Through Many Miles/Of Tricks and Trials
- El episodio se transmitió el 25 sep 2024
- B
- 37min
CALIFICACIÓN DE IMDb
7.5/10
12 k
TU CALIFICACIÓN
El aquelarre se enfrenta a su primer juicio peligroso en The Witches' Road.El aquelarre se enfrenta a su primer juicio peligroso en The Witches' Road.El aquelarre se enfrenta a su primer juicio peligroso en The Witches' Road.
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Opiniones destacadas
This episode was unexpected with its choices to drive the story but it deserves merit for its effective exposition. I can't give it the highest rating because the series spans 9 episodes, leaving room for further judgment. This episode was pivotal in character development, delving into their traumas. Personally, I would have preferred more action to steer it towards a more horror-oriented direction. Nonetheless, being only the 3rd episode, the show benefits from a slower pace for world-building and character depth, an area Marvel has been lacking in. The show has 9 episodes so it has the luxury to run slower and it is something needed given the large cast. The episode excels in revealing the unique personalities and backstories of the cast.
It's frustrating that immediate answers aren't provided, but if that were the case, we would be running post-credit scenes from the 4th episode. On that note, the story's progression introduces promising setups for future episodes. The conflict centered around trust among the characters was a refreshing choice over a more conventional approach.
Can Marvel finally receive praise for this? The set pieces and effects are impressive! Marvel's departure from hastily re-shot scenes and reduced use of CGI indicates a good sign. Also, Agatha's character consistently reinforces her antagonist side, yet the episode adds depth to her story by revealing her traumas. Moreover, the official name drop of a long-awaited character is a significant WIN for comic fans. These details add excitement to watching the show, with anticipation building for how they will further develop the plot and cast, potentially delivering big surprises.
It's frustrating that immediate answers aren't provided, but if that were the case, we would be running post-credit scenes from the 4th episode. On that note, the story's progression introduces promising setups for future episodes. The conflict centered around trust among the characters was a refreshing choice over a more conventional approach.
Can Marvel finally receive praise for this? The set pieces and effects are impressive! Marvel's departure from hastily re-shot scenes and reduced use of CGI indicates a good sign. Also, Agatha's character consistently reinforces her antagonist side, yet the episode adds depth to her story by revealing her traumas. Moreover, the official name drop of a long-awaited character is a significant WIN for comic fans. These details add excitement to watching the show, with anticipation building for how they will further develop the plot and cast, potentially delivering big surprises.
I was a little bit worried that they wouldn't do enough with the premise they set up in the first two episodes. I was luckily mistaken. I love what they're setting up here. The costumes, set design, and story are so incredible, and the camaraderie that the characters have with each other is very enjoyable. I love when shows have a large number of main characters, but still manage to handle each one of them with respect towards their backstories and relationships with other characters. These trials are going to be so interesting to watch, especially since every episode has its own theme. I've been loving this show so far, and I can't wait to keep loving it.
I really enjoyed the first two episodes and was excited to see what would come next.
Unfortunately, this episode didn't live up to the anticipation. It felt disjointed, with random elements thrown in seemingly just to spook the characters, only for elements to conveniently disappear without resolution later on.
Overall, it reminded me of Chilling Adventures of Sabrina, where things quickly spiraled into chaos purely for dramatic purposes, only to be resolved just as conveniently by the episode's end.
As others have noted, there were too many forced jokes in every scene, which started to turn the characters into caricatures. Marvel used to do funny puns effortlessly, with impeccable timing. Here, the humor felt forced and unnatural and at times rather mean.
I hope the remaining episodes will get better, but it seems the tone and pacing have already been set, which is a bit concerning.
Unfortunately, this episode didn't live up to the anticipation. It felt disjointed, with random elements thrown in seemingly just to spook the characters, only for elements to conveniently disappear without resolution later on.
Overall, it reminded me of Chilling Adventures of Sabrina, where things quickly spiraled into chaos purely for dramatic purposes, only to be resolved just as conveniently by the episode's end.
As others have noted, there were too many forced jokes in every scene, which started to turn the characters into caricatures. Marvel used to do funny puns effortlessly, with impeccable timing. Here, the humor felt forced and unnatural and at times rather mean.
I hope the remaining episodes will get better, but it seems the tone and pacing have already been set, which is a bit concerning.
Basically, what it says in the title. I haven't watched a lot of Marvel projects recently but WandaVision was most definitely great and after seeing a lot of positive reviews on TikTok I decided to give Agatha All Along a try.
Don't get me wrong, I enjoy good comedy and I really like some of the cast. But everything feels both a little exaggerated (like the acting, for example. I understand that it's part of Agatha's character but it just doesn't feel natural to me) and underdeveloped at the same time.
I know that they tried to make most of the setup real and I enjoyed the house set. But I just can't help but get the ick when escape room-like situations happen. Like the riddle about wine, them running around the house looking for items and the oven just clicking open and being a door to the next adventure. Maybe I've just been to too many escape rooms, but it just feels very unnatural and strange.
Also I can't not say anything about the jokes. There's just too many. And some of them do feel forced. We watch the cast remember their trauma and the next thing we hear is a not-so-great joke.
Overall, entertaining, but this far, and I am really hoping it will change, I don't love it.
Hope to see more of Aubrey Plaza in the next episode, I feel like her chemistry with Agatha is the most developed and feels more real than her hate-dependency with the other members of the cast.
Don't get me wrong, I enjoy good comedy and I really like some of the cast. But everything feels both a little exaggerated (like the acting, for example. I understand that it's part of Agatha's character but it just doesn't feel natural to me) and underdeveloped at the same time.
I know that they tried to make most of the setup real and I enjoyed the house set. But I just can't help but get the ick when escape room-like situations happen. Like the riddle about wine, them running around the house looking for items and the oven just clicking open and being a door to the next adventure. Maybe I've just been to too many escape rooms, but it just feels very unnatural and strange.
Also I can't not say anything about the jokes. There's just too many. And some of them do feel forced. We watch the cast remember their trauma and the next thing we hear is a not-so-great joke.
Overall, entertaining, but this far, and I am really hoping it will change, I don't love it.
Hope to see more of Aubrey Plaza in the next episode, I feel like her chemistry with Agatha is the most developed and feels more real than her hate-dependency with the other members of the cast.
The witches are on the road. Suddenly their dream house appears as the witches turn to the Real Housewives of Oz.
It is not going to be plain sailing despite Sharon finding her dream kitchen in the house.
There is even some classy wine to drink. Agatha knows it is a trick. The rest end up with horribly contorted faces.
To get back to normal they need to make an antidote. Before that Agatha needs to gluck some wine.
In essence this was an escape room scenario. With digs at some of the Hollywood executives, those who like their plastic surgery.
It was fun yet at times laborious. I also think that you cannot have a trial as the episode of the week for the rest of the series. It will get tedious.
It is not going to be plain sailing despite Sharon finding her dream kitchen in the house.
There is even some classy wine to drink. Agatha knows it is a trick. The rest end up with horribly contorted faces.
To get back to normal they need to make an antidote. Before that Agatha needs to gluck some wine.
In essence this was an escape room scenario. With digs at some of the Hollywood executives, those who like their plastic surgery.
It was fun yet at times laborious. I also think that you cannot have a trial as the episode of the week for the rest of the series. It will get tedious.
¿Sabías que…?
- TriviaFor realism, and to honor past shows and films centering around witches, practical effects and sets, rather than computer graphics, were used throughout the making of Agatha All Along. In episode 3, a full, miniature, model of a beach house (and beach setting) was created for shots showing the beach house in the distance. The magic seen is often created practically, as well, such as a wine glass "magically" filling, via a tube running up the actor's sleeve. The Witches' Road itself is also a full, practical set.
- ErroresWhen the witches enter the mysterious, fancy house on the road, they are all dressed in elegant, old-fashioned outfits. Their hair is restyled, and their features appear more polished. Even Jennifer Kale's nose ring disappears. In one shot after their faces swell, Kale looks in the mirror, and her nose ring is still missing. But in the next shot, when she's speaking with Mrs. Hart, her nose ring suddenly reappears. In the following shots, it's gone again.
- ConexionesReferenced in Spider-Man: primer año: Duel with the Devil (2025)
- Bandas sonorasHeads Will Roll
Written by Karen O (as Karen Orzolek), Nick Zinner (as Nicholas Zinner) and Brian Chase
Performed by Yeah Yeah Yeahs
Courtesy of Interscope Records under license from Universal Music Enterprises
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- Tiempo de ejecución
- 37min
- Color
- Mezcla de sonido
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