Une femme est embauchée en tant que servante d'une héritière japonaise, mais elle est secrètement impliquée dans un complot visant à l'escroquer.Une femme est embauchée en tant que servante d'une héritière japonaise, mais elle est secrètement impliquée dans un complot visant à l'escroquer.Une femme est embauchée en tant que servante d'une héritière japonaise, mais elle est secrètement impliquée dans un complot visant à l'escroquer.
- A remporté le prix 1 BAFTA Award
- 69 victoires et 104 nominations au total
Cho Jin-woong
- Uncle Kouzuki
- (as Jin-woong Jo)
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Histoire
Le saviez-vous
- AnecdotesThe film title in Korean (Ah-ga-ssi) means ''The Lady'' referring to Lady Hideko, while the English/International title is The Handmaiden referring to Sook-hee.
- GaffesThe Count uses a propane gas lighter. That was impossible in 1930.
- Citations
Lady Hideko: The daughter of a legendary thief, who sewed winter coats out of stolen purses. Herself a thief, pickpocket, swindler. The saviour who came to tear my life apart. My Tamako. My Sookee.
- Générique farfeluDuring the credits, the moon on the wall in the background shifts from full to new.
- Autres versionsExtended version runs approx. 21 minutes longer.
- ConnexionsFeatured in The EE British Academy Film Awards (2018)
Commentaire en vedette
Not the craziest film content wise, that award goes to The Neon Demon, but definitely the craziest film storytelling wise. Park Chan-Wook's The Handmaiden is almost as good as the film that put him on the map, Oldboy, and brings such ferocity and energy that it will be one of the most unforgettable films of 2016.
Think of The Handmaiden as The Duke of Burgundy F'd Up Edition. This film is pretty twisted in the most unexpected ways from the cinematography that is very reminiscent of Possession in that it always keeps moving, eroticism that is reminiscent of Blue is the Warmest Color, performances as spellbinding as Carol, and the insanity of Park Chan- Wook as expected.
The cinematography is some of the most entrancing of the year. Shots that look like they came out of The Master. It's shots like these that make me wonder how was this even possible? It looks so damn cool!
The performances are perfect in sucking you into this world of erotica, selfishness, and trickery. Both female leads were fantastic. Min-hee Kim and Kim Tae-ri are amazing with sharing their sexual tension with the audience watching. It's films like these that are the most memorable. Making you feel how ther characters are feeling. Jung-woo Ha and Jin- woong Jo were great as these sexually and financially repressed men who do the most screwed up things to feel the pleasure they so desire. Nothing wrong with the cast at all.
Of course Park Chank-Wook hits it out of the part with directing. How else would this immaculate vision be done without him niche for detail. He always knows exactly what to do to get an emotion out of his audience and I applaud him for that.
The only negative is that during the middle briefly the pacing slows down a lot and it became really unbearable because I wanted to know exactly what was going to happen next. Thankfully it doesn't last that long and it's really minor that probably won't affect others viewings.
If you have any interest in The Handmaiden or you've just heard about it for the first time I strongly suggest checking this out as soon as it comes out. I'll definitely re watch it when it releases in theaters. Easily one of the best films of the year and one I hope to re watch soon.
Think of The Handmaiden as The Duke of Burgundy F'd Up Edition. This film is pretty twisted in the most unexpected ways from the cinematography that is very reminiscent of Possession in that it always keeps moving, eroticism that is reminiscent of Blue is the Warmest Color, performances as spellbinding as Carol, and the insanity of Park Chan- Wook as expected.
The cinematography is some of the most entrancing of the year. Shots that look like they came out of The Master. It's shots like these that make me wonder how was this even possible? It looks so damn cool!
The performances are perfect in sucking you into this world of erotica, selfishness, and trickery. Both female leads were fantastic. Min-hee Kim and Kim Tae-ri are amazing with sharing their sexual tension with the audience watching. It's films like these that are the most memorable. Making you feel how ther characters are feeling. Jung-woo Ha and Jin- woong Jo were great as these sexually and financially repressed men who do the most screwed up things to feel the pleasure they so desire. Nothing wrong with the cast at all.
Of course Park Chank-Wook hits it out of the part with directing. How else would this immaculate vision be done without him niche for detail. He always knows exactly what to do to get an emotion out of his audience and I applaud him for that.
The only negative is that during the middle briefly the pacing slows down a lot and it became really unbearable because I wanted to know exactly what was going to happen next. Thankfully it doesn't last that long and it's really minor that probably won't affect others viewings.
If you have any interest in The Handmaiden or you've just heard about it for the first time I strongly suggest checking this out as soon as it comes out. I'll definitely re watch it when it releases in theaters. Easily one of the best films of the year and one I hope to re watch soon.
- BrendanMichaels
- 9 août 2016
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Détails
Box-office
- Budget
- 10 000 000 000 KRW (estimation)
- Brut – États-Unis et Canada
- 2 006 788 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 92 129 $ US
- 23 oct. 2016
- Brut – à l'échelle mondiale
- 37 863 670 $ US
- Durée2 heures 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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