La primera escapada romántica de fin de semana de Iris e Isaac sale mal de la manera más inesperada.La primera escapada romántica de fin de semana de Iris e Isaac sale mal de la manera más inesperada.La primera escapada romántica de fin de semana de Iris e Isaac sale mal de la manera más inesperada.
Opiniones destacadas
I saw Oh, Hi! As the Regal Mystery Movie on July 7, 2025. I have never heard of it before that. Now, it is obviously made by and for a different generation than mine (Millennial). But I think that if you're at least a little open to it, you can have fun. I enjoy awkward characters and situations. And thats pretty much this whole film. Its a comedic and modern homage to Misery (1990).
Positives!
+Quirky fun dialogue.
+Main characters are odd and entertaining to watch.
+Good use of music throughout.
+Chuckles all along the way.
Negatives!
-Lacks big laughs.
-Ending was sufficient, but unsatisfying.
-No real resolution to the character problems.
Overall, Oh, Hi! Is a quirky and funny movie. It does lack any big laughs though; just continuous chuckles. The cast solidly plays their parts. If you're usually bothered by the younger generation, then this is NOT the film for you.
-GremlinLord615.
-Full Review on Youtube!
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Positives!
+Quirky fun dialogue.
+Main characters are odd and entertaining to watch.
+Good use of music throughout.
+Chuckles all along the way.
Negatives!
-Lacks big laughs.
-Ending was sufficient, but unsatisfying.
-No real resolution to the character problems.
Overall, Oh, Hi! Is a quirky and funny movie. It does lack any big laughs though; just continuous chuckles. The cast solidly plays their parts. If you're usually bothered by the younger generation, then this is NOT the film for you.
-GremlinLord615.
-Full Review on Youtube!
Please Subscribe!
It'd be hard to imagine this being a "comedy" if Iris (Molly Gordon) was the one in handcuffs instead of Isaac (Logan Lerman). I'll give marks for the timely interventions of Max (Geraldine Viswanathan, who I'm liking more with each role) and Kenny (John Reynolds, being seamlessly funny and sober) as they basically kept the premise afloat after it nearly ran out of steam. Molly Gordon is quite good at playing the sort-of unhinged, relationship-crisis-facing Iris, and she's the emotional pivot, although we get her backstory in bits and pieces.
I feel like there are large chunks of Iris that we still don't know anything about, as opposed to Isaac who's the straightforward commitment-phobic guy in modern times. The writing also becomes loose in parts where "witchcraft" gets involved albeit in a harmless way, though even that area is dabbed with sweeter elements such as book-reading and girl-girl / guy-guy friendship. It's not some pathbreaking dark comedy or anything, but I appreciate the filmmaking decisions made by Sophie Brooks for the most part (especially the aesthetics).
I feel like there are large chunks of Iris that we still don't know anything about, as opposed to Isaac who's the straightforward commitment-phobic guy in modern times. The writing also becomes loose in parts where "witchcraft" gets involved albeit in a harmless way, though even that area is dabbed with sweeter elements such as book-reading and girl-girl / guy-guy friendship. It's not some pathbreaking dark comedy or anything, but I appreciate the filmmaking decisions made by Sophie Brooks for the most part (especially the aesthetics).
Rating - 5.0:
Overall, a generic and predictable indie rom-com that was obviously made by Gen Z theater kids from New York; this movie is definitely for someone, but that someone is definitely not me because I feel like I got my fix for this type of movie earlier in the year with 'Companion'.
Direction - Pretty Bad: The direction on a macro scale is your typical indie rom-com, and it was very obvious this movie was made by some Gen Z improv/theater student living in New York; while it isn't the exact same movie, it has a similar vibe to Companion, but quirkier and worse; the direction on a micro scale is very Gen Z indie rom-com; the storytelling is pretty bland, as it is a quirky Gen Z way to tell a pretty simple story; tension is built pretty poorly because you don't really take the movie seriously in the more tense moments, and the score really ruins the mood
Story - Bad: The concept is honestly not really that good, as it is just really psychotic behavior; I have a feeling this movie tries to empathize with Gordon, but they really shouldn't, despite what Lerman's character did; This movie has vibes of Companion, but is more simple and generic; The plot structure is linear and kinda short because there really isn't that much plot to go through; Character writing is pretty surface level, what you would expect from an indie rom-com
Screenplay - Pretty Bad: The dialogue is very Indie Rom-Com, influenced by the Gen-Z New York Arts scene; the humor is pretty hit or miss, but ended up missing more times for me; the symbolism is there, but it is not a good message, although this movie does not really take itself seriously; the foreshadowing makes the movie incredibly predictable; I felt like I was in this movie's head the entire time as I was winning a tennis match 6-0, 6-0 as I could anticipate and predict its next move
Acting - Decent: Molly Gordon - Decent (Typical Gen-Z, New York theater/improv acting style that is quirky), Logan Lerman - Decent (Has some charisma and decent chemistry with Gordon; decently funny), Geraldine Viswanathan - Decent to Pretty Good (Plays the comedic relief friend pretty well and has decent chemistry with Gordon), John Reynolds - Decent (Comedic relief, pretty silly, and fun), Rest of the cast - Decent (The cast is very small, but the chemistry within the cast is decent)
Score - Pretty Bad: Made the movie feel cheap and tacky, which is sad because it is an indie movie
Soundtrack - Decent: Typical indie movie soundtrack
Cinematography - Decent: Typical Indie Rom-Com camerawork
Editing - Decent: Typical Indie Rom-Com editing
Production Design - Decent: Gave the movie Companion feels, but if it was indie and more of a rom-com
Pacing - Pacing is a little slow because there really isn't that much plot to go through
Climax - Climax does a lot, but it is not really executed well as it mitigated all the stakes set in this movie; I really was not a fan of how this ended because it made me feel like I wasted any time investing in this story
Tone - Tone is very much an Indie Rom-Com made by Gen Z Theater/Improv kids from New York; the movie has shades of Companion, but in a more indie, goofy way
Final Notes - Saw as an AMC Screen Unseen; Went in blind.
Direction - Pretty Bad: The direction on a macro scale is your typical indie rom-com, and it was very obvious this movie was made by some Gen Z improv/theater student living in New York; while it isn't the exact same movie, it has a similar vibe to Companion, but quirkier and worse; the direction on a micro scale is very Gen Z indie rom-com; the storytelling is pretty bland, as it is a quirky Gen Z way to tell a pretty simple story; tension is built pretty poorly because you don't really take the movie seriously in the more tense moments, and the score really ruins the mood
Story - Bad: The concept is honestly not really that good, as it is just really psychotic behavior; I have a feeling this movie tries to empathize with Gordon, but they really shouldn't, despite what Lerman's character did; This movie has vibes of Companion, but is more simple and generic; The plot structure is linear and kinda short because there really isn't that much plot to go through; Character writing is pretty surface level, what you would expect from an indie rom-com
Screenplay - Pretty Bad: The dialogue is very Indie Rom-Com, influenced by the Gen-Z New York Arts scene; the humor is pretty hit or miss, but ended up missing more times for me; the symbolism is there, but it is not a good message, although this movie does not really take itself seriously; the foreshadowing makes the movie incredibly predictable; I felt like I was in this movie's head the entire time as I was winning a tennis match 6-0, 6-0 as I could anticipate and predict its next move
Acting - Decent: Molly Gordon - Decent (Typical Gen-Z, New York theater/improv acting style that is quirky), Logan Lerman - Decent (Has some charisma and decent chemistry with Gordon; decently funny), Geraldine Viswanathan - Decent to Pretty Good (Plays the comedic relief friend pretty well and has decent chemistry with Gordon), John Reynolds - Decent (Comedic relief, pretty silly, and fun), Rest of the cast - Decent (The cast is very small, but the chemistry within the cast is decent)
Score - Pretty Bad: Made the movie feel cheap and tacky, which is sad because it is an indie movie
Soundtrack - Decent: Typical indie movie soundtrack
Cinematography - Decent: Typical Indie Rom-Com camerawork
Editing - Decent: Typical Indie Rom-Com editing
Production Design - Decent: Gave the movie Companion feels, but if it was indie and more of a rom-com
Pacing - Pacing is a little slow because there really isn't that much plot to go through
Climax - Climax does a lot, but it is not really executed well as it mitigated all the stakes set in this movie; I really was not a fan of how this ended because it made me feel like I wasted any time investing in this story
Tone - Tone is very much an Indie Rom-Com made by Gen Z Theater/Improv kids from New York; the movie has shades of Companion, but in a more indie, goofy way
Final Notes - Saw as an AMC Screen Unseen; Went in blind.
Enjoy the premise though had the roles been reversed this movie would have had a lot darker tone.
Me and the girlfriend both watched it and enjoyed it. Interestingly we both sided with the other party in the movie.
I felt like the movie should have swung for the fences a little more. There were laughs but I kept expecting things to escalate and it all stayed fairly subdued. Even the resolution was just the movie being like ok we ended.
The premise was the most memorable part of the movie. I don't know why they chose to make the show so grounded at the cost of the humor. You are a comedy go for the laughs. Give us something to quote!
Me and the girlfriend both watched it and enjoyed it. Interestingly we both sided with the other party in the movie.
I felt like the movie should have swung for the fences a little more. There were laughs but I kept expecting things to escalate and it all stayed fairly subdued. Even the resolution was just the movie being like ok we ended.
The premise was the most memorable part of the movie. I don't know why they chose to make the show so grounded at the cost of the humor. You are a comedy go for the laughs. Give us something to quote!
Literally we did not know what we were seeing. AMC screen unseen (only information you get is the rating and how long the movie is).
We were pleasantly surprised. Yes there were some missed opportunities but a good concept and some good elements. Loved Molly Gordon and John Reynolds was hilarious. I'm older (late 50s) but I enjoyed it but I do think this might work for the younger crowd more.
There were many moments that I thought it was going to turn into a horror film but never did but that's fine as I felt the characters were interesting and enjoyable to watch and it was fresh to have the what should've been expected not happen.
Not disappointed.
We were pleasantly surprised. Yes there were some missed opportunities but a good concept and some good elements. Loved Molly Gordon and John Reynolds was hilarious. I'm older (late 50s) but I enjoyed it but I do think this might work for the younger crowd more.
There were many moments that I thought it was going to turn into a horror film but never did but that's fine as I felt the characters were interesting and enjoyable to watch and it was fresh to have the what should've been expected not happen.
Not disappointed.
¿Sabías que…?
- Bandas sonorasIslands In The Stream
written by Barry Gibb, Robin Gibb and Maurice Gibb
performed by Dolly Parton & Kenny Rogers
courtesy of: RCA Records Nashville
by arrangement with: Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- О, привет!
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,078,329
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,151,572
- 27 jul 2025
- Total a nivel mundial
- USD 2,078,329
- Tiempo de ejecución
- 1h 35min(95 min)
- Color
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