The Path
- El episodio se transmitió el 27 abr 2025
- TV-MA
- 57min
Después de que Dina comparta información crucial, Ellie se prepara para presentar una petición al consejo municipal. Cerca de Seattle, un grupo religioso huye de una guerra.Después de que Dina comparta información crucial, Ellie se prepara para presentar una petición al consejo municipal. Cerca de Seattle, un grupo religioso huye de una guerra.Después de que Dina comparta información crucial, Ellie se prepara para presentar una petición al consejo municipal. Cerca de Seattle, un grupo religioso huye de una guerra.
- Dirección
- Guionistas
- Elenco
Opiniones destacadas
Third episode of TLOU season 2 was a slow build of a story. Knowing the story very well due multiple playthroughs of Part 2 I can't say that i was disappointed. It's more or less faithful adaptation of VG - wether you like it or not. What makes this episode just an OK watch is just that the story itself isn't particularly engaging, and acting by two young woman is just an OK.
Overall, "The Path" was a descent episode, but not particularly memorable one. That is a build up episode, but on a bright side it wasn't a filler or anything - its just a mostly faithful adaptation of the material.
Ellie is here for the first time in this second season more likeable and human than the episodes before.
Scene stealer is Isabela Merced. Every scene she's in, she's great.
Some changes compared to the game: the game was fast paced and continued directly after the shocking event. Here, the episode continues three months later.
The relationship between Ellie and Dina was more bold in the game than here.
The episode takes its time, is beautifully shot, has some nice landscapes and road trip vibes, teases us a new group of religious survivors, but uses their scenes to show us that the mission of Ellie and Dina won't be easy against the powerful and relentless W. L. F.
Good episode that takes its time and seperates itself from the source material and tries to stand on its own feet. Apprecheated and recommended.
I will never play the game so I'm not tainted like many of the people commenting that this was a poor episode.
It was vastly different than the previous episode but episode 3 is about a series that takes itself seriously about character development, setting up a narrative and actual momentum building not just shoot 'em action and infected.
I thought the acting was wonderful and I also felt I was in mourning because of the tragic snd jaw-dropping moments from the previous episode.
A slow episode like this honors the previous episode much more than having an action-packed episode. The way it was done felt real and heartfelt and made me want to see what lies ahead and that's the mark of a great series.
Seriously, what could you expect without Joel and the charismatic-for-the-role Pedro Pascal.
That's a disaster. In fact it's beginning to be a disaster.
I related to Seth in this episode and I hope that he'll be given a stronger and more important role cause if you give the leash to the 19 y.o. Babies, 'The Last of Us' won't go anywhere.
P. S. The last scene is supposed to be what, scare me to death?!
Joel, I so miss you!
- Screenplay/storyline/plots: 6.5
- Production value/impact: 7
- Development: 7.5
- Realism: 7
- Entertainment: 6
- Acting: 7
- Filming/photography/cinematography: 7.5
- VFX: 8
- Music/score/sound: 6.5
- Depth: 6.5
- Logic: 5
- Flow: 4.5
- Dystopian Sci-fi/Psychological/drama/action/adventure/thrilling horror: 4
- Ending: 6t2.
¿Sabías que…?
- TriviaCraig Mazin felt Ellie's retrieval of Joel's gun--instead of other belongings like his watch--reflects her relationship with Joel: they saved each other with violence and she intends to avenge him the same way.
- ErroresThe road sign listing Seattle, Tacoma, and Portland makes it clear they're approaching Seattle from the north, but then they enter the city from the south, with the Space Needle on the far side of the city and the water on the left. This may have been an intentional mistake by the filmmakers since a similar error exists in the video game it was based on.
- Citas
Ellie Williams: When I got home, he was on the porch, and I should've talked to him, but I didn't.
Gail Lynden: Do you regret that?
Ellie Williams: Yeah, of course. But your final moment with someone doesn't define your whole time with them.
Gail Lynden: It shouldn't, but it often does.
- ConexionesReferences Matrix (1999)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Locaciones de filmación
- Yellowstone Ranch, Paradise Valley, Livingston, Montana, Estados Unidos(Ellie Visiting Joel's Grave)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 57min
- Color