TheE-25
may 2025 se unió
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Calificaciones3
Clasificación de TheE-25
Reseñas2
Clasificación de TheE-25
Small town guy comes to a big city and situations make him a gangster. Nothing new, just the same old stories rehashed and packaged well.
Everything felt flat and unnecessary. An ensemble cast and it still fails to deliver the high impact moments the film demands because we ve seen every single variation of this.
May be the producers wanted to play it safe and it kind of makes sense but even a slightly newer concept with the kind of marketing push the film got would have been so much more appreciated. It would have done wonders to a faltering industry purely because of zero experimentations done here where other industries have left us behind.
The biggest plothole for me in this film is the fact that Muttu had so many chances to back to his old life after his revenge was taken but he doesn't even though he wants to. No one's actually stopping him nor does the situation but why doesn't he take it?
Sanjana Anand being the initial love interest does not get closure, the other love interest Sampada's decisions looked too rushed, Poornachandra looked kiddish with his superficial performance, Atul Kulkarni is not antagonist enough but the only good part came from Aditya as the Police Inspector who looked great and did every bit of justice.
Yuva Rajkumar gives his all and shows improvement. He looks good on screen and shows a hell lot of promise. If I have to nitpick, there were some emotional moments where he falters but nothing major that cannot be worked on. I will certainly look forward to his future releases.
There's nothing great about Rohit Padaki's writing really since its a tried and tested formula so creativity wise there's nothing to talk about.
The camera work looked good and apt for the genre of the film.
The music was something that stood out screaming. Charan Raj has given it his all and without his magic, the film would have faltered. I want to go as far saying music held the film together.
Its a decent watch but nothing to be remembered. I just hope that these big production houses grow a pair and invest in new concepts, fresh ideas so that people can proudly say our industry has offered something new and fresh to Indian Cinema.
If not we will only keep talking about KGF and Kantara for more years to come.
Everything felt flat and unnecessary. An ensemble cast and it still fails to deliver the high impact moments the film demands because we ve seen every single variation of this.
May be the producers wanted to play it safe and it kind of makes sense but even a slightly newer concept with the kind of marketing push the film got would have been so much more appreciated. It would have done wonders to a faltering industry purely because of zero experimentations done here where other industries have left us behind.
The biggest plothole for me in this film is the fact that Muttu had so many chances to back to his old life after his revenge was taken but he doesn't even though he wants to. No one's actually stopping him nor does the situation but why doesn't he take it?
Sanjana Anand being the initial love interest does not get closure, the other love interest Sampada's decisions looked too rushed, Poornachandra looked kiddish with his superficial performance, Atul Kulkarni is not antagonist enough but the only good part came from Aditya as the Police Inspector who looked great and did every bit of justice.
Yuva Rajkumar gives his all and shows improvement. He looks good on screen and shows a hell lot of promise. If I have to nitpick, there were some emotional moments where he falters but nothing major that cannot be worked on. I will certainly look forward to his future releases.
There's nothing great about Rohit Padaki's writing really since its a tried and tested formula so creativity wise there's nothing to talk about.
The camera work looked good and apt for the genre of the film.
The music was something that stood out screaming. Charan Raj has given it his all and without his magic, the film would have faltered. I want to go as far saying music held the film together.
Its a decent watch but nothing to be remembered. I just hope that these big production houses grow a pair and invest in new concepts, fresh ideas so that people can proudly say our industry has offered something new and fresh to Indian Cinema.
If not we will only keep talking about KGF and Kantara for more years to come.
Nimitta Matra is a beautifully restrained film that speaks volumes through its silences, visuals, and philosophical undercurrents. A true thriller where the does not dare to waver attention. The film very intelligently explores the idea of being merely an instrument-a nimitta matra (the most apt title for a film)-in the grand design of things.
The storytelling is mature and deeply reflective. Without leaning on melodrama or unnecessary exposition, the film draws you into a space where you start questioning your own notions of control, decision-making, and fate. The narrative is slow, but intentionally so, allowing every scene to breathe and resonate.
Performance-wise, all actors do a fantastic job expect for the lead Poornachandra who could have done a much better job when given a tight script like this one. He is the only one who looked aloof.
The film is anchored by a brilliant first act, a though provoking middle act and a brilliant final act. Supporting actors blend seamlessly into the world of the film, adding realism and texture to the story.
The cinematography is fresh. The framing, light, and color palette are used masterfully to mirror the protagonist's inner world. The music doesn't overwhelm-it gently guides, evoking emotion without manipulation.
Nimitta Matra isn't for those looking for conventional entertainment. It's for viewers who appreciate cinema that questions, contemplates, and ultimately transforms. This is philosophical storytelling at its best-meditative, meaningful, and moving.
This is a rare Kannada film that dares to go deep and stay quiet. If you're open to cinema that makes you think and feel in equal measure, Nimitta Matra is a must-watch.
The storytelling is mature and deeply reflective. Without leaning on melodrama or unnecessary exposition, the film draws you into a space where you start questioning your own notions of control, decision-making, and fate. The narrative is slow, but intentionally so, allowing every scene to breathe and resonate.
Performance-wise, all actors do a fantastic job expect for the lead Poornachandra who could have done a much better job when given a tight script like this one. He is the only one who looked aloof.
The film is anchored by a brilliant first act, a though provoking middle act and a brilliant final act. Supporting actors blend seamlessly into the world of the film, adding realism and texture to the story.
The cinematography is fresh. The framing, light, and color palette are used masterfully to mirror the protagonist's inner world. The music doesn't overwhelm-it gently guides, evoking emotion without manipulation.
Nimitta Matra isn't for those looking for conventional entertainment. It's for viewers who appreciate cinema that questions, contemplates, and ultimately transforms. This is philosophical storytelling at its best-meditative, meaningful, and moving.
This is a rare Kannada film that dares to go deep and stay quiet. If you're open to cinema that makes you think and feel in equal measure, Nimitta Matra is a must-watch.