Una comedia negra sobre Honey O'Donahue, una investigadora privada de un pueblo pequeño, que se adentra en una serie de extrañas muertes vinculadas a una misteriosa iglesia.Una comedia negra sobre Honey O'Donahue, una investigadora privada de un pueblo pequeño, que se adentra en una serie de extrañas muertes vinculadas a una misteriosa iglesia.Una comedia negra sobre Honey O'Donahue, una investigadora privada de un pueblo pequeño, que se adentra en una serie de extrañas muertes vinculadas a una misteriosa iglesia.
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Opiniones destacadas
Margaret Qualley, who was great in Substance, acts like a private detective from a 50's movie, which was out of place with almost everyone else.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Well the trailer made it look pretty intriguing, but upon watching this latest effort from half of the Coen Brothers (Ethan), I'm afraid it's another disappointing bust!
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
Just about every scene from the trailer that lured us to the theatre was bogged down with emotionless, carefree scene-ploitation of Honey's polygamy as the centerpiece. While Margaret's acting isn't lackluster, the supporting motif and cast didn't add anything to this soulless film.
Ultimately, not a great film despite its' old school backdrop, and 1/2 of the Coen brothers in the director's chair (notice the lower case 'D'). At one point during the film, I asked myself if I cared about any of the characters or Honey's plight... My answer was a resounding, "Nope. I don't care about a single character in this empty shell of a film."
Ultimately, not a great film despite its' old school backdrop, and 1/2 of the Coen brothers in the director's chair (notice the lower case 'D'). At one point during the film, I asked myself if I cared about any of the characters or Honey's plight... My answer was a resounding, "Nope. I don't care about a single character in this empty shell of a film."
Hate to say it but this one was a total letdown. The cast is stacked and the vibes could have been amazing, but the story just went in too many directions instead of owning one lane. Chris evans as a slimeball pastor had me cracking up, charlie day kept giving me sunny conspiracy board flashbacks (probably just me lol), and honestly both aubrey plaza and margaret qualley were made for their hot, classy, sultry detective/cop roles. They completely delivered - it was the storyline, not the characters, that didn't add up. And look, while the coen brothers' breakup has blessed us with some spectacular sapphic scenes (hi, aubrey and margaret being absurdly hot together), it's also proof that his wife's touch might bring the spice but the boys really do their best work as a band of brothers. The whole thing ended up feeling messy and dragged way too long. BUT i'd still happily pay again just to rewatch that aubrey x margaret market scene because wow... chef's kiss, dangerously hot.
Honey Don't (2025) is a neo-noir dark comedy detective movie written and directed by Ethan Coen of the Coen Brothers, it is the second entry in the lesbian B-movie trilogy and it tells the story of a private investigator searching for the killer of several murders that could be tied to a religious church. This was a movie I was excited for since I'm a massive fan of the Coen Brothers, but it is sad for me to say this movie was just okay.
Positives for Honey Don't (2025): The movie does have an interesting premise of this young private investigator searching for the killer while also having to deal with a detective who refuses to believe that she is a lesbian. Margaret Qualley does a great job as Honey O'Donahue and she is one of the reason to watch this movie. I did enjoy the the supporting cast with Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly, Billy Eichner, Gabby Beans and Talia Ryder. The main murder mystery is interesting at first with its ties to this church headed by Chris Evans. You still get that Coen western vibe that Ethan and his brother Joel have done very well together. And finally, there are some good action sequences that are decently bloody and I liked it.
Negatives for Honey Don't (2025): This movie barely has a story to tell to its audience. The movie feels like a series of events happening in order, but none of it lands right. The movie is too short to tell a story and it felt like Ethan Coen just wanted to make a lesbian movie without the story. And finally, Charlie Day got on my nerves as he refuses to accept that Margaret Qualley is a lesbian and I wanted to knock him out.
Overall, Honey Don't is a serviceable enough detective movie with a great cast, but it falls short of what Ethan Coen is known for doing when he is at his best.
Positives for Honey Don't (2025): The movie does have an interesting premise of this young private investigator searching for the killer while also having to deal with a detective who refuses to believe that she is a lesbian. Margaret Qualley does a great job as Honey O'Donahue and she is one of the reason to watch this movie. I did enjoy the the supporting cast with Aubrey Plaza, Chris Evans, Charlie Day, Kristen Connolly, Billy Eichner, Gabby Beans and Talia Ryder. The main murder mystery is interesting at first with its ties to this church headed by Chris Evans. You still get that Coen western vibe that Ethan and his brother Joel have done very well together. And finally, there are some good action sequences that are decently bloody and I liked it.
Negatives for Honey Don't (2025): This movie barely has a story to tell to its audience. The movie feels like a series of events happening in order, but none of it lands right. The movie is too short to tell a story and it felt like Ethan Coen just wanted to make a lesbian movie without the story. And finally, Charlie Day got on my nerves as he refuses to accept that Margaret Qualley is a lesbian and I wanted to knock him out.
Overall, Honey Don't is a serviceable enough detective movie with a great cast, but it falls short of what Ethan Coen is known for doing when he is at his best.
¿Sabías que…?
- TriviaEthan Coen's second solo fiction feature film, after El amor es un viaje en trineo al infierno (2024). His third solo feature film as a director overall, having directed the documentary Jerry Lee Lewis: Trouble in Mind (2022).
- Citas
Marty Metakawitch: I bust into a house of god for no reason, it ain't a feather in my cap, it's my ass in a sling.
- Bandas sonorasWe Gotta Get Out of this Place
written by Barry Mann and Cynthia Weil
performed by Brittany Howard
published by: Dyad Music Ltd (BMI) / Screen Gems-EMI Music Inc (BMI)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Гані, люба, не треба!
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 5,482,970
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,025,525
- 24 ago 2025
- Total a nivel mundial
- USD 5,562,755
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Relación de aspecto
- 2.39 : 1
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