In Space, No One...

While this show does have a few problems, it's written by the guy who created Fargo and Legion, 2 masterpieces of TV (only including the first 2 seasons of Fargo, not the whole show). A problem a lot of studios have these days is they hire completely inept writers to take over massive franchises, people that have no business being anywhere near them. Examples: Kathleen Kennedy for Star Wars, the Witcher show was an abomination, Rings of Power was garbage, and so many others, Harry Potter is probably next. This is not one of those situations. Noah Hawley is a legit top showrunner in the business.

So far Alien Earth has been pretty slow and there are some deficiencies in terms of the characters but overall it's definitely better than a lot of the haters are making it out to be. I think it's mainly a question of patience. If the show started out with episode 5 first and it grabbed people's attention right away the show would have more momentum but the payoff wouldn't have hit as hard so I prefer the way they structured the show. I'm confident the last 3 episodes are building up to blow everyone's minds. People don't have patience any more and I swear if Breaking Bad came out today it would be cancelled after 1 season because everyone would think it's slow and boring. The setup for the last part of the story is complete and I think Alien fans are in for a treat in the coming weeks.

Retro futurism at its finest. Catode monitors, Mechanical controls everywhere. That late 70- early 80 vibe from every character pull trough verry well. Great addition to the Alien Universe of T. Ocellus. Also great pacing, firmly in touch with the Ridley Scott's Alien.

PS Kind of a miracle the crew survived 65 years in deep space, plus collecting specimens, with so gross incompetence and negligence.

This episode gave us the classic Alien chills, thrills and kept us on the hook even though we knew how exactly it's going to end. If the previous episodes were half as intelligently written and made as this one, the series would have been already considered one of the great sci-fis.

The eye in the goat was the creepiest moment among all the otherwise inane and bland previous episodes. This episode further expands the eye's capabilities, and I love it. I hope we get to see a longer battle between the eye and xenomorph in future.

In an era of rehashing, redundant and repeatedly rebooting franchises this series has a new and refreshing feel reminiscent of the last predator film Prey. With relevant and current themes around tech and AI I really enjoyed the first few episodes as the characters are interesting and well cast.

The visuals and dialogue have been great and always on the edge of my seat on each episode and wanting the next one to come quicker to see where we are going next.

Franchise fan or new comer will enjoy and I look forward to seeing this become a series for many years to come with the richness of characters that could lead to intriguing sub plot stories.

This is a strong horror-focused chapter that does a very good job portraying events on board the Maginot before those shown in the episode Neverland.

As we already know the outcome for the ship and most of the characters on board, there is only so much tension to be generated. However, the filmmakers use the space tics and ocellus well to keep the atmosphere suitably creepy and sustain the suspense. Additionally, the mystery of the saboteur and how it connects to the overarching narrative unfolds nicely.

For me, the development of the character Morrow is a highlight. The writers have drip-fed information about him so far, and here we are given a sufficient amount to keep the arc interesting.

There are likely to be eyebrows raised in relation to the xenomorph scenes. I anticipate words like inconsistency and phrases like plot armour being used to describe certain moments. That being said, their presence is still nightmare fuel, but maybe not as potent when it shares the chamber with a variety of other horrors.

What will frustrate most is the lack of caution shown by certain characters in key moments that stretches plausibility to the limit. It depends on how seriously you take fictional stories.