Spider Rose

Three episodes in, and I already feel like dropping Love, Death & Robots. It is no longer the show it once was. The depth, the atmosphere, the philosophical undertones that made earlier seasons so compelling are all missing. What we have now is a shallow parade of flashy visuals and overly emotional characters, with none of the layered storytelling or attention to detail that defined the earlier episodes.

Red Rose stands out, but only slightly. A post-apocalyptic galaxy, a lone cyborg yearning for lost humanity, and a mysterious presence that seems important only to amount to nothing more than a background footnote. The episode tries to evoke an emotional shift with its ending, but it feels forced, like it is begging the viewer to care rather than earning that reaction.

Overall, the show seems more focused on spectacle than substance. What was once bold and thought-provoking now feels hollow and overproduced.

A bio-mechanical femme in a vast orbiting web-like space station controls a strange alien artifact, barters with extraterrestrials, seeks revenge for a dead mate, and acquires a strange pet. All of which is interesting but given the 15 minute running time, the disparate storylines just don't gel - too bad as they generally start off interestingly. The designs of Rose (the cybertrix) and the aliens are imaginative as is the rendering of Rose's vast mechano-environment. With a bit more focus, this could have been one of the top L,D+R episodes but even as is, it has so far been my favourite from the anthology's unfortunately weak fourth season.

My problem with Spider Rose

The only Season 4 episode I liked was Spider Rose (it is actually a dramatic improvement on the source story). But there is one problem I can't ignore.

Here is the description of *Colonel Doctor* Jade Prime from Bruce Sterling's story:

"A Shaper's face appeared, one of the Oriental-based gene lines, smooth raven hair held back with jeweled pins, slim black eyebrows arched over dark eyes with the epicanthic fold, pale lips slightly curved in a charismatic smile. A smooth, clean actor's face with the glittering ageless eyes of a fanatic."

Shapers are the genetically perfected Übermensch counterparts to Spider Rose's cyborg Mechanist set. The two scientists in Swarm were Shapers. They are physically perfect (which is why Swarm wanted to breed a human caste of symbiotes with them), and their minds bred for high IQ to the point where some became hyperintelligent enough to be seriously unstable.

They were not jagged toothed scarfaced monstrosities like the Jade Prime of the episode.

My problem is this: the animators had such Hollywoodesque contempt for the IQ of their audience, that is, us, that they had to uglify Jade Prime so we would know him for a villain. Because he's ugly.

It irritates me out of all proportion, but there it is.

There are some interesting themes in this one, and it evokes similarities with what must have been done by the same studio, the sci-fi episode in the previous season, the one about hive-mind extra-terrestrials. I must admit I _loved_ that one -- the one in season 3, it actually had a novel story, certainly one that's worth pursuing which it tried to do.

Anyway, this may just be done by the same studio, it bears some visual style similarities for me to think so.

But unlike the other one, this one doesn't really explore a particularly interesting theme. It's visually striking, but the show already set the standard for 3-D animation, and I, for one, expect no less.

The theme that I liked -- which the episode didn't manage (or bother) to fully explore -- is loneliness, despair, desire for revenge and last but not least, _pets_! :) It ended too soon for me to have a lasting impression, which I think is its chief shortcomings, perhaps even the only shortcoming -- there is an interesting theme there somewhere, vaguely painted and lazily left unexplored.

Twice the story and half the animation quality (even at the same run length) would have improved this one by a margin, I'd say. Alas.

A traumatized cyborg seeks revenge against the people who killed her lover. Along the way, she finds possible healing, though.

This was an interesting episode, and certainly more in line with what I was hoping for. After a music video and a sophomoric comedy short, we finally get a science fiction story. The science fiction elements were pretty cool, but the short runtime meant that you didn't really get a lot of detail.

The art is amazing, which perhaps explains why it's so short. It's in a pretty realistic style and has a solid emotional base. You get to know the cyborg's suffering fairly well during your brief time with her, and her emotions come through well in the artwork. The voice acting captured the characters well, too.

I would have liked to have seen something a bit more exciting during the climax, but the action sequences were done well. It definitely gave off vibes of Heavy Metal, especially the climactic fight, which was gory and intense.

The most essentially science fiction part of the episode is not really the cyborg. It was her payment for a salvage job -- an alien pet that gives her a reason to live besides vengeance. It was interesting and kept the episode from being something as straight-up "here's some badasses in a gunfight" like Kill Team Kill.

Overall, definitely an episode for people like me. If we had an entire season of episodes like this, I would be satisfied, but I hope we get some more crazy stuff like ZIma Blue, The Witness, and Jibaro.