Groundhogs
- El episodio se transmitió el 25 jun 2025
- TV-MA
- 32min
CALIFICACIÓN DE IMDb
8.0/10
3.9 k
TU CALIFICACIÓN
Hoy parece que fue ayer.Hoy parece que fue ayer.Hoy parece que fue ayer.
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Opiniones destacadas
The Bear has truly fallen off from a writing standpoint. The characters haven't had any development for the most part since the season 2 finale. Looking back on my favorite episodes in the show, rarely ever is Chris Storer the main writer for them.
I am very bored of seeing the same conversations "oh the restaurant is closing" "oh Carmy is a jerk" with useless flashbacks. The season 3 cliffhanger also proved useless to the plot. What is the point of this show anymore?
It just lacks any sort of plot advancement whatsoever. The entirety of season 3 was the characters saying "so, the season 2 finale happened!". It's very sad to see it turn down such a boring path.
I am very bored of seeing the same conversations "oh the restaurant is closing" "oh Carmy is a jerk" with useless flashbacks. The season 3 cliffhanger also proved useless to the plot. What is the point of this show anymore?
It just lacks any sort of plot advancement whatsoever. The entirety of season 3 was the characters saying "so, the season 2 finale happened!". It's very sad to see it turn down such a boring path.
I just love his cameos. Jon Bernthal is the heart and soul of this show and it comes through in every episode. He is the brother or cousin we all lost in our family. You're just constantly rooting for these people. What amazing character development and acting. Carmy will always be my favorite but Richie and Sugar have come so far it's hard to ignore.
I still can't stand Sydney and I'm sorry but her character is insufferable.
She will never be happy or find her place until she can get humble and realize the opportunities she keeps getting and I have no idea why so many chefs like her?? They never showed her to have anything to contribute.
I still can't stand Sydney and I'm sorry but her character is insufferable.
She will never be happy or find her place until she can get humble and realize the opportunities she keeps getting and I have no idea why so many chefs like her?? They never showed her to have anything to contribute.
Many viewers felt that the show began to lose momentum in its third season, retreating into familiar plot points. However, "The Bear" has consistently impressed me with its emotional storytelling and its profound exploration of the struggle for perfection, even as it often depicts its characters failing in this pursuit. With this season, the show returns with renewed energy. From the opening frames of the Season 4 premiere, it is evident that the series has reignited its creative spark. The episode pulses with urgency, warmth, and emotional intensity, setting the stage for a season that feels both like a course correction and a natural progression.
Gone is the aimless, drifting energy that characterized parts of Season 3, leaving in its wake a sharp countdown, a scathing review from the Chicago Tribune, and Carmy's awakening to "Groundhog Day"-a clever metaphor that serves as more than just a film reference. It acts as the show's clearest indication that it is fully aware of its past and poised to break free from its previous cycles. What follows is a sophisticated interplay between chaos and clarity. The restaurant-and the people involved-are at a precipice. The tension that defined Season 1 returns, but it is no longer solely culinary; emotional stakes now simmer beneath the surface. "Groundhogs" is rife with apologies that resonate deeply-not mere words, but actions, changed behaviors, and lingering glances. The writing is sharp, the editing precise, and the performances once again astonishing. Jeremy Allen White brings Carmy's burnout and guilt to the forefront, balancing restraint with intensity, while Ayo Edebiri's Sydney remains the show's moral center-wounded, yet steadfast. What makes "Groundhogs" particularly striking is its humility. It is an episode that acknowledges the show's previous missteps and, with quiet confidence, redirects its course. It is funny without resorting to absurdity, emotional without manipulation, and stylish without sacrificing its grit. In less capable hands, this might have felt like a forced reset. However, "The Bear" doesn't require reinvention-it simply needed realignment. If "Groundhogs" is any indication, Season 4 promises to be its most compelling chapter yet, a journey too undeniably captivating to ignore.
"Groundhogs" successfully steers the series back on course, re-establishing a sense of momentum that was lacking in the previous season. The chemistry between characters remains as dynamic as ever, and the energy of the show is brimming with vitality, reaffirming that this is a series still deserving of attention.
Gone is the aimless, drifting energy that characterized parts of Season 3, leaving in its wake a sharp countdown, a scathing review from the Chicago Tribune, and Carmy's awakening to "Groundhog Day"-a clever metaphor that serves as more than just a film reference. It acts as the show's clearest indication that it is fully aware of its past and poised to break free from its previous cycles. What follows is a sophisticated interplay between chaos and clarity. The restaurant-and the people involved-are at a precipice. The tension that defined Season 1 returns, but it is no longer solely culinary; emotional stakes now simmer beneath the surface. "Groundhogs" is rife with apologies that resonate deeply-not mere words, but actions, changed behaviors, and lingering glances. The writing is sharp, the editing precise, and the performances once again astonishing. Jeremy Allen White brings Carmy's burnout and guilt to the forefront, balancing restraint with intensity, while Ayo Edebiri's Sydney remains the show's moral center-wounded, yet steadfast. What makes "Groundhogs" particularly striking is its humility. It is an episode that acknowledges the show's previous missteps and, with quiet confidence, redirects its course. It is funny without resorting to absurdity, emotional without manipulation, and stylish without sacrificing its grit. In less capable hands, this might have felt like a forced reset. However, "The Bear" doesn't require reinvention-it simply needed realignment. If "Groundhogs" is any indication, Season 4 promises to be its most compelling chapter yet, a journey too undeniably captivating to ignore.
"Groundhogs" successfully steers the series back on course, re-establishing a sense of momentum that was lacking in the previous season. The chemistry between characters remains as dynamic as ever, and the energy of the show is brimming with vitality, reaffirming that this is a series still deserving of attention.
The show's writers LITERALLY introduced a ticking clock. A bit dramatic but I'm okay with it. After a filler season last year I'm coming in feeling like the critics of the bear itself.. a little underwhelmed. So I'm hoping the second half they filmed when they shot these seasons back to back is a little better. Beyond that, great seeing the fam again, even if some of the troupe and character dynamics and traits are a little bit too familiar at this point.
Uncle Jimmy isn't taking anymore 💩 and is really laying down the law. I kinda love it because for a guy who apparently is also a criminal, he can be a big softie sometimes. Let's dive into ep 2. Now.. I'm hopeful and excited.
Uncle Jimmy isn't taking anymore 💩 and is really laying down the law. I kinda love it because for a guy who apparently is also a criminal, he can be a big softie sometimes. Let's dive into ep 2. Now.. I'm hopeful and excited.
This was such an amazing series. The writing, the acting, the storyline......until season 4. When we get White Lotused. Nothing happens. The story stalls and then free falls. Such a waste of exceptional acting talent. Did the writers change? It's painful to watch exceptional actors try and make it work. There is no further character development. There is one full episode on babysitting. Which is fine, if it actually mattered to the story. I would rather watch the cast read through prior to filming to see the horror on the actors faces. They must have had hoodies on by episode 2.
This is way fast forward was invented.
This is way fast forward was invented.
¿Sabías que…?
- TriviaAbby Elliott's father, Chris Elliott, was in Hechizo del tiempo (1993) with Bill Murray.
- Citas
Richard 'Richie' Jerimovich: I blame it on my elegance.
- ConexionesFeatures Hechizo del tiempo (1993)
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Detalles
- Tiempo de ejecución
- 32min
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