rsweeneyrs

This is one of the most biting and clever political satires that I've seen before in South Park. We see all of the hilarious and deep writing characters, this is a hilarious and deep political satire.

The writing is top notch, a hilarious political satire with a funny ending. We all love political satires, but this is one of the most gripping and political yet.

A hilarious masterclass and beautiful animation. 10/10 masterpiece.

This is one of the funniest episodes of South Park I've seen. It has tons of rib-ticklers and laugh-out-loud moments. The political satire is top notch, and some of the shots are genuinely beautiful; my favorites are the scenes where I. C. E drives through heaven, beautiful colors, and then there's also a scene at Mar-a-Lago where they make it look like a majestic paradise. These shots are eye candy and are so well animated, they look like they belong in a movie. My favorite part is the credit cookie at the end where the director of Homeland Security starts shooting dogs, it's morbidly hilarious how production can throw in a scene like that and audiences and critics alike will still call it "genius television". This was one of the funniest television episodes I've ever seen, it has a lot of hilarious political humor that I think people of both parties would find hilarious. No propaganda, no political BS, just pure genius-written satire that left my ribs hurting from the length and strength of my laughter.

Wow, this episode is beautiful-the panoramic shots, the Sun's rays reflecting on Cartman's head, the seeds in Randy's cherry tomatoes-it all contributes to a beautiful, wonderfully animated slideshow of gorgeous pictures and sequences.

The way Kenny's parka subtly shifts hues with the changing mountain light feels like a nod to impressionist painting. When Stan stands in silence by Stark's Pond, and the ripples perfectly mirror the slow collapse of his emotional state, it's as if the animators bottled serenity. Even the smoke from Towelie's joint curls in elegant spirals, like animated brushstrokes in a digital Van Gogh.

One shot of Butters walking through a field of dandelions-each puff rendered with absurd care-feels like Studio Ghibli on peyote. And don't even get me started on the sequence where Mr. Garrison drives past the town during sunset, the golden hour stretching across the Rockies, giving the whole screen this painterly glow that makes you forget this show was ever made in construction paper cutouts. Even the squirrels in the background have gentle fur textures now. It's like the animators looked at a Terrence Malick film and said, "Yes, but with fart jokes."

Every frame is so lovingly crafted that even a shot of Craig picking his nose feels like it belongs in an art museum.