If the premiere was about fan-service and course correction, "Camera Shy" is where the season's true plot kicks into gear, and it's fantastic. This episode felt like classic, prime Dexter in a way the franchise hasn't in years. The shift to New York City gives the show a fresh, vibrant playground for Dexter's activities.
The absolute best part of this episode is Dexter's seething, offended reaction to the new killer being dubbed "The Dark Passenger." Michael C. Hall's delivery of lines like "He stole my name!" and his deadpan "The what?" was comedic perfection. This is the dark, dry wit that was a hallmark of the early seasons, and it's back in full force.
Harrison's storyline is also a massive improvement over New Blood. He's more likable, and seeing him grapple with the guilt of his own violent act-while Dexter simultaneously investigates it-creates a compelling new dynamic. The parallel of Harrison's morning routine mirroring Dexter's original intro was a brilliant touch.
The central mystery is intriguing. A killer who seems to be Dexter's doppelgänger, and a mysterious, well-funded group led by Uma Thurman that may be a "league of serial killers," is a wild and promising concept. The only weak point is the new lead detective, who comes off as a stereotypical "savant cop" trope, complete with the quirky headphones-at-a-crime-scene bit that feels a little tired.
Overall, this episode was a huge success. It built on the premiere's energy, established a fascinating new conflict, and proved that even after all these years, watching Dexter on the hunt is still some of the most compelling television around.
