The Missing Reel
- El episodio se transmitió el 9 abr 2025
- TV-MA
- 29min
CALIFICACIÓN DE IMDb
7.8/10
3.8 k
TU CALIFICACIÓN
Un rollo de película desaparece, enviando a Matt y Sal a una carrera contra el tiempo para encontrarlo.Un rollo de película desaparece, enviando a Matt y Sal a una carrera contra el tiempo para encontrarlo.Un rollo de película desaparece, enviando a Matt y Sal a una carrera contra el tiempo para encontrarlo.
- Dirección
- Guionistas
- Elenco
Catherine O'Hara
- Patty Leigh
- (solo créditos)
Chase Sui Wonders
- Quinn Hackett
- (solo créditos)
Kathryn Hahn
- Maya Mason
- (solo créditos)
Julyah Rose
- Bartender
- (sin créditos)
Opiniones destacadas
Wanted to give this a 7.5/10 to be precise.
This was entertaining and funny too. Matching 'The Oner' is a hill of a task but I am sure the upcoming episodes that have interesting titles, can beat it.
While the Ep. 3 was a disaster, Ep. 4 brings back the charm and humor. I liked it. Maybe not as much as the first 2 episodes but yeah definitely a good one to enjoy!
We have titles like Cinemacon, Golden Globes etc. Coming and I cannot wait to see the mayhem lol!
So far the series has been fun but for me I have watched better comedy shows and except for 'The Oner', nothing felt extremely funny as such but it is one of the good shows I have watched in while especially in a time period where Hollywood makes every movie to extract money from the audience without having quality.
Good entertaining show!
The Oner is the best!
This was entertaining and funny too. Matching 'The Oner' is a hill of a task but I am sure the upcoming episodes that have interesting titles, can beat it.
While the Ep. 3 was a disaster, Ep. 4 brings back the charm and humor. I liked it. Maybe not as much as the first 2 episodes but yeah definitely a good one to enjoy!
We have titles like Cinemacon, Golden Globes etc. Coming and I cannot wait to see the mayhem lol!
So far the series has been fun but for me I have watched better comedy shows and except for 'The Oner', nothing felt extremely funny as such but it is one of the good shows I have watched in while especially in a time period where Hollywood makes every movie to extract money from the audience without having quality.
Good entertaining show!
The Oner is the best!
This is an episode which pushed its limits after a strong run.
I've loved the series to date, the satire and observational comedy up til now has been spot on. But this became a parody of genre within a comedy of satire, and the two just don't hold up together. I have been able to suspend belief so far for Matt and his calamitous crusade to carry his position, as it flows perfectly with the nonsense the industry is. But once you ask the audience to go further and push the parody with your character being a character within their own story but just for visual nods and gags? I felt it cheapened the quality and integrity of the series to date
I really hope to see more of the realism and grounded satire of this ludicrous industry The Studio originally portrayed going forward.
There's your note.
I've loved the series to date, the satire and observational comedy up til now has been spot on. But this became a parody of genre within a comedy of satire, and the two just don't hold up together. I have been able to suspend belief so far for Matt and his calamitous crusade to carry his position, as it flows perfectly with the nonsense the industry is. But once you ask the audience to go further and push the parody with your character being a character within their own story but just for visual nods and gags? I felt it cheapened the quality and integrity of the series to date
I really hope to see more of the realism and grounded satire of this ludicrous industry The Studio originally portrayed going forward.
There's your note.
The Studio was pleasant surprise and probably one of the three best new TV shows in recent years. Especially when we are talking about comedy.
First three episodes were pure fun, but the fourth one doesn't meet the high standards established so far. It's been shot in Film nour style and it's clearly homage to the Old Hollywood but it lacks the frenetic atmosphere and hilarity from its predecessors.
Also, celebrity cameos seems flat, but it's hard to follow after Ron Howard or Martin Scorsese.
It's not the bad 30-minutes TV at all. It just isn't the supreme enjoyment we've been served until now.
First three episodes were pure fun, but the fourth one doesn't meet the high standards established so far. It's been shot in Film nour style and it's clearly homage to the Old Hollywood but it lacks the frenetic atmosphere and hilarity from its predecessors.
Also, celebrity cameos seems flat, but it's hard to follow after Ron Howard or Martin Scorsese.
It's not the bad 30-minutes TV at all. It just isn't the supreme enjoyment we've been served until now.
This episode truly was the jewel so far in this already fantastic show.
Seth Rogan really made this episode simultaneously a homage to film noir tie while keeping the comedic fast paced ambiance of the show. Although the episode is somewhat of an outlier in the show it still manages to maintain its core themes while adding in a bit of mystery. The twists and turns throughout the episode as well and Rogans comedic narrations really brought this episode to another level with Zac Efron's cameo being the icing on the cake.
With little to nothing to complain about and all of the entertaining quality's of this episode the future looks bright for this show.
Seth Rogan really made this episode simultaneously a homage to film noir tie while keeping the comedic fast paced ambiance of the show. Although the episode is somewhat of an outlier in the show it still manages to maintain its core themes while adding in a bit of mystery. The twists and turns throughout the episode as well and Rogans comedic narrations really brought this episode to another level with Zac Efron's cameo being the icing on the cake.
With little to nothing to complain about and all of the entertaining quality's of this episode the future looks bright for this show.
I am in love with this show and this episode until the very end was no different.
The kinetic energy of the shooting is revolutionizing comedy for me. The metahumor about Hollywood has been sharp as a tack. I am laughing and laughing.
What is bothering me is that Apple should be giving these guys as much time to breathe as they want too. The ending was so abrupt. If I was going to do it, there would be a slow motion camera roll with the Chinatown song enrapturing the viewer, and instead of a vulgar voiceover, there would be text on the screen saying what happened ala a 1970s movie. Instead of the Chinatown thing being an insult, why not just have that be the final line? This could have had that perfect tone that really sticks with a person and haunts you.
In my opinion the previous episode missed a huge opportunity for poignancy too. Imagine if Seth Rogan talked to his younger self to mirror what happened in the Ron Howard film? Looking at the moon and imagining himself giving Young Seth a hug, finally forgiving himself for what he did with Ron. Imagining in my head the perfection this scene could have aspired too, that really tugs at the heartstrings. It makes me disappointed that the writers don't have that sentimentality gene that could turn great to masterpiece. Because for some reason they are capable of bringing us all the way there but not sticking the landing. Maybe if the writers see this on the 0.0001% chance they should think about upping the heart. I think if you do that Emmy's are guaranteed.
At the end I was still very satisfied with what I got, it was fun as heck and really engaging to find out the secret of the mystery in real time. This show doesn't hesitate to show you how fun it must be to work in Hollywood every day does it?
The kinetic energy of the shooting is revolutionizing comedy for me. The metahumor about Hollywood has been sharp as a tack. I am laughing and laughing.
What is bothering me is that Apple should be giving these guys as much time to breathe as they want too. The ending was so abrupt. If I was going to do it, there would be a slow motion camera roll with the Chinatown song enrapturing the viewer, and instead of a vulgar voiceover, there would be text on the screen saying what happened ala a 1970s movie. Instead of the Chinatown thing being an insult, why not just have that be the final line? This could have had that perfect tone that really sticks with a person and haunts you.
In my opinion the previous episode missed a huge opportunity for poignancy too. Imagine if Seth Rogan talked to his younger self to mirror what happened in the Ron Howard film? Looking at the moon and imagining himself giving Young Seth a hug, finally forgiving himself for what he did with Ron. Imagining in my head the perfection this scene could have aspired too, that really tugs at the heartstrings. It makes me disappointed that the writers don't have that sentimentality gene that could turn great to masterpiece. Because for some reason they are capable of bringing us all the way there but not sticking the landing. Maybe if the writers see this on the 0.0001% chance they should think about upping the heart. I think if you do that Emmy's are guaranteed.
At the end I was still very satisfied with what I got, it was fun as heck and really engaging to find out the secret of the mystery in real time. This show doesn't hesitate to show you how fun it must be to work in Hollywood every day does it?
¿Sabías que…?
- TriviaThe older man in the beginning of the episode screening the movie with Seth Rogan is Ike Barinholz's dad.
- ErroresTrivia Zac asks Seth "Is that your '53 Corvette on the lot?" Seth confirms it and Zac asks if that was the first year Corvettes were made. Ike mentions "It's the third one ever made." Later shots show Seth and Ike driving the car, painted in Pennant Blue with a beige interior. Whether intentionally or accidentally, the car is actually not a 1953. 300 Corvettes were built for 1953, all painted Polo White, with red interiors, black convertible tops, and inline six-cylinder engines. Pennant Blue was introduced as an exterior paint option for 1954 and was also available for 1955. Seth's car is a 1955. The presence of a gold 'V' on its front fender further distinguishes the car as one equipped with a V8 engine, introduced for 1955.
- ConexionesReferences Barrio Chino (1974)
- Bandas sonorasLove Theme from Chinatown (End Title)
Written and Performed by Jerry Goldsmith
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Detalles
- Tiempo de ejecución
- 29min
- Color
- Mezcla de sonido
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