Blindspår

As someone else mentioned this was a sort of take on an Agatha Christie novel although completely reworked and changed but none the worse for that.

Part of the story was told in flashbacks to explain the events of the present.

I never felt bored during the four episodes and wanted to know exactly what would happen in the next one. Although I was enjoying myself, I certainly didn't think the story should have been longer; the four were an ideal length.

Once more, as in so many Swedish thrillers, SAPO is shown to be immoral and ruthless, the opposite of the impression Sweden likes to portray of itself to the world.

Character development was superficial but sufficient. The actors and actresses were competent. The story gripped. What's not to like?