CALIFICACIÓN DE IMDb
7.1/10
42 k
TU CALIFICACIÓN
En los Juegos Olímpicos de 1936, el corredor afroamericano Jesse Owens se enfrenta a la visión racista de Adolf Hitler en la pista.En los Juegos Olímpicos de 1936, el corredor afroamericano Jesse Owens se enfrenta a la visión racista de Adolf Hitler en la pista.En los Juegos Olímpicos de 1936, el corredor afroamericano Jesse Owens se enfrenta a la visión racista de Adolf Hitler en la pista.
- Premios
- 6 premios ganados y 11 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAt the 1935 Big Ten track meet in Ann Arbor, Michigan, Jesse Owens set three world records and tied a fourth in less than an hour. The feat has been called "the greatest 45 minutes ever in sport."
- ErroresHitler never snubbed Jesse Owens during the 1936 Olympics. On the first day, the chancellor insisted on congratulating only German athletes. The chief of the Olympic committee and his staff told Hitler that he had to congratulate all of the athletes or none, and Hitler chose the latter. According to Owens, Hitler actually nodded when Owens passed him.
- Citas
Jesse Owens: In those ten second, there's no black or white, only fast or slow.
- Bandas sonorasWon't You Come Home Bill Bailey
Written by Hughie Cannon
Arranged by Wycliffe Gordon
Published by Chesky Productions, ASCAP
Courtesy of Manhattan Production Music and Chesky Records
Opinión destacada
Attention younger generations:
Avery Brundage was an unapologetic and unbending racist Nazi sympathizer. To portray him as this farcical film does, as a hero fighting for Jesse Owens so perverts history that it should be a crime. And, Leni Reifenstal WAS a Nazi and supported Hitler and his actions throughout the war and its buildup without reservation.
The main underlying objective of this movie seems to be that Avery Brundage wasn't the renowned corrupt amoral Nazi sympathizer and racist anti-semite that history knows him to have been. For me, one of the most compelling stories in our history was totally ruined by the complete re-writing of history to vindicate the American racist anti-semitic Brundage, one of the most vile, despicable, destructive forces in the history of sport, not just for America but the world. Brundage was absolutely explicit in his contempt for Owens, Jews, and African-Americans, and never made ANY protests over the treatment of Owens or any other American.
Additionally, Leni Reifenstal supported the Nazis and Hitler without reservation throughout the regime, and if she indeed prevailed to film Owens, it was for the sake of the film, not because she rejected Hitler's racism and anti-semitism.
Why the history lesson and very little about the film? Because films like this which pervert history distort this and future generation's understanding of the times and the people. Everything but the fictional propaganda of a script, full of more lies than Trump and Clinton told all year, and ending with a totally fabricated meeting between Owens and Reifenstal, one last attempt to rescue her reputation and bastardize history.
This is appalling piece of film making. Beautifully told lies are still lies, and this film is one gigantic lie.
Avery Brundage was an unapologetic and unbending racist Nazi sympathizer. To portray him as this farcical film does, as a hero fighting for Jesse Owens so perverts history that it should be a crime. And, Leni Reifenstal WAS a Nazi and supported Hitler and his actions throughout the war and its buildup without reservation.
The main underlying objective of this movie seems to be that Avery Brundage wasn't the renowned corrupt amoral Nazi sympathizer and racist anti-semite that history knows him to have been. For me, one of the most compelling stories in our history was totally ruined by the complete re-writing of history to vindicate the American racist anti-semitic Brundage, one of the most vile, despicable, destructive forces in the history of sport, not just for America but the world. Brundage was absolutely explicit in his contempt for Owens, Jews, and African-Americans, and never made ANY protests over the treatment of Owens or any other American.
Additionally, Leni Reifenstal supported the Nazis and Hitler without reservation throughout the regime, and if she indeed prevailed to film Owens, it was for the sake of the film, not because she rejected Hitler's racism and anti-semitism.
Why the history lesson and very little about the film? Because films like this which pervert history distort this and future generation's understanding of the times and the people. Everything but the fictional propaganda of a script, full of more lies than Trump and Clinton told all year, and ending with a totally fabricated meeting between Owens and Reifenstal, one last attempt to rescue her reputation and bastardize history.
This is appalling piece of film making. Beautifully told lies are still lies, and this film is one gigantic lie.
- jrdement-48130
- 2 dic 2016
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,206,207
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,353,922
- 21 feb 2016
- Total a nivel mundial
- USD 25,070,261
- Tiempo de ejecución2 horas 14 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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