In Space, No One...
- El episodio se transmitió el 2 sep 2025
- TV-MA
- 1h 4min
CALIFICACIÓN DE IMDb
8.8/10
4.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaAn outer-space vessel in peril leads to a dangerous reckoning.An outer-space vessel in peril leads to a dangerous reckoning.An outer-space vessel in peril leads to a dangerous reckoning.
- Dirección
- Guionistas
- Elenco
Fotos
Sydney Chandler
- Wendy
- (solo créditos)
Alex Lawther
- Joe Hermit
- (solo créditos)
Essie Davis
- Dame Sylvia
- (solo créditos)
Adarsh Gourav
- Slightly
- (solo créditos)
Erana James
- Curly
- (solo créditos)
Lily Newmark
- Nibs
- (solo créditos)
Jonathan Ajayi
- Smee
- (solo créditos)
David Rysdahl
- Arthur Sylvia
- (solo créditos)
Diêm Camille
- Siberian
- (solo créditos)
Moe Bar-El
- Rashidi
- (solo créditos)
Adrian Edmondson
- Atom Eins
- (solo créditos)
Timothy Olyphant
- Kirsh
- (solo créditos)
Opiniones destacadas
Exhilarating! THIS is how to do an Alien show.
I'm still digesting but the best way to describe would be a super intense dose of 'Alien' injected directly into your veins.
This episode is a beautiful nod to the first movie. It works well to connect the story line but as can work as a stand alone episode.
Even managed to create the new creatures that are just as creepy as are of the other creatures. It'll definitely give people with eyeball sensitivities the heebee jeebees.
I'm still digesting but the best way to describe would be a super intense dose of 'Alien' injected directly into your veins.
This episode is a beautiful nod to the first movie. It works well to connect the story line but as can work as a stand alone episode.
Even managed to create the new creatures that are just as creepy as are of the other creatures. It'll definitely give people with eyeball sensitivities the heebee jeebees.
This is a strong horror-focused chapter that does a very good job portraying events on board the Maginot before those shown in the episode Neverland.
As we already know the outcome for the ship and most of the characters on board, there is only so much tension to be generated. However, the filmmakers use the space tics and ocellus well to keep the atmosphere suitably creepy and sustain the suspense. Additionally, the mystery of the saboteur and how it connects to the overarching narrative unfolds nicely.
For me, the development of the character Morrow is a highlight. The writers have drip-fed information about him so far, and here we are given a sufficient amount to keep the arc interesting. We needed to know more about his backstory and motivation, and this chapter explains it well.
There are likely to be eyebrows raised in relation to the xenomorph scenes. I anticipate words like inconsistency and phrases like plot armour being used to describe certain moments. That being said, their presence is still nightmare fuel, but maybe not as potent when it shares the chamber with a variety of other horrors.
What will frustrate most is the lack of caution shown by certain characters in key moments that stretches plausibility to the limit. It depends on how seriously you take fictional stories.
As we already know the outcome for the ship and most of the characters on board, there is only so much tension to be generated. However, the filmmakers use the space tics and ocellus well to keep the atmosphere suitably creepy and sustain the suspense. Additionally, the mystery of the saboteur and how it connects to the overarching narrative unfolds nicely.
For me, the development of the character Morrow is a highlight. The writers have drip-fed information about him so far, and here we are given a sufficient amount to keep the arc interesting. We needed to know more about his backstory and motivation, and this chapter explains it well.
There are likely to be eyebrows raised in relation to the xenomorph scenes. I anticipate words like inconsistency and phrases like plot armour being used to describe certain moments. That being said, their presence is still nightmare fuel, but maybe not as potent when it shares the chamber with a variety of other horrors.
What will frustrate most is the lack of caution shown by certain characters in key moments that stretches plausibility to the limit. It depends on how seriously you take fictional stories.
In an era of rehashing, redundant and repeatedly rebooting franchises this series has a new and refreshing feel reminiscent of the last predator film Prey. With relevant and current themes around tech and AI I really enjoyed the first few episodes as the characters are interesting and well cast.
The visuals and dialogue have been great and always on the edge of my seat on each episode and wanting the next one to come quicker to see where we are going next.
Franchise fan or new comer will enjoy and I look forward to seeing this become a series for many years to come with the richness of characters that could lead to intriguing sub plot stories.
The visuals and dialogue have been great and always on the edge of my seat on each episode and wanting the next one to come quicker to see where we are going next.
Franchise fan or new comer will enjoy and I look forward to seeing this become a series for many years to come with the richness of characters that could lead to intriguing sub plot stories.
10emwee609
Finally, a superb episode in Alien: Earth! We finally get to see what happened before the first episode, and honestly, this is the best installment of the new show so far.
Two things make it stand out: first, the events take place aboard a spaceship, and second, the episode is packed with non-stop references to earlier films in the franchise. There's a nod to almost every Alien movie, plus all the bizarre new creatures the show has introduced.
It's a formula similar to what Alien: Romulus (2024) used - and while some critics dismiss that as "picking the best parts from previous films and gluing them together," those proven elements undeniably hit home for fans. They certainly did for me.
Notably, while Romulus leaned more into Aliens (1986), this episode draws heavily from the original 1979 classic. For fans of the Alien saga, this episode is pure gold - it brings space back to space horror.
Two things make it stand out: first, the events take place aboard a spaceship, and second, the episode is packed with non-stop references to earlier films in the franchise. There's a nod to almost every Alien movie, plus all the bizarre new creatures the show has introduced.
It's a formula similar to what Alien: Romulus (2024) used - and while some critics dismiss that as "picking the best parts from previous films and gluing them together," those proven elements undeniably hit home for fans. They certainly did for me.
Notably, while Romulus leaned more into Aliens (1986), this episode draws heavily from the original 1979 classic. For fans of the Alien saga, this episode is pure gold - it brings space back to space horror.
Easily the best episode so far. A perfect balance of a gripping story, funny moments, and nostalgia for the original movie.
For me, the Alien franchise has always been about a monster in space, so I'm glad the creators went back to a ship to show the beginning of the story. Although, it would also be interesting to know where and how the crew collected this monstrous zoo?!
And how can you not love the eyeball? She's such a smart sweetheart.
For me, the Alien franchise has always been about a monster in space, so I'm glad the creators went back to a ship to show the beginning of the story. Although, it would also be interesting to know where and how the crew collected this monstrous zoo?!
And how can you not love the eyeball? She's such a smart sweetheart.
¿Sabías que…?
- TriviaThe episode title is the first half of the iconic tagline: "In space, no one can hear you scream", used as part of the promotional material for the original Alien, el octavo pasajero (1979) film.
- ErroresWhen Morrow is sitting at the computer while the alien is breaking down the door, the words on the screen reflect onto his face, but if the text on his face is a reflection, it should be backwards, which it isn't.
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Detalles
- Tiempo de ejecución
- 1h 4min(64 min)
- Color
- Mezcla de sonido
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