Adaptación del musical teatral basado en la novela sobre un hombre gay y un preso político que comparten la celda de una cárcel argentina en los años ochenta. El gay narra las historias de d... Leer todoAdaptación del musical teatral basado en la novela sobre un hombre gay y un preso político que comparten la celda de una cárcel argentina en los años ochenta. El gay narra las historias de dos películas falsas y de su propia vida.Adaptación del musical teatral basado en la novela sobre un hombre gay y un preso político que comparten la celda de una cárcel argentina en los años ochenta. El gay narra las historias de dos películas falsas y de su propia vida.
- Dirección
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- 1 nominación en total
Gayle Artino
- Villager
- (sin créditos)
Alicia Benavides
- Villager
- (sin créditos)
Matthew Boyce
- Villager
- (sin créditos)
Kevin Michael Brennan
- Shady Mocambo Man
- (sin créditos)
Thomas Canestraro
- Desiderio's henchman
- (sin créditos)
Debra Cardona
- Singing Villager
- (sin créditos)
Valentina Castellano
- Villager
- (sin créditos)
Noah Davidson
- Villager
- (sin créditos)
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
... such are the eyes through which we see the world nowadays. Nonetheless, a story of two people catching each other in their own webs and becoming more than just cellmates. Superbly acted and directed, if not a little dated.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
What a fantastic adaptation, great justice to the novel, the musical and the original film! Stellar costumes, direction and editing! Golden age of Hollywood level! Insane dancing from the cast and surprising vocal performance from Lopez (the best I've heard her sound). Diego Luna shines in a new light and. Tonatiuh Elizarraraz is a revelation! So thrilling to watch yet makes you think deeper for important questions in life. I would love to see this revived on Broadway! Can't wait for Condon's next projects! The room was packed and it received a standing ovation at the Sundance Film Festival! So grateful to be there, I hope it gets a wide proper release cause this can be a box office smash hit!
10Yeah-268
Jlo the general publics eye has been as someone who has aot of acting and dancing skills but not singing for the most part but with kiss of the spider woman directed by man himself who made dreamgirls starring Beyonce and Oscar winner be Jennifer Hudson and Chicago with Oscar winner Catherine zeta Jones Jennifer absolutely shines in this you don't think mhmhm jlo is playing the part (unconvincing) she is not trying to cosplay it's her totally honning the roal.
I got lucky at Sundance and caught the second viewing of this gem. I recall the original film with Raul Julia and William Hurt and loved it. This is a whole new approach and it works throughout. I was worried that Jennifer Lopez would steal the show but if anything lead actors Diego Luna and Tonatiuh made it for me. Don't misunderstand, Lopez was wonderful but the the two inmates were incredible in prison as well as in the fantasy film musical. Their chemistry was perfect and their comedic timing of great dialogue made it a joy.
Don't waste any time getting out to see this film as soon as it opens.
Don't waste any time getting out to see this film as soon as it opens.
Watched at the 2025 Sundance Film Festival.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
¿Sabías que…?
- TriviaJennifer Lopez portrays the lead female role that was originated by Sonia Braga in the 1985 film adaptation. Braga played Lopez's mother in Mirada del angel (2001) and Bodas de Plomo (2022), as well as appearing alongside her in Verdades que matan (2007).
- ConexionesRemake of El beso de la mujer araña (1985)
- Bandas sonorasPrologue
performed by Jennifer Lopez
written by John Kander
written by Fred Ebb
produced by: Matt Sullivan
published by: Kander & Ebb, Inc.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Поцілунок жінки-павука
- Locaciones de filmación
- Kearny, Nueva Jersey, Estados Unidos(10 Basin Studios)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 2h 8min(128 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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