Ick

I swear, there is not a camera shot longer than 12 seconds in this entire movie. It is liking watching some random one and a half hour flashback montage scene, it was like the flashback opening of the film just never stopped! Kills the movie. The acting is good, the idea behind the film is okay but I think the director/writer threw too much thought into the ick metaphor and ultimately made it null and void. This should have never got a big screen release. The soundtrack is cancelled out because using tons of different songs for 20 seconds each just gets old however whoever scored the film did an excellent job, shame their talent was wasted on this mess. I definitely know Ick is not the type of film you pay money to watch.

I saw a couple of lines of another review saying "the actors looked like they were having fun making it".

Well, I guess if you take a bunch of no-name and has-been actors, that don't have anything else to do, then offer them free food, cocaine and $50 to act in an incoherent movie that don't follow its own rules and then make the whole thing for half a million bucks (seriously, it can't have cost more than that) ... then you have this piece of garbage.

Seriously, this makes movies from The Asylum look good. Really.

Just watch The Faculty, Deep Rising or/and Infestation instead. You'll have a MUCH better time that wasting it on this stupid CGI-trash.

Ick!

An icky vine-like alien growth is a nuisance that spreads throughout the world, but in time people merely shrug their shoulders and get used to it. In small-town America the "ick" is regarded suspiciously by some including Hank, a science teacher and former football player, and Grace, one of his students. Their distrust is soon validated as the ick springs violently into a new phase of its growth.

The premise of people grown accustomed, careless, and capricious to a demon in their presence, is tantalizing. A monster is seen and ignored. However, beyond this alluring theme, there is little depth to the story, dialogue, characters, acting, and scenes. It is good for some laughs but there is not a lot of thought or creativity on display at this world premiere screening at the Toronto International Film Festival.

What initially drew me to pick up this movie was the cover. And with it being a movie that I had neither seen before, nor actually ever heard about, of course I had to check out what director Joseph Kahn had to offer.

The movie's synopsis sounded interesting enough, but I have to admit that the movie itself sort of fell short of entertaining me. I just found it to make zero sense with the 'Ick' stuff that was spreading around in the town. And the characters in the movie had about as much depth, layers and personalities as wet paint. So it was a bit of a struggle to sit through this movie. So I can't claim that writers Joseph Kahn, Dan Koontz and Samuel Laskey put together a particularly great script that catered to my preference in entertainment.

Of the entire cast ensemble in the movie, I was only familiar with Brandon Routh, Mena Suvari and Jeff Fahey. Despite the fact that the movie didn't have much of any noteworthy script, the acting performances were actually fair.

The special effects in the movie were adequate, but could only do so much to make up for the shortcoming of an inadequate script.

If you enjoy horror movies, then "Ick" is hardly a movie that I would recommend.

My rating of director Joseph Kahn's 2024 movie "Ick" lands on a four out of ten stars.

Joseph Kahn's Ick is a wild, messy, and occasionally brilliant ride... a horror-comedy that's as ambitious as it is uneven.

Set in a world where a parasitic, plant-like "Ick" has spread unchecked, the film follows Brandon Routh's Hank, a washed-up science teacher, and Malina Weissman's sharp-witted student Grace as they uncover the Ick's true, terrifying potential.

The movie's strengths lie in its visual flair and Routh's charismatic performance. The Ick itself is a standout monster: grotesque, dynamic, and genuinely unsettling. The humor lands more often than not, and the nostalgia-baiting soundtrack and aesthetic will delight fans of early 2000s pop-punk.

But Ick stumbles in its execution. Kahn's breakneck pacing leaves little room for character development or coherent world-building. The sociopolitical commentary feels tacked on, and the supporting cast is often reduced to caricatures. It's a film that prioritizes style over substance, and while that style is undeniably fun, it's not enough to mask the lack of depth.

Verdict: Ick is a 7/10 watchable, entertaining, and packed with energy, but ultimately more derivative than innovative. If you're a fan of chaotic, nostalgia-drenched horror-comedies, you'll find plenty to enjoy. Just don't expect anything groundbreaking.