For the creative blend of traditional and stop-motion animation to convey human similarities much more than difference, reminding us that we all share the same sky.

For vividly capturing a desolate landscape in the aftermath of a disaster, while also reflecting the various states of mind of its three main characters.

For juxtaposing the ephemeral human condition with the ethereal beauty of the sea and stars through the eyes of a child.

For exposing who the real terrorizers are and their bottomless pit of injustice and indecency to deny the human rights of those they supposedly serve.

For rendering a rhythm to a film that both grips and hypnotizes, never losing a beat.

For creating a sonic atmosphere of bewilderment and grace, effectively reflecting the main characters' individual journeys.

For demonstrating that his unconventional vision and style can produce a work that is extremely singular and disciplined.

Japan

UK/Canada/Australia/New Zealand

UK/US

Japan

Norway/France/Sweden/Denmark

For his layered performance as a radio announcer whose initially unquestioned beliefs have taken a different turn, never lacking in charisma as we witness his gradual realization of the bigger picture.

For showing the hypocrisy of religious indoctrination through an earth-shattering coming of age story with apocalyptic stakes.

For its realistic and careful attention to detail in building a world set in the wake of one of the worst typhoons in Philippine history.

For convincingly creating a world of interlocking relationships, both personal and political.

For fully inhabiting a terrifying character with her magnetic and mystifying turn the moment she shows up outside the home of a family in Baguio City.