emwee609
jul 2023 se unió
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Clasificación de emwee609
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Clasificación de emwee609
Well, I'm not entirely sure what to think about this song. The title already says it all. It's essentially a middle-aged man's confession-or perhaps an ode-to his wife. The lyrics revolve around him hating her because she ruined his life. Musically, this isn't a masterpiece, and the singer is certainly no Elvis Presley reborn, but that's not the point. It's really about the lyrics, the raw anger, the painful expressions on his face, and the absolutely awkward smile on hers. From what I understand, the rest of the songs on his album(s) follow a similar vein.
This is a typical Chinese action-fantasy movie. It has excellent visuals and special effects, but only mediocre acting, some awkward jokes, and of course the inevitable budding romances that never seem to go beyond a quick, unnatural kiss. What always strikes me in films like this is how the heroic warriors can slay dragons, giant monsters, and otherworldly creatures without breaking a sweat-yet they act like 10-year-olds around women. And the guy in S-sized clothes somehow ends up with the nickname 'Fatty.' I suppose that's just a cultural difference.
At times, the film felt like an Indiana Jones or Lara Croft adventure, packed with fast-paced action, survival moments, and fights. At other times, it resembled a platformer video game, with characters fleeing from monsters, leaping across platforms, and solving puzzles. The journey takes place in a lost and inaccessible world that strongly reminded me of Sir Arthur Conan Doyle's classic The Lost World. We get prehistoric animals, rivers and streams, jungles, remnants of an ancient civilization, and more.
I haven't seen the previous Mojin film, so I can't say if this is a direct sequel or a standalone installment. Either way, the story was easy to follow, and I never felt like I was missing essential background. That said, the cliffhanger ending suggests there may be more to come. If so, I'll be glad to watch the sequel.
At times, the film felt like an Indiana Jones or Lara Croft adventure, packed with fast-paced action, survival moments, and fights. At other times, it resembled a platformer video game, with characters fleeing from monsters, leaping across platforms, and solving puzzles. The journey takes place in a lost and inaccessible world that strongly reminded me of Sir Arthur Conan Doyle's classic The Lost World. We get prehistoric animals, rivers and streams, jungles, remnants of an ancient civilization, and more.
I haven't seen the previous Mojin film, so I can't say if this is a direct sequel or a standalone installment. Either way, the story was easy to follow, and I never felt like I was missing essential background. That said, the cliffhanger ending suggests there may be more to come. If so, I'll be glad to watch the sequel.
In this pandemic-era horror comedy short, a zombie outbreak is underway. Amusingly, the authorities' recommendations for surviving the zombie pandemic are strikingly similar to those given during COVID-19: wearing face masks, practicing social distancing, and so on. To round out the symbolic parallel, there's also a funny character who can only be described as a pandemic denier. The story is hilarious, and the zombie makeup is surprisingly convincing-better, in fact, than what I've seen in some full-length films.
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