CALIFICACIÓN DE IMDb
5.2/10
8.6 k
TU CALIFICACIÓN
En esta eterna historia de madurez, María es rechazada tras una concepción sobrenatural y se ve obligada a huir cuando la insaciable sed de poder de Herodes desencadena una persecución asesi... Leer todoEn esta eterna historia de madurez, María es rechazada tras una concepción sobrenatural y se ve obligada a huir cuando la insaciable sed de poder de Herodes desencadena una persecución asesina del recién nacido.En esta eterna historia de madurez, María es rechazada tras una concepción sobrenatural y se ve obligada a huir cuando la insaciable sed de poder de Herodes desencadena una persecución asesina del recién nacido.
- Dirección
- Guionista
- Elenco
Ait ben Azzouz Brahim
- Market Protester
- (as Brahim Ait Mazouz)
Marie-Batoul Prenant
- Joseph's Mother
- (as Batoul Marie Prenant)
Aïssam Bouali
- Messenger Priest
- (as Aissam Bouali)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
6Nozz
The script is hokey and some details are improbable (and I don't mean the supernatural ones) but the actors deserve a lot of credit. Someone among the reviewers here remarked that you can't properly act out a New Testament story if you don't believe in the New Testament; but after all, an actor in a ghost story doesn't need to believe in ghosts and an actor who plays Stalin doesn't need to be a communist. "Mary" has good actors capable of selling unusual situations. Even if their accents aren't coordinated.
Recent movies have milked the motif of the Chosen One for all its worth. This movie, although comes by that motif naturally, hammers a little hard at it, while also playing with the tired motif of the young woman who is anachronistically feisty in olden times.
I understand that the apocryphal Gospel of James and the Quran have Mary working in the Temple as a child. From this item of questionable history, the "Mary" movie generates a whole sisterhood of youngsters who belong visually in The Handmaid's Tale. The Temple, meanwhile, operates in tense coexistence with the Roman rulers, and that tension provides relevant and ample, if melodramatic, filler material for the script.
Joseph, who is sometimes thought of as elderly, is young and energetic here. Maybe not agreeable to all followers of the religion, but good for the movie.
What is this Mary movie trying to tell us? Does it have a particular spin to sell? I'm not quite sure. It spends quite a bit of time on Herod, and a little time on Satan as well, and my impression is that besides (of course) promoting the positive historical role of women and of men who respect and defend them, it wants to reassure us that in the battle between good and evil, those who defy the foul fiend will ultimately win out.
Recent movies have milked the motif of the Chosen One for all its worth. This movie, although comes by that motif naturally, hammers a little hard at it, while also playing with the tired motif of the young woman who is anachronistically feisty in olden times.
I understand that the apocryphal Gospel of James and the Quran have Mary working in the Temple as a child. From this item of questionable history, the "Mary" movie generates a whole sisterhood of youngsters who belong visually in The Handmaid's Tale. The Temple, meanwhile, operates in tense coexistence with the Roman rulers, and that tension provides relevant and ample, if melodramatic, filler material for the script.
Joseph, who is sometimes thought of as elderly, is young and energetic here. Maybe not agreeable to all followers of the religion, but good for the movie.
What is this Mary movie trying to tell us? Does it have a particular spin to sell? I'm not quite sure. It spends quite a bit of time on Herod, and a little time on Satan as well, and my impression is that besides (of course) promoting the positive historical role of women and of men who respect and defend them, it wants to reassure us that in the battle between good and evil, those who defy the foul fiend will ultimately win out.
Wow. I see a lot of low reviews for this film that I don't really understand. I am not certain what people expect when making a movie with limited canonical source material. Of course there will be creative licenses taken to create the depth needed for a full length film. But I think there were good tie-ins, like Mary being dedicated to the temple, where she created bonds with Anna, whom Mary and Joseph later presented to at the temple in Luke 2. I liked the backstory of Mary's parents praying for a child, and Mary being foreordained for her calling and mission. I liked Gabriel's interwoven involvement in the story, and even though some may not care for it- the inclusion of Lucifer I found to be an effective antagonizing force. I especially liked the brief exchange between Gabriel and Lucifer. Rather than people complaining about heresy, or inaccuracies, let it be a motivation to read the actual source material in the Bible. Overall, I thought the acting performances to be strong, especially the leads. Anthony Hopkins made himself a good, if not overplayed, villain in the narrative. As we enter the Christmas season, I think this is a very worthy movie to enjoy as an entire family as we remember the roots and very nature of it. Enjoy it for what it is. I liked it.
CONS:
For Bible-study Christians this movie is going to disappoint. This is "Hollywood's" version of the story of Mary. I no longer practice any religion but I was raised Roman Catholic and did not see any similarities to what I was taught in Catechism. But alas, I realize the Catholic church's teachings may also be inaccurate. Also, the dialogue is rudimentary at best and storyline is rather choppy and rushed.
PROS: Great cinematography; visually stunning. It's other redeeming quality is Sir Anthony Hopkins as King Harod and other fine actor. A good thing, because only good actors could pull off the slow, awful dialogue and awkward moments in this film.
Overall, the film is entertaining albeit overly-dramatic and corny at times. If you're willing to just view it as entertainment, you may enjoy it more.
PROS: Great cinematography; visually stunning. It's other redeeming quality is Sir Anthony Hopkins as King Harod and other fine actor. A good thing, because only good actors could pull off the slow, awful dialogue and awkward moments in this film.
Overall, the film is entertaining albeit overly-dramatic and corny at times. If you're willing to just view it as entertainment, you may enjoy it more.
I'm born a catholic, not into any specific relegion nowadays, but still feel a special connection to the person Mary and where she stands for. This movie didn't feel right.
Okay, i don't know much or better said anything about the childhood of Mary, but how it all went with Josef I think is better told in The Nativity Story (2006). I can'tt say many much further then... before I was half past through I stopped seeing the movie further. It wasn't my thing I believe is the story of Mary.
The part of the movie I've seen I liked only Anthony Hopkins as Herod, but also think he better watch out stopping acting before his decline. Also the temptation of Mary by Lucifer was splendid done in directing and the acting of Eamon Farren.
Okay, i don't know much or better said anything about the childhood of Mary, but how it all went with Josef I think is better told in The Nativity Story (2006). I can'tt say many much further then... before I was half past through I stopped seeing the movie further. It wasn't my thing I believe is the story of Mary.
The part of the movie I've seen I liked only Anthony Hopkins as Herod, but also think he better watch out stopping acting before his decline. Also the temptation of Mary by Lucifer was splendid done in directing and the acting of Eamon Farren.
"Mary" (2024) had the potential to be a powerful and moving portrayal of one of history's most significant figures. While the film boasts stunning visuals and a reverent tone, it ultimately falls short due to a lackluster screenplay and missed opportunities to delve deeper into Mary's emotional and spiritual journey.
The film chronicles Mary's life from her childhood to the birth of Jesus, touching upon key events and challenges she faced. While the production design and cinematography are commendable, creating a visually immersive experience, the narrative itself feels flat and uninspired.
The screenplay lacks depth and nuance, failing to fully explore Mary's internal struggles, her unwavering faith, and the profound impact of her experiences. The dialogue often feels stilted and lacks emotional resonance, preventing the audience from truly connecting with the characters and their journey.
The performances are adequate, but the actors are hampered by the weak script, preventing them from fully embodying the complexities of their roles. The film's pacing also suffers, with certain scenes feeling rushed while others drag on unnecessarily.
Despite its shortcomings, "Mary" (2024) offers glimpses of what could have been a truly powerful and inspiring film. The film's reverence for its subject matter and its stunning visuals are commendable. However, its lackluster screenplay and missed opportunities to explore the emotional and spiritual depths of Mary's story prevent it from reaching its full potential.
The film chronicles Mary's life from her childhood to the birth of Jesus, touching upon key events and challenges she faced. While the production design and cinematography are commendable, creating a visually immersive experience, the narrative itself feels flat and uninspired.
The screenplay lacks depth and nuance, failing to fully explore Mary's internal struggles, her unwavering faith, and the profound impact of her experiences. The dialogue often feels stilted and lacks emotional resonance, preventing the audience from truly connecting with the characters and their journey.
The performances are adequate, but the actors are hampered by the weak script, preventing them from fully embodying the complexities of their roles. The film's pacing also suffers, with certain scenes feeling rushed while others drag on unnecessarily.
Despite its shortcomings, "Mary" (2024) offers glimpses of what could have been a truly powerful and inspiring film. The film's reverence for its subject matter and its stunning visuals are commendable. However, its lackluster screenplay and missed opportunities to explore the emotional and spiritual depths of Mary's story prevent it from reaching its full potential.
¿Sabías que…?
- TriviaThe movie is partially based on the apocryphal Gospel (or Protoevangelium) of James. It depicts Mary's miraculous conception and birth, as well as how she was offered in marriage to Joseph. The part where Herod the Great hears news from Bethlehem from his emissaries and describe how everything went motionless in that small town right after Baby Jesus was born is also contained in that apocryphal gospel.
- ErroresMary's mother Anne is blonde, or at least fair-haired. This is extremely unlikely in Israel at that time.
- ConexionesReferenced in Relatable: Joel Osteen's 'Mary' Movie Gets the Gospel Wrong (2024)
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Detalles
- Tiempo de ejecución
- 1h 52min(112 min)
- Color
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