If These Woes Could Talk
- El episodio se transmitió el 6 ago 2025
- TV-14
- 1h
Agrega una trama en tu idiomaIt's an Addams family investigation as Fester and Thing commit themselves to Wednesday's case. Trying to conceal one secret, Bianca stumbles on another.It's an Addams family investigation as Fester and Thing commit themselves to Wednesday's case. Trying to conceal one secret, Bianca stumbles on another.It's an Addams family investigation as Fester and Thing commit themselves to Wednesday's case. Trying to conceal one secret, Bianca stumbles on another.
- Dirección
- Guionistas
- Elenco
- Gomez Addams
- (solo créditos)
Opiniones destacadas
There is an effective build up to a crescendo of spectacle that takes place at a specific location. The filmmakers effectively blend moments of humour and terror whilst moving the plot forward in an interesting way. That is as much as I can say without spoiling.
One of the highlights is the use of a guest character who has a key role in what happens and generates the most laughs. Without him I think it would cross the line of being too dark for what the show has established since its first season.
Visually it is one of the strongest episodes of Wednesday. There atmosphere is suitably creepy whilst never losing that slight hint of goofiness that good comedy-horrors need to remind you not to take it too seriously.
All actors are very good but for me the stand out is Fred Armisen.
Season 2 has been notably darker in tone prior to this episode, but I would say this raises it another notch. As it is popular with younger viewers I would advise parents to vet it first before letting any sensitive young ones watch it, as some moments might be nightmare fuel.
For me, this episode is by far the best of the four. The plot is starting to make sense and isn't marred by pointless digressions like in previous episodes this season.
While the arrival of Grandma Addams is a bit disappointing (Joanna Lumley deserved better writing for her role), that of Uncle Fetid is, on the contrary, successful, bringing a real touch of humor to the whole thing.
Unfortunately, the same can't be said for Morticia, and Catherine Zeta-Jones, whose face is shamefully and artificially "smoothed" (which, even more shamefully, is also the case for Jenna Ortega's, a process by which she can still play a 15-year-old for another ten years?), doesn't have much to talk about.
Luiz Guzman's absence from this episode is, however, welcome!
I appreciated the return of the always excellent Christina Ricci as Laurel Gates.
The episode is well-paced and the action scenes are effective. However, I still regret the lack of depth and use of most of the characters, even though they have interesting potential to begin with, whether it's Enid, Agnes, or Bianca.
The episode ends on a false cliffhanger, given that there are four episodes left...
It's likely that the "resolution" of the plot proposed in this episode turns out to be a sham... Principal Dort and Isadora Capri still have, in my opinion, a lot to reveal.
For my part, I hope that the second half of this season will build on this fourth episode to increase its interest even more, and not fall back into the same predicaments as the first three...
In "Addam's Family Values", Christina Ricci smiles in such a way that it is burned in my memory forever. That singular smile is elevated beyond what is written or even the story itself by her incredible acting. The weight & value of that smile is solely dependent on Ricci; that is, she brilliantly establishes Wednesday so that a singular smile would resonate through all time, space, & matter. I was smitten with her talent from that point forward.
Thandiwe Newton is equally as brilliant & is quickly becoming one of my favorite actresses. Have I seen all of her work? No. What I have seen of her is that she's able to layer her characters with such believability that we find emotional pay off in unlikely places. Again, that's incredible talent that helps viewers suspend the disbelief over the situation, for the belief in these characters.
Truthfully, I watched this episode giddy. Who on earth cast this thing? Everyone is fantastic! Honestly! It's as if someone plucked out so many of my favorite talents & put them in the same show just for me. No, I'm not that vain, but it says something about the talent director of this film. It appears to me that talented people love working with Tim Burton.
I love Jenna Ortega as Wednesday. Her portrayal is burning so many great memories into my skull the way Ricci has. The thing about every actor in this piece of literature, is that they seem to only grow stronger standing next to another.
Thank you for keeping the spirit of The Addam's Family and updating the satire for modern day audiences. Thank you for putting so much effort into suspending our beliefs, so that we can see the human in every outcast. Because truthfully, all humans have value & are often limited by how they allow themselves to limit their potential.
Most importantly, thank you for giving us a scene where Newton and Ricci can act in the same room. I could say more about how rewarding it has been to watch Ricci's arc, but I'd have to take time on every character to actor because they all deserve high praise.
This is a brilliant show.
*That look Newton gives Ricci, in that one scene...omg...(spoilers)
The new season is much more captivating, the story line takes you through many assumptions and keeps you caught up in the story. From the first episode of season 2 you get into the mystery, and the narrative sequence keeps you interested in each episode. Much more mystery, much more need for imagination and a greater need to pay attention to subtle details.
The quality of the special effects is superior to season one, especially the way they chose to build the set. Black color and dark notes predominate, that's why I recommend watching it in the evening , in the dark.
Overall I recommend, it really is a very good season and the end of episode 4 is extremely promising.
¿Sabías que…?
- TriviaTim Burton voices Ozzie the parrot in this episode.
- ErroresThe saying "music soothes the savage beast" is a misquote. The original line from William Congreve's 1697 play The Mourning Bride, is "Musick has Charms to sooth a savage Breast". The error possibly stems from the Warner Brothers short Hurdy-Gurdy Hare (1950) when Bugs says, "They say music calms the savage beast"
- Citas
Marilyn Thornhill: [releasing Tyler from his chains] I told you Mama would get you out of here. I could never abandon you.
Tyler Galpin: Wish I could say the same. You're the reason I've been locked away in here. You're not my mother. You're my master. Or should I say... you were.
Marilyn Thornhill: [eyes widening] Wednesday Addams! We both know that she's the real enemy! She's here in the building, right now. Destiny has given us a second chance to take her out.
Tyler Galpin: I'll take care of Wednesday. Right after I take care of you.
Marilyn Thornhill: I'm the only one who's ever loved you. I unlocked your true potential.
Tyler Galpin: You did. That's why I'll give you a five-second head start.
[pause]
Tyler Galpin: Run.
- ConexionesReferences Vértigo (1958)
- Bandas sonorasZombie
Written by The Cranberries
Performed by Fionnuala Moynihan
Selecciones populares
Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
- Mezcla de sonido