Le Japon est plongé dans le chaos après l'apparition d'un monstre géant.Le Japon est plongé dans le chaos après l'apparition d'un monstre géant.Le Japon est plongé dans le chaos après l'apparition d'un monstre géant.
- Prix
- 13 victoires et 10 nominations au total
Histoire
Le saviez-vous
- AnecdotesDirector Hideaki Anno told the actors to speak faster than usual so that they would resemble actual politicians and bureaucrats, citing Le réseau social (2010) as a reference and warning he would cut the take if they spoke too slowly.
- GaffesThe drug that the government uses to kill Godzilla is described as something that will "disable his internal cooling system". After the drug is used at the end, Godzilla freezes. If the drug was supposed to disable his internal cooling system, it would have overheated him, not frozen him. But it's a bit more complex than that... In fact, in the movie the drug actually does manage to disable Godzilla's cooling system, but in stead of overheating him this triggers a SCRAM-shutdown (=Safety Control Rods Activation Mechanism) as a kind of involuntarily overreaction-thus freezing him in the procedure. By freezing himself temporarily, Godzilla is able to survive this potentially critical trauma.
- Citations
Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: Man is more frightening than Gojira.
- Générique farfeluThe Toho logo appears as the 1950s color version to homage Godzilla (1954)'s era.
Godzilla's stomping and roar is heard, which also happened in Godzilla (1954).
- Bandes originalesPersecution of the Masses
Written by Shirô Sagisu
Lyrics by Mike Wyzgowski
Soprano vocals performed by Catherine Bott
Alto and Mezzo-Soprano vocals performed by Deborah Miles-Johnson
Tenor vocals performed by Andrew Busher
Bass vocals performed by Michael George
Orchestra by London Studio Orchestra
Commentaire en vedette
The overall plot and pacing of the movie was pretty good. I appreciated the fact that the movie put together an origin story of sorts. I liked the drama aspects to the movie, rather than making it an out and out action flick.
Things I disliked. Some of the soundtrack was awful, especially during the fight sequences. The soundtrack was a distraction rather than an accompaniment to the movie. The special effects was also pretty bad. I'm kind of wondering if that was intentionally done - like to give the impression that this movie was "retro" in nature... Think 1970s special effects, and that's probably the closest approximation I can give for how bad the effects were. Godzilla seemed to have googly eyes for the most part! I don't know whether it was meant to be a joke or if they honestly thought the effects were convincing... I also generally don't really like stories with overpowered characters (whether they are the good guys or the bad guys) - unless the power levels are really done in a meaningful way.
Still, overall, the movie captured some interesting ideas and takes on how to make a Godzilla movie... Ideas which perhaps can inspire Hollywood to build on.
Things I disliked. Some of the soundtrack was awful, especially during the fight sequences. The soundtrack was a distraction rather than an accompaniment to the movie. The special effects was also pretty bad. I'm kind of wondering if that was intentionally done - like to give the impression that this movie was "retro" in nature... Think 1970s special effects, and that's probably the closest approximation I can give for how bad the effects were. Godzilla seemed to have googly eyes for the most part! I don't know whether it was meant to be a joke or if they honestly thought the effects were convincing... I also generally don't really like stories with overpowered characters (whether they are the good guys or the bad guys) - unless the power levels are really done in a meaningful way.
Still, overall, the movie captured some interesting ideas and takes on how to make a Godzilla movie... Ideas which perhaps can inspire Hollywood to build on.
- jozefxs
- 21 févr. 2020
- Lien permanent
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 918 403 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 458 342 $ US
- 16 oct. 2016
- Brut – à l'échelle mondiale
- 78 053 145 $ US
- Durée2 heures
- Couleur
- Rapport de forme
- 2.39 : 1
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