Agrega una trama en tu idiomaA young Indian spy's covert mission interweaves with a veteran spymaster's past, revealing national secrets and hidden truths. Through intelligence and determination, they protect India's se... Leer todoA young Indian spy's covert mission interweaves with a veteran spymaster's past, revealing national secrets and hidden truths. Through intelligence and determination, they protect India's security amid sacrifice and generational burdens.A young Indian spy's covert mission interweaves with a veteran spymaster's past, revealing national secrets and hidden truths. Through intelligence and determination, they protect India's security amid sacrifice and generational burdens.
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Review of Salakaar
Salakaar is a gripping story with a well-paced narrative, and I feel every actor has done justice to their role. The central character, young Adhir, played by Naveen Kasturia, delivers a steady performance, though in a few frames his straight-faced expression feels a bit too restrained. Mouni Roy looks glamours although her dressing in series is more like Bengali rather Pakistani. Surya Sharma is under-utilised as he has fire in him.
The highlight of the show is undoubtedly veteran actor Mukesh Rishi as General Zia-ul-Haq. He leaves a strong impression whenever he appears on screen, commanding attention and lending authenticity to the role.
That said, the screenplay has a few noticeable flaws. For example, the Sarpanch of a village is shown openly consuming alcohol-something quite unrealistic given that during Zia's regime, alcohol was completely banned in Pakistan. Similarly, the ease with which characters gain entry into a high-security nuclear power plant-simply by having a villager disguise himself as a sepoy-feels overly simplified.
The final airport sequence is tight, engaging, and easy to follow, though it also stretches believability in parts. Still, these minor lapses are forgivable because overall, this is an entertaining spy thriller that keeps you hooked.
I enjoyed watching Salakaar and am looking forward to the next segment-hopefully with even higher stakes.
Salakaar is a gripping story with a well-paced narrative, and I feel every actor has done justice to their role. The central character, young Adhir, played by Naveen Kasturia, delivers a steady performance, though in a few frames his straight-faced expression feels a bit too restrained. Mouni Roy looks glamours although her dressing in series is more like Bengali rather Pakistani. Surya Sharma is under-utilised as he has fire in him.
The highlight of the show is undoubtedly veteran actor Mukesh Rishi as General Zia-ul-Haq. He leaves a strong impression whenever he appears on screen, commanding attention and lending authenticity to the role.
That said, the screenplay has a few noticeable flaws. For example, the Sarpanch of a village is shown openly consuming alcohol-something quite unrealistic given that during Zia's regime, alcohol was completely banned in Pakistan. Similarly, the ease with which characters gain entry into a high-security nuclear power plant-simply by having a villager disguise himself as a sepoy-feels overly simplified.
The final airport sequence is tight, engaging, and easy to follow, though it also stretches believability in parts. Still, these minor lapses are forgivable because overall, this is an entertaining spy thriller that keeps you hooked.
I enjoyed watching Salakaar and am looking forward to the next segment-hopefully with even higher stakes.
Salaakar represents everything wrong with rushed Indian streaming content. What started as merely disappointing became completely unwatchable by Ep 2. Life is too short to spend on such trash.
The fundamental problem begins with basic incompetence - misspelling your own title (Salaahakar?) raises immediate questions about research and attention to detail. Those concerns prove justified as the show reveals zero understanding of espionage authenticity or geopolitical nuance.
Ep 1 felt superficial but had Mukesh Rishi's strong performance to salvage some dignity, and I was expecting Naveen Kasturia to also come out well in due course. The portrayal of the Indian High Commissioner was embarrassingly childish, with misplaced comedy undermining any serious tone. Still, I hoped subsequent episodes might improve.
Ep 2 destroyed any remaining goodwill. I couldn't survive 8 minutes of amateur-hour production values - wigs and disguises that look like high school drama props, dialogue straight from 90s Mithun Chakraborty B-movies. The writing has devolved into unintentional parody.
Jio Hotstar should be embarrassed to have this in their catalog. The series transforms from superficial spy thriller into complete joke within two episodes. Even Mukesh Rishi and Naveen Kasturia can't save this trainwreck.
A waste of talented actors and viewer time. Avoid completely.
The fundamental problem begins with basic incompetence - misspelling your own title (Salaahakar?) raises immediate questions about research and attention to detail. Those concerns prove justified as the show reveals zero understanding of espionage authenticity or geopolitical nuance.
Ep 1 felt superficial but had Mukesh Rishi's strong performance to salvage some dignity, and I was expecting Naveen Kasturia to also come out well in due course. The portrayal of the Indian High Commissioner was embarrassingly childish, with misplaced comedy undermining any serious tone. Still, I hoped subsequent episodes might improve.
Ep 2 destroyed any remaining goodwill. I couldn't survive 8 minutes of amateur-hour production values - wigs and disguises that look like high school drama props, dialogue straight from 90s Mithun Chakraborty B-movies. The writing has devolved into unintentional parody.
Jio Hotstar should be embarrassed to have this in their catalog. The series transforms from superficial spy thriller into complete joke within two episodes. Even Mukesh Rishi and Naveen Kasturia can't save this trainwreck.
A waste of talented actors and viewer time. Avoid completely.
Salaakar had the potential to be a gripping spy thriller but falls flat, resembling a clichéd Bollywood drama lacking depth or seriousness. Compared to polished series like Fauda or The Spy, its approach feels amateurish, with a weak script and implausible plotlines. For instance, the Indian diplomat casually snaps photos and roams sensitive areas without caution, even while close to Zia, defying logic. The direction lacks finesse, and the narrative collapses under its own weight. Ultimately, Salaakar squanders a promising premise, delivering a disappointing missed opportunity.
Salaakar had the ingredients to be a gripping series or film, but poor casting and amateurish direction drag it down entirely. The most baffling choice? Mouni Roy-a performer whose limited acting range sticks out like a sore thumb. Her delivery is wooden, and she fails to elevate even the simplest scenes.
The rest of the cast doesn't fare much better, with mismatched actors struggling to salvage weak direction. The plot (if there's a coherent one) gets lost in unconvincing performances and a lack of visual flair.
Verdict: A forgettable mess that could've been decent with a stronger cast and competent filmmaking. Skip it.
The rest of the cast doesn't fare much better, with mismatched actors struggling to salvage weak direction. The plot (if there's a coherent one) gets lost in unconvincing performances and a lack of visual flair.
Verdict: A forgettable mess that could've been decent with a stronger cast and competent filmmaking. Skip it.
NSA Doval story. Could have been handled more realistically. It seems the Director wanted to impress NSA and hence created a comic Rambo. His operation may have happened on realty but looked childish here. Gen Zia too is depicted as a Gali Chap Goonda. Typical Sunny Deol style movie. Surely NSA wouldn't be glad to watch this.
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