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"Mercy to None" wears its John Wick influences on its sleeve, but quickly carves out its own brutal, stylish identity ( this is what called inspiration not copy like other movie ) At its core, the series follows ex-assassin Rayna Cross as she's dragged back into the underworld she thought she'd left behind-an arc that will feel familiar to fans of Wick's single-minded pursuit of vengeance. Yet where "Mercy to None" truly shines is in the precision and inventiveness of its fight choreography and the depth of its world building.

What Works

Next-Level Fight Sequences: From quiet, tension-soaked close-quarters combat to sprawling, neon-lit warehouse brawls, every punch, kick, and weapon-swap is impeccably staged. The camera moves with purpose, giving just enough coverage to appreciate the skill on display without confusing the eye.

Rich Story Building: Unlike the comparatively lean narrative of a feature film, this series takes advantage of its episodic format. Side characters-from a cunning fixer to a burned-out mentor-are given room to breathe, deepening the stakes and making Rayna's journey more resonant.

Atmospheric World: A rain-splashed cityscape of gleaming skyscrapers and shadowy back-alleys feels lived-in and dangerous. The show's score-an edgy electronic pulse-underscores every heartbeat of suspense.

Where It Stumbles

Familiar Foundations: The opening setup leans heavily on the "one last job" trope, and viewers looking for radical plot twists may find the first two episodes a bit predictable.

Pacing Hiccups: A mid-season episode devoted almost entirely to exposition slows momentum; a tighter edit there would have sustained the series' breakneck energy.

Verdict "Mercy to None" doesn't just echo John Wick-it builds on that blueprint with richer characters and fight scenes that outshine their cinematic counterpart. If you crave well-crafted action and a darker, more immersive dive into an assassin's world, this series earns its stripes-8 out of 10 for delivering a vengeance thriller that's both familiar and fiercely original.

I can't understand why nowadays all films in Bollywood are copied from other sources. Bollywood lacks originality. People need to show them that we don't like copied films - we want originality. These hero think we make copy movie a people with zero brain watch it..if you tell then they never understand

This movie sits squarely in the "seen it before" category. While it's competently made and watchable, it borrows heavily from another, much more well-known film "Spanish film Campeones" so much so that the plot feels more like a remake than an original story. The similarities are hard to ignore, from the character arcs to the key story beats.

There's little here that feels fresh or surprising. The filmmakers seem content to follow a proven formula rather than take creative risks. While the performances are decent and the production value is solid, it ultimately offers nothing new to the genre or audience.

If you're in the mood for something familiar and don't mind déjà vu, it's an okay watch. But if you're looking for originality or innovation, this one won't deliver.

Jaat had a lot of potential, especially thanks to the outstanding performance of its male lead( sunny paji) . The actor brought depth, charisma, intensity to his role, making every scene he was in compelling. Whether it was a dramatic monologue or a subtle expression, his acting was easily the best part of the film.

All police officer scared but one man beat everyone and help village really that a story. Learn something from kgf if you want that plot

Unfortunately, the story itself was a mess. The plot was confusing, poorly structured, and filled with illogical twists that seemed to exist just for shock value rather than serving a meaningful purpose. Character motivations were unclear, key events felt rushed, and by the end, I was left wondering what the point of it all was.

If you're a fan of the lead actor, it might still be worth a watch for his performance alone. But if you're looking for a well-written, coherent narrative, you'll likely be disappointed. 5.5/10 - saved by the acting, sunk by the story.