Then all of a sudden the main character finds his new chapter in his life. Real people who are appeared to be good and true. Actually same people as the main character - a father of a teenager. Can't remember of a similar movie, but I am quite sure there are lots of them in American cinematography. Being tired of spiritless CGI's and all those superpowers, by watching this work, you will definitely have a good time and get entertained in a positive way.

The other thing with this film is that it is not too sweet or too whining. Nor does it have no single fake acting or contrived situations.

Thanks for a great work.

I was invited to an industry screening, but recommend paying your way in to see this gem. It opened in June with very little buzz, but apparently is going wider now. Writer Kelly O'Sullivan directed it with her partner Alex Thompson. I missed their first film, the much lauded Saint Frances.

The Mueller family uses a community theater production of "Romeo and Juliet" as a cathartic vessel to soothe the pain of their son's suicide. The mysterious circumstances surrounding his death involve a lawsuit and a pivotal deposition. The writer skillfully withheld the shocking details until very late, as most storytelling is about secrets. Father Dan (Kieth Kupferer) is a construction worker in the Chicago area. His relationship with his wife Sharon (Tara Mallen) is worsening by the day. Their fifteen year old daughter Daisy (Katherine Mallen Kupferer) had a fight at school, is suspended and sees a mandated therapist at $150 an hour. Dan had a fight at work with a motorist and almost had to take a mandatory leave. Waitress Rita (Dolly De Leon) saw this and, out of both pity and necessity, asked him to join her theater production, meeting nights and weekends because everyone has jobs. Dan is of course a lousy actor. But after the original Romeo quits, Rita talks him into the role opposite her Juliet. It's a much more age congruent match. They were planning to stage their sole performance in the cramped rehearsal space in the heart of town. But Sharon is a schoolteacher and persuades the powers that be to gift them the gym.

It's such a terrific feel good movie, with a fair amount of angst and bitterness swirled in. Dan, Sharon and Daisy are a family in real life. This really cemented their performances beyond what a normal cast would achieve. Kupferer has a ton of theater experience, which he employs to great effect. Dolly De Leon is fantastic as Rita. She continues to produce excellent work after her Triangle of Sadness breakthrough and Between the Temples. The physical disparity between the hulking Romeo and petite Juliet is a source of easy laughs, but that all fades once they are in character. It's always a joy to see theater and film converge, as in Vanya on 42nd Street or Birdman. A raft of rave film festival reviews are entirely accurate.