For its authentic story keeping dignity and loyalty in the changing city of Beijing, in globalisation time, and for its subject born from the delicate and subtle directing non professional team.

For its very high positive energy level, confirming the authenticity of Filipino cinema style and for its remarkable performance of young actors.

For its touching tale of human life, focussing on marginalized individuals, and its sensitive relationship between the human and his surrounding projected in a very sensitive way.

For its authentic characters in remarkable location, its original music by the director himself, a film which subtly denounces an ancient sexist custom which survived throughout centuries.

For the quality of the photo, the audacious choice of black and white, a psychological and philosophical film shot in Ladakh, a turnover in Indian cinema.

For the originality of the topic in rural China rarely shown, and the moving relationships between father and son.

For its clear depiction and comments on the changing face of a commercializing China. Love and condition in human bonding have been portrayed here in a subtle manner. The film has successfully reflected the globalization of China from the grass root.

For its cinematographic minimalist and aesthetic approach, its concern and vision about human values in militarised critical situation.

For the quality of the scenario and photo and the main character who witnesses the disappearing of his environment.