Pemandi Jenazah

The Corpse Washer follows familiar tropes and ideas but introduces some unique elements and social commentary. Lela, a young mortician, is unhappy with her life and the work she inherited from her family, especially since her mother insists on keeping it as a tradition. After her mother suddenly dies, Lela notices something odd about her body while washing it, unraveling secrets from the past with dire consequences.

The premise is simple yet intriguing, featuring some interesting elements. Lela and the other characters are mostly likable, and the actors deliver commendable performances. The acting is a bit uneven at times, especially from minor characters, but it's not too distracting.

The film heavily relies on jump scares and rarely takes the time to build a tense atmosphere. Instead, it bombards viewers with scary faces and loud noises. To its credit, the makeup and effects are well done, preventing it from feeling like a low-budget jumpscare fest. However, the movie doesn't fully reach its potential and could have been more engaging.

It's a decent watch, with a reasonable 107-minute runtime, so you won't feel like you've wasted over two hours if it doesn't fully click for you. If you enjoy Indonesian cinema, especially horror, you might want to give it a try, though it's unlikely to leave a lasting impression. [5,6/10]

The Corpse Washer offers an intriguing premise.. mixing family tradition, grief, and buried secrets.. but struggles to fully capitalize on its potential. The lead actress delivers a strong performance, and most characters are likable, though some supporting roles feel uneven. The film leans heavily on jump scares rather than building real suspense, relying on loud noises and sudden faces instead of atmosphere. Still, solid makeup and effects keep it from feeling cheap. At 107 minutes, it's a decent enough watch, especially for fans of Indonesian horror, but unlikely to linger long after the credits. [5.6/10]

Its predictable plot and clichéd elements. While lacking originality, it is also comes with typical jump scares, try to creating an eerie atmosphere. Performances are decent, but the dialogue feels unnatural. Despite its flaws, it delivers passable horror entertainment for those seeking straightforward thrills.

The cinematography enhances the ominous atmosphere, though the characters and dialogue fall into familiar territory. Overall, it's an okay choice for a movie night at home.

It you are looking for mind bended or unique storyline, then this is not the movie you are looking for. The lack of suspense is quite disappointing.

The problem with Indonesian and Hollywood horror is their over-dependence on ineffective, predictable jump scares. Atmospheric horror is something the Indonesian have always failed to execute, despite the country's rich cultural tradition and beautiful landscapes.

The lazy use of conventional camera angles is almost as disappointing as the wheat flour on the ghosts. It is almost as if the film-makers aren't horror fans at all.

Story-wise, from the get go it was a bit too obvious, with the nosey ladies bickering over widowhood. Lela being tasked with cleaning the corpse completely unaided also does not reflect the reality of a typical Southeast Asian village-what happened to fardhu kifayah and gotong-royong? There's always that one monosyllabic, antisocial guy/gal to inject a feeling of mystery, and I'm really really tired of seeing this.

The only fresh element is how the evil spirits were portrayed to seem unfazed by the quranic verses and loud chanting of the mourners; a trope more commonly seen in western horror films. I imagine this would create some form of controversy among the more conservative audiences in places like Malaysia.

At least Indonesia is moving away from softcore porno in their horror films.

Another disappointment, unfortunately.

Watched this with a bunch of friends with no expectations coming into it, and it absolutely met those expectations. This film does nothing interesting to me and in times kinda drags on with the more yappy scenes. While I do appreciate it tries to add an aspect of mystery to the story it's attempts just ends up messing up the pacing of it a little and I do find it to be a bit out of nowhere at times. However, credit where credit's due I did enjoy the more graphic scenes towards the end as it was the least dull part about the horror of the film and, I do appreciate the message the film tries to send. Besides, I can't be too harsh on the film as I did find it to be decently watchable and not too bad in the end.